℗ ℗ 2020 Accent
 

Werner: Der Gute Hirt

Orfeo Orchestra, György Vashegyi, Ágnes Kovács, Péter Bárány, Lóránt Najbauer, Adriána Kalafszky, Zoltán Megyesi, Purcell Choir

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Der Gute Hirt, Act I  
1.1
Introductio
Gregor Joseph Werner; Orfeo Orchestra; György Vashegyi
4:24
Der Gute Hirt, Act I Scene 1  
1.2
Wohlan laßt uns mit Rosen krönen
Gregor Joseph Werner; Ágnes Kovács; Orfeo Orchestra; György Vashegyi
1:39
1.3
Nun ihr, Blumen auf den Feldern
Gregor Joseph Werner; Ágnes Kovács; Orfeo Orchestra; György Vashegyi
6:00
Der Gute Hirt, Act I Scene 2  
1.4
Wie? Was höre ich?
Gregor Joseph Werner; Péter Bárány; Lóránt Najbauer; Orfeo Orchestra; György Vashegyi
7:39
Der Gute Hirt, Act I Scene 3  
1.5
Ach, schiegle dich, mein Geist
Gregor Joseph Werner; Lóránt Najbauer; Orfeo Orchestra; György Vashegyi
6:07
1.6
Ach Schäflein, Schäflein, komme doch
Gregor Joseph Werner; Péter Bárány; Orfeo Orchestra; György Vashegyi
1:12
1.7
Das Hirschlein nicht so schnell
Gregor Joseph Werner; Péter Bárány; Orfeo Orchestra; György Vashegyi
7:55
1.8
Du daurest nicht, mein Kind
Gregor Joseph Werner; Péter Bárány; Lóránt Najbauer; Orfeo Orchestra; György Vashegyi
3:04
1.9
Die Liebe hat kein Ziel
Gregor Joseph Werner; Lóránt Najbauer; Orfeo Orchestra; György Vashegyi
4:55
Der Gute Hirt, Act I Scene 4  
1.10
Auf, auf, ihr wild Syrenen
Gregor Joseph Werner; Ágnes Kovács; Lóránt Najbauer; Orfeo Orchestra; György Vashegyi
7:17
Der Gute Hirt, Act I Scene 5  
1.11
Hinweg mit der Melancholie
Gregor Joseph Werner; Ágnes Kovács; Orfeo Orchestra; György Vashegyi
3:05
Der Gute Hirt, Act II Scene 1  
2.1
Nun bin ich mied und matt
Gregor Joseph Werner; Péter Bárány; Adriána Kalafszky; Orfeo Orchestra; György Vashegyi
2:24
2.2
Auf, auf, mit hurtig schnellem Lauf
Gregor Joseph Werner; Péter Bárány; Orfeo Orchestra; György Vashegyi
3:07
Der Gute Hirt, Act II Scene 2  
2.3
O, du geheiligter Ort
Gregor Joseph Werner; Ágnes Kovács; Lóránt Najbauer; Orfeo Orchestra; György Vashegyi
2:46
Der Gute Hirt, Act II Scene 3  
2.4
Deine froh Wort ich verachte
Gregor Joseph Werner; Ágnes Kovács; Lóránt Najbauer; Orfeo Orchestra; György Vashegyi
5:41
Der Gute Hirt, Act II Scene 4  
2.5
Endlich bin ich so weit gekommen
Gregor Joseph Werner; Zoltán Megyesi; Lóránt Najbauer; Orfeo Orchestra; György Vashegyi
4:34
Der Gute Hirt, Act II Scene 5  
2.6
O ihr alle, die ihr vorbei nun gehet
Gregor Joseph Werner; Zoltán Megyesi; Orfeo Orchestra; György Vashegyi
2:00
2.7
Steinhartes Felsenherz
Gregor Joseph Werner; Zoltán Megyesi; Orfeo Orchestra; György Vashegyi
3:57
Der Gute Hirt, Act II Scene 6  
2.8
O du gebenedei, guter Hirt
Gregor Joseph Werner; Ágnes Kovács; Orfeo Orchestra; György Vashegyi
2:15
2.9
So komme dann herbei
Gregor Joseph Werner; Purcell Choir; Orfeo Orchestra; György Vashegyi
1:39
2.10
So sei es dann gewagt
Gregor Joseph Werner; Ágnes Kovács; Lóránt Najbauer; Orfeo Orchestra; György Vashegyi
1:16
2.11
So laßt uns auch dann gehen
Gregor Joseph Werner; Purcell Choir; Orfeo Orchestra; György Vashegyi
1:39
Digital Booklet
Total Playing Time    1:24:35
Gregor Joseph Werner (1693-1766) was Kapellmeister at the Eszterházy court in Eisenstadt, and on his death he was succeeded by Joseph Haydn. A surviving manuscript score of his oratorio Der gute Hirt (The Good Shepherd) is preserved in the music collection of the National Library of Hungary in Budapest. Werners oratorio is a sepolcro oratorio originating from the Viennese court tradition. This particular musical-dramatic form of the Holy Week oratorio performed around the holy sepulcher of Catholic churches, became fashionable throughout the Habsburg empire during the last third of the 17th century. This genre, a staged musical performance presenting the burial of Jesus Christ, was a part of church music practice in Central Europe as late as the 1730s.

On 28 March 1739, the Good Friday service held in the Palace Chapel in Eisenstadt was centered around a musical drama setting of Gregor Werners own text based on the Parable of the Good Shepherd in the Gospel of Luke, thereby commemorating Jesus Christs death on the cross at Golgotha. The single lost sheep is the symbol of man who, having revolted and lost his secure place in Paradise, can be guided back to the path of salvation only through the sacrifice of the all-forgiving Good Shepherd/Jesus, the Fathers only son, who will never leave him.
48 kHz / 24-bit PCM – Accent Studio Masters

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