℗ 2020 Hungaroton
| Released | October 9, 2020 |
| Duration | 2h 24m 05s |
| Record Label | Hungaroton |
| Catalogue No. | HCD32834-35 |
| Genre | Classical (Cello) |
J.S. Bach: Cello Suites Nos. 1-6, BWVV 1007-1012
Miklós Perényi
Available in 96 kHz / 24-bit AIFF, FLAC high resolution audio formats
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Cello Suite No. 1 in G Major, BWV 1007
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1.1
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I. Prélude
Johann Sebastian Bach; Miklós Perényi |
3:05 | |||
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1.2
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II. Allemande
Johann Sebastian Bach; Miklós Perényi |
3:45 | |||
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1.3
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III. Courante
Johann Sebastian Bach; Miklós Perényi |
2:44 | |||
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1.4
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IV. Sarabande
Johann Sebastian Bach; Miklós Perényi |
2:58 | |||
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1.5
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V. Menuets I & II
Johann Sebastian Bach; Miklós Perényi |
3:45 | |||
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1.6
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VI. Gigue
Johann Sebastian Bach; Miklós Perényi |
1:51 | |||
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Cello Suite No. 4 in E-Flat Major, BWV 1010
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1.7
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I. Prélude
Johann Sebastian Bach; Miklós Perényi |
4:15 | |||
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1.8
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II. Allemande
Johann Sebastian Bach; Miklós Perényi |
4:12 | |||
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1.9
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III. Courante
Johann Sebastian Bach; Miklós Perényi |
3:54 | |||
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1.10
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IV. Sarabande
Johann Sebastian Bach; Miklós Perényi |
4:23 | |||
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1.11
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V. Bourrées I & II
Johann Sebastian Bach; Miklós Perényi |
5:46 | |||
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1.12
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VI. Gigue
Johann Sebastian Bach; Miklós Perényi |
3:40 | |||
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Cello Suite No. 5 in C Minor, BWV 1011
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1.13
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I. Prelude
Johann Sebastian Bach; Miklós Perényi |
7:19 | |||
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1.14
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II. Allemande
Johann Sebastian Bach; Miklós Perényi |
4:52 | |||
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1.15
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III. Courante
Johann Sebastian Bach; Miklós Perényi |
2:26 | |||
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1.16
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IV. Sarabande
Johann Sebastian Bach; Miklós Perényi |
3:29 | |||
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1.17
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V. Gavottes I & II
Johann Sebastian Bach; Miklós Perényi |
5:26 | |||
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1.18
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VI. Gigue
Johann Sebastian Bach; Miklós Perényi |
2:41 | |||
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Cello Suite No. 2 in D Minor, BWV 1008
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2.1
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I. Prélude
Johann Sebastian Bach; Miklós Perényi |
3:42 | |||
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2.2
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II. Allemande
Johann Sebastian Bach; Miklós Perényi |
3:12 | |||
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2.3
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III. Courante
Johann Sebastian Bach; Miklós Perényi |
2:22 | |||
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2.4
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IV. Sarabande
Johann Sebastian Bach; Miklós Perényi |
5:02 | |||
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2.5
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V. Menuets I & II
Johann Sebastian Bach; Miklós Perényi |
3:49 | |||
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2.6
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VI. Gigue
Johann Sebastian Bach; Miklós Perényi |
2:46 | |||
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Cello Suite No. 3 in C Major, BWV 1009
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2.7
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I. Prélude
Johann Sebastian Bach; Miklós Perényi |
3:54 | |||
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2.8
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II. Allemande
Johann Sebastian Bach; Miklós Perényi |
3:43 | |||
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2.9
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III. Courante
Johann Sebastian Bach; Miklós Perényi |
3:41 | |||
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2.10
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IV. Sarabande
Johann Sebastian Bach; Miklós Perényi |
3:48 | |||
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2.11
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V. Bourrées I & II
Johann Sebastian Bach; Miklós Perényi |
3:46 | |||
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2.12
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VI. Gigue
Johann Sebastian Bach; Miklós Perényi |
3:06 | |||
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Cello Suite No. 6 in D Major, BWV 1012
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2.13
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I. Prelude
Johann Sebastian Bach; Miklós Perényi |
5:20 | |||
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2.14
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II. Allemande
Johann Sebastian Bach; Miklós Perényi |
7:12 | |||
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2.15
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III. Courante
Johann Sebastian Bach; Miklós Perényi |
4:04 | |||
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2.16
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IV. Sarabande
Johann Sebastian Bach; Miklós Perényi |
5:38 | |||
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2.17
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V. Gavottes I & II
Johann Sebastian Bach; Miklós Perényi |
4:28 | |||
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2.18
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VI. Gigue
Johann Sebastian Bach; Miklós Perényi |
4:01 | |||
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Digital Booklet
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Miklós Perényi is recognized as one of the great cellists of his generation, with a distinctive, subtly nuanced sound matched by extraordinary musicality. Perényi has appeared in the world’s major musical centers, performing with the best orchestras around Europe, Asia and North and South America. Exactly forty years after his first complete recording of the six Bach Suites, Miklós Perényi records them again for the label Hungaroton in 2020.
96 kHz / 24-bit PCM – Hungaroton Studio Masters
| Track title | Peak (dB FS) | RMS (dB FS) | LUFS (integrated) | DR | |
Album average Range of values | -0.62 -4.40 to 0.00 | -19.01 -23.21 to -16.33 | -16.50 -20.70 to -14.10 | 12 10 to 15 | |
| 1.1 | I. Prélude | -0.13 | -17.73 | -15.2 | 10 |
| 1.2 | II. Allemande | -0.13 | -17.51 | -15.0 | 12 |
| 1.3 | III. Courante | -0.06 | -17.10 | -14.6 | 11 |
| 1.4 | IV. Sarabande | -0.51 | -19.37 | -16.5 | 13 |
| 1.5 | V. Menuets I & II | -0.79 | -19.70 | -17.1 | 12 |
| 1.6 | VI. Gigue | -0.11 | -17.16 | -14.7 | 11 |
| 1.7 | I. Prélude | 0.00 | -16.70 | -14.5 | 11 |
| 1.8 | II. Allemande | -0.14 | -16.58 | -14.3 | 10 |
| 1.9 | III. Courante | -0.06 | -16.82 | -14.5 | 11 |
| 1.10 | IV. Sarabande | -1.26 | -19.84 | -17.3 | 11 |
| 1.11 | V. Bourrées I & II | -0.19 | -18.95 | -16.6 | 12 |
| 1.12 | VI. Gigue | -0.34 | -16.33 | -14.1 | 11 |
| 1.13 | I. Prelude | -0.08 | -16.77 | -14.5 | 11 |
| 1.14 | II. Allemande | -0.01 | -18.43 | -16.1 | 12 |
| 1.15 | III. Courante | -0.15 | -17.17 | -14.8 | 11 |
| 1.16 | IV. Sarabande | -4.40 | -23.21 | -20.7 | 11 |
| 1.17 | V. Gavottes I & II | -0.16 | -18.53 | -16.2 | 12 |
| 1.18 | VI. Gigue | -0.69 | -17.91 | -15.4 | 12 |
| 2.1 | I. Prélude | -0.19 | -18.90 | -16.3 | 11 |
| 2.2 | II. Allemande | -1.74 | -19.01 | -16.7 | 11 |
| 2.3 | III. Courante | -0.95 | -18.39 | -15.9 | 12 |
| 2.4 | IV. Sarabande | -1.47 | -20.85 | -18.3 | 12 |
| 2.5 | V. Menuets I & II | -1.69 | -20.88 | -18.2 | 12 |
| 2.6 | VI. Gigue | -0.18 | -18.49 | -16.2 | 12 |
| 2.7 | I. Prélude | -0.40 | -19.54 | -17.1 | 13 |
| 2.8 | II. Allemande | -0.18 | -19.12 | -16.7 | 13 |
| 2.9 | III. Courante | -0.12 | -18.85 | -16.4 | 12 |
| 2.10 | IV. Sarabande | -1.57 | -21.20 | -18.4 | 13 |
| 2.11 | V. Bourrées I & II | -1.26 | -19.94 | -17.4 | 11 |
| 2.12 | VI. Gigue | -0.20 | -19.13 | -16.6 | 12 |
| 2.13 | I. Prelude | -0.41 | -20.19 | -17.5 | 13 |
| 2.14 | II. Allemande | -0.15 | -21.25 | -18.4 | 14 |
| 2.15 | III. Courante | -0.55 | -21.43 | -18.8 | 15 |
| 2.16 | IV. Sarabande | -1.52 | -20.97 | -18.1 | 13 |
| 2.17 | V. Gavottes I & II | -0.45 | -20.83 | -18.0 | 14 |
| 2.18 | VI. Gigue | -0.14 | -19.58 | -16.9 | 13 |