℗ 2020 Analekta
Released | October 23, 2020 |
Duration | 1h 17m 25s |
Record Label | Groupe Analekta, Inc |
Catalogue No. | AN28920 |
Genre | Classical (Orchestral) |
Ginastera – Bernstein – Moussa: Works for Violin and Orchestra
Andrew Wan, Orchestre Symphonique De Montreal, Kent Nagano
Available in 96 kHz / 24-bit AIFF, FLAC high resolution audio formats
Violin Concerto, Op. 30
|
|||||
1.1
|
I. Cadenza
Alberto Ginastera; Andrew Wan; Orchestre Symphonique De Montréal; Kent Nagano |
6:29 | |||
1.2
|
II. Study No. 1, “Chords” - Allegro
Alberto Ginastera; Andrew Wan; Orchestre Symphonique De Montréal; Kent Nagano |
1:10 | |||
1.3
|
III. Study No. 2, “Thirds” - Allegretto
Alberto Ginastera; Andrew Wan; Orchestre Symphonique De Montréal; Kent Nagano |
1:07 | |||
1.4
|
IV. Study No. 3, “Other intervals” - Lo stesso tempo
Alberto Ginastera; Andrew Wan; Orchestre Symphonique De Montréal; Kent Nagano |
0:56 | |||
1.5
|
V. Study No. 4, “Arpeggios“ - Lo stesso tempo
Alberto Ginastera; Andrew Wan; Orchestre Symphonique De Montréal; Kent Nagano |
0:54 | |||
1.6
|
VI. Study No. 5, “Harmonics“ - Andante
Alberto Ginastera; Andrew Wan; Orchestre Symphonique De Montréal; Kent Nagano |
1:54 | |||
1.7
|
VII. Study No. 6, “Quarter tones“ - Larghissimo
Alberto Ginastera; Andrew Wan; Orchestre Symphonique De Montréal; Kent Nagano |
1:05 | |||
1.8
|
VIII. Coda - Maestoso
Alberto Ginastera; Andrew Wan; Orchestre Symphonique De Montréal; Kent Nagano |
1:03 | |||
1.9
|
IX. Adagio for 22 Soloists
Alberto Ginastera; Andrew Wan; Orchestre Symphonique De Montréal; Kent Nagano |
9:17 | |||
1.10
|
X. Scherzo pianissimo - Sempre volante, misterioso e appena sensibile
Alberto Ginastera; Andrew Wan; Orchestre Symphonique De Montréal; Kent Nagano |
4:52 | |||
1.11
|
XI. Perpetuum mobile - Agitato e allucinante
Alberto Ginastera; Andrew Wan; Orchestre Symphonique De Montréal; Kent Nagano |
2:09 | |||
Serenade for Solo Violin, Strings, Harp and Percussion (after Plato’s Symposium)
|
|||||
1.12
|
I. Phaedrus - Pausanias (Lento - Allegro)
Leonard Bernstein; Andrew Wan; Orchestre Symphonique De Montréal; Kent Nagano |
7:18 | |||
1.13
|
II. Aristophanes (Allegretto)
Leonard Bernstein; Andrew Wan; Orchestre Symphonique De Montréal; Kent Nagano |
4:29 | |||
1.14
|
III. Eryximachus (Presto)
Leonard Bernstein; Andrew Wan; Orchestre Symphonique De Montréal; Kent Nagano |
1:41 | |||
1.15
|
IV. Agathon (Adagio)
Leonard Bernstein; Andrew Wan; Orchestre Symphonique De Montréal; Kent Nagano |
6:36 | |||
1.16
|
V. Socrates - Alcibiades (Molto tenuto - Allegro molto vivace)
Leonard Bernstein; Andrew Wan; Orchestre Symphonique De Montréal; Kent Nagano |
11:28 | |||
Violin Concerto “Adrano”
|
|||||
1.17
|
I. circa 48 – Più mosso circa 58
Samy Moussa; Andrew Wan; Orchestre Symphonique De Montréal; Kent Nagano |
5:31 | |||
1.18
|
II. Cadenza - senza misura
Samy Moussa; Andrew Wan; Orchestre Symphonique De Montréal; Kent Nagano |
2:09 | |||
1.19
|
III. circa 96
Samy Moussa; Andrew Wan; Orchestre Symphonique De Montréal; Kent Nagano |
4:55 | |||
1.20
|
IV. Epilogue - circa 48
Samy Moussa; Andrew Wan; Orchestre Symphonique De Montréal; Kent Nagano |
2:22 |
Kent Nagano leads the Orchestre Symphonique De Montreal with soloist Andrew Wan to perform a programme of works for Violin and Orchestra from Ginastera, Bernstein, and Moussa.
Andrew Wan was named concertmaster of the Orchestre symphonique de Montréal in 2008. As soloist, he has performed worldwide under conductors such as Vengerov, Petrenko, Labadie, Rizzi, Oundjian, Stern, and DePreist and has appeared in recitals with artists such as the Juilliard String Quartet, Repin, Hamelin, Trifonov, Pressler, Widmann, Ax, Ehnes, and Shaham.
96 kHz / 24-bit PCM – Groupe Analekta, Inc Studio Masters
Track title | Peak (dB FS) | RMS (dB FS) | LUFS (integrated) | DR | |
Album average Range of values | -9.39 -29.14 to -0.16 | -33.90 -51.57 to -23.89 | -29.52 -46.90 to -20.80 | 15 12 to 18 | |
1 | I. Cadenza | -8.89 | -33.17 | -27.6 | 16 |
2 | II. Study No. 1, “Chords” - Allegro | -2.59 | -23.89 | -20.8 | 13 |
3 | III. Study No. 2, “Thirds” - Allegretto | -17.41 | -37.81 | -34.6 | 13 |
4 | IV. Study No. 3, “Other intervals” - Lo stesso tempo | -11.87 | -33.89 | -30.6 | 14 |
5 | V. Study No. 4, “Arpeggios“ - Lo stesso tempo | -24.24 | -47.99 | -43.9 | 13 |
6 | VI. Study No. 5, “Harmonics“ - Andante | -29.14 | -51.57 | -46.9 | 12 |
7 | VII. Study No. 6, “Quarter tones“ - Larghissimo | -25.30 | -48.56 | -43.1 | 13 |
8 | VIII. Coda - Maestoso | -0.81 | -24.41 | -20.9 | 12 |
9 | IX. Adagio for 22 Soloists | -4.61 | -33.35 | -27.1 | 17 |
10 | X. Scherzo pianissimo - Sempre volante, misterioso e appena sensibile | -14.88 | -40.28 | -35.3 | 17 |
11 | XI. Perpetuum mobile - Agitato e allucinante | -0.16 | -27.14 | -22.7 | 17 |
12 | I. Phaedrus - Pausanias (Lento - Allegro) | -1.36 | -28.13 | -24.2 | 18 |
13 | II. Aristophanes (Allegretto) | -7.98 | -32.75 | -28.8 | 16 |
14 | III. Eryximachus (Presto) | -4.66 | -29.21 | -24.6 | 16 |
15 | IV. Agathon (Adagio) | -0.20 | -28.93 | -22.7 | 17 |
16 | V. Socrates - Alcibiades (Molto tenuto - Allegro molto vivace) | -0.84 | -27.76 | -23.7 | 18 |
17 | I. circa 48 – Più mosso circa 58 | -2.89 | -29.31 | -23.9 | 17 |
18 | II. Cadenza - senza misura | -15.97 | -39.42 | -35.9 | 13 |
19 | III. circa 96 | -0.16 | -24.12 | -20.8 | 16 |
20 | IV. Epilogue - circa 48 | -13.90 | -36.34 | -32.3 | 12 |