℗ 2020 Odradek Records
Released | October 23, 2020 |
Duration | 2h 34m 20s |
Record Label | Odradek Records |
Catalogue No. | ODRCD391 |
Genre | Classical (Keyboard) |
Franz Liszt - Années de pèlerinage
Michele Campanella
Available in 96 kHz / 24-bit AIFF, FLAC high resolution audio formats
Années de pèlerinage - Première année, Suisse, S.160
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1.1
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I. Chapelle de Guillaume Tell
Franz Liszt; Michele Campanella |
5:41 | |||
1.2
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II. Au lac de Wallenstadt
Franz Liszt; Michele Campanella |
4:27 | |||
1.3
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III. Pastorale
Franz Liszt; Michele Campanella |
1:42 | |||
1.4
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IV. Au bord d'une source
Franz Liszt; Michele Campanella |
3:56 | |||
1.5
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V. Orage
Franz Liszt; Michele Campanella |
4:44 | |||
1.6
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VI. Vallée d'Obermann
Franz Liszt; Michele Campanella |
15:06 | |||
1.7
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VII. Eglogue
Franz Liszt; Michele Campanella |
4:40 | |||
1.8
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VIII. Le mal du pays (Heimweh)
Franz Liszt; Michele Campanella |
5:40 | |||
1.9
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IX. Les cloches de Genève (Nocturne)
Franz Liszt; Michele Campanella |
7:29 | |||
Années de pèlerinage - Deuxième année, Italie, S.161
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2.1
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I. Sposalizio
Franz Liszt; Michele Campanella |
8:11 | |||
2.2
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II. Il Pensieroso
Franz Liszt; Michele Campanella |
3:46 | |||
2.3
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III. Canzonetta del Salvator Rosa
Franz Liszt; Michele Campanella |
2:57 | |||
2.4
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IV. Sonetto 47 del Petrarca
Franz Liszt; Michele Campanella |
5:40 | |||
2.5
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V. Sonetto 104 del Petrarca
Franz Liszt; Michele Campanella |
5:32 | |||
2.6
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VI. Sonetto 123 del Petrarca
Franz Liszt; Michele Campanella |
7:24 | |||
2.7
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VII. Après une lecture de Dante. Fantasia Quasi Sonata
Franz Liszt; Michele Campanella |
17:38 | |||
Années de pèlerinage - Troisième année, S.163
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3.1
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I. Angelus! Prière aux anges gardiens
Franz Liszt; Michele Campanella |
8:27 | |||
3.2
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II. Aux cyprès de la Villa d'Este I (Thrénodie)
Franz Liszt; Michele Campanella |
6:18 | |||
3.3
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III. Aux cyprès de la Villa d'Este II (Thrénodie)
Franz Liszt; Michele Campanella |
9:35 | |||
3.4
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IV. Les jeux d'eaux à la Villa d'Este
Franz Liszt; Michele Campanella |
8:05 | |||
3.5
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V. Sunt lacrymae rerum, en mode hongrois
Franz Liszt; Michele Campanella |
6:57 | |||
3.6
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VI. Marche funèbre, en mémoire de Maximilian I, Empereur du Mexique
Franz Liszt; Michele Campanella |
6:50 | |||
3.7
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VII. Sursum corda
Franz Liszt; Michele Campanella |
3:35 |
Italian pianist Michele Campanella has become renowned as a Liszt specialist, but with customary modesty and respect for the composer’s music he has chosen to wait until now to record the seminal Années de pèlerinage. The desire to get to grips with these pieces dates back 50 years to when Campanella was first starting to play Liszt’s music, but he waited, recognising that maturity and experience would bring him closer to Liszt’s own state of mind as he composed these pieces. Liszt’s dazzling virtuosity is often emphasised, but in this recording Campanella has accentuated the composer’s more introspective tendencies, making this a unique and truly insightful interpretation.
The three sets of Liszt’s 'Années de pèlerinage' take the listener on a journey not only through the geographical regions that inspired the composer, Switzerland and Italy, but on a voyage through his own personal development, becoming increasingly inward-looking and spiritual with each cycle. The first set, Suisse, already displays much of that psychological scope, with works of quintessential Romanticism: poetic, evocative and wide-ranging in their emotional landscape. The second set, Italie, is even more organic and compact in its conception, and in the final set we hear an older composer reflecting on life and death in music characterised by impressionistic colours and profound spiritual depth.
This album is a rare opportunity to hear a musician immersed in Liszt’s world perform this music in a way that puts the music first; Campanella does not use Liszt’s pieces as a vehicle to showcase his own skill, but records them with a sincere wish to communicate the intricacies of the repertoire. With this in mind, Campanella has recorded Liszt’s works on a Steinway model D from 1892 that has survived to this day with all its original components intact, resulting in a warm and authentic sound.
96 kHz / 24-bit PCM – Odradek Records Studio Masters
Track title | Peak (dB FS) | RMS (dB FS) | LUFS (integrated) | DR | |
Album average Range of values | -3.13 -11.89 to -0.11 | -26.38 -33.57 to -19.20 | -22.62 -30.90 to -16.00 | 14 11 to 17 | |
1.1 | I. Chapelle de Guillaume Tell | -0.15 | -22.07 | -18.4 | 14 |
1.2 | II. Au lac de Wallenstadt | -11.89 | -33.57 | -30.9 | 14 |
1.3 | III. Pastorale | -8.31 | -26.96 | -24.0 | 11 |
1.4 | IV. Au bord d'une source | -5.28 | -26.74 | -23.6 | 12 |
1.5 | V. Orage | -0.15 | -19.20 | -16.0 | 13 |
1.6 | VI. Vallée d'Obermann | -0.62 | -24.24 | -19.1 | 14 |
1.7 | VII. Eglogue | -6.45 | -31.05 | -27.7 | 16 |
1.8 | VIII. Le mal du pays (Heimweh) | -7.60 | -30.93 | -26.9 | 13 |
1.9 | IX. Les cloches de Genève (Nocturne) | -3.65 | -28.38 | -23.3 | 14 |
2.1 | I. Sposalizio | -0.53 | -25.86 | -20.5 | 14 |
2.2 | II. Il Pensieroso | -4.92 | -31.06 | -28.1 | 15 |
2.3 | III. Canzonetta del Salvator Rosa | -1.61 | -24.02 | -20.6 | 15 |
2.4 | IV. Sonetto 47 del Petrarca | -4.40 | -27.68 | -24.0 | 13 |
2.5 | V. Sonetto 104 del Petrarca | -4.85 | -25.73 | -22.4 | 13 |
2.6 | VI. Sonetto 123 del Petrarca | -3.51 | -29.95 | -25.9 | 15 |
2.7 | VII. Après une lecture de Dante. Fantasia Quasi Sonata | -0.43 | -22.06 | -17.9 | 14 |
3.1 | I. Angelus! Prière aux anges gardiens | -2.72 | -29.46 | -24.9 | 17 |
3.2 | II. Aux cyprès de la Villa d'Este I (Thrénodie) | -1.79 | -25.16 | -21.5 | 14 |
3.3 | III. Aux cyprès de la Villa d'Este II (Thrénodie) | -0.43 | -26.23 | -22.7 | 16 |
3.4 | IV. Les jeux d'eaux à la Villa d'Este | -0.98 | -25.82 | -22.4 | 15 |
3.5 | V. Sunt lacrymae rerum, en mode hongrois | -0.55 | -24.10 | -20.5 | 14 |
3.6 | VI. Marche funèbre, en mémoire de Maximilian I, Empereur du Mexique | -1.09 | -24.96 | -20.7 | 15 |
3.7 | VII. Sursum corda | -0.11 | -21.51 | -18.3 | 14 |