℗ 2020 Naxos
Released October 23, 2020
Duration 1h 10m 36s
Record Label Naxos
Catalogue No. 8.573626
Genre Classical (Guitar)
 

J.S. Bach: Cello Suites, Vol. 2 (Arr. J. McFadden for Guitar)

Jeffrey McFadden

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Cello Suite No. 4 in E-Flat Major, BWV 1010 (Arr. J. McFadden for Guitar)  
1.1
I. Prélude
Johann Sebastian Bach; Jeffrey McFadden
3:26
1.2
II. Allemande
Johann Sebastian Bach; Jeffrey McFadden
4:13
1.3
III. Courante
Johann Sebastian Bach; Jeffrey McFadden
3:24
1.4
IV. Sarabande
Johann Sebastian Bach; Jeffrey McFadden
3:23
1.5
V. Bourrées I & II
Johann Sebastian Bach; Jeffrey McFadden
4:35
1.6
VI. Gigue
Johann Sebastian Bach; Jeffrey McFadden
2:34
Cello Suite No. 5 in C Minor, BWV 1011 (Arr. J. McFadden for Guitar)  
1.7
I. Prélude
Johann Sebastian Bach; Jeffrey McFadden
5:22
1.8
II. Allemande
Johann Sebastian Bach; Jeffrey McFadden
5:11
1.9
III. Courante
Johann Sebastian Bach; Jeffrey McFadden
2:01
1.10
IV. Sarabande
Johann Sebastian Bach; Jeffrey McFadden
2:37
1.11
V. Gavottes I & II
Johann Sebastian Bach; Jeffrey McFadden
4:36
1.12
VI. Gigue
Johann Sebastian Bach; Jeffrey McFadden
1:56
Cello Suite No. 6 in D Major, BWV 1012 (Arr. J. McFadden for Guitar)  
1.13
I. Prélude
Johann Sebastian Bach; Jeffrey McFadden
4:36
1.14
II. Allemande
Johann Sebastian Bach; Jeffrey McFadden
6:58
1.15
III. Courante
Johann Sebastian Bach; Jeffrey McFadden
3:36
1.16
IV. Sarabande
Johann Sebastian Bach; Jeffrey McFadden
4:05
Cello Suite No. 6 in D Major, BWV 1012 (Arr. J. McFadden for Guitar)  
1.17
V. Gavottes I & II
Johann Sebastian Bach; Jeffrey McFadden
4:08
Cello Suite No. 6 in D Major, BWV 1012 (Arr. J. McFadden for Guitar)  
1.18
VI. Gigue
Johann Sebastian Bach; Jeffrey McFadden
3:55
Digital Booklet
J.S. Bach’s Cello Suites are believed to have been written in the Saxon town of Cöthen between 1717 and 1723. They stand near the apex of Bach’s compositions for a single instrument and contain some of his most beautiful and vivid writing. Jeffrey McFadden’s guitar arrangements augment these elements with their own harmonic complexity, creating a new string medium for these epochal works. J.S. Bach’s six Cello Suites have been arranged for guitar in the past, with Francisco Tárrega starting this tradition in the 19th century, followed by the likes of Andrés Segovia and John W. Duarte. Each new arrangement brings contemporary thinking and fresh insights and research, and Jeffrey McFadden’s superb transcriptions have been applauded at numerous concert performances in which he was able to refine and hone his approach in advance of these recordings.
96 kHz / 24-bit PCM – Naxos Studio Masters
Track title
Peak
(dB FS)
RMS
(dB FS)
LUFS
(integrated)
DR
Album average
Range of values
-9.04
-12.46 to -4.52
-29.81
-33.79 to -26.56
-27.47
-31.40 to -24.20
14
12 to 21
1
I. Prélude
-11.85-30.84-28.613
2
II. Allemande
-8.48-30.02-27.715
3
III. Courante
-9.35-30.13-27.815
4
IV. Sarabande
-12.31-33.79-31.415
5
V. Bourrées I & II
-12.46-30.91-28.613
6
VI. Gigue
-8.69-29.91-27.616
7
I. Prélude
-9.89-31.31-28.816
8
II. Allemande
-10.09-32.29-30.116
9
III. Courante
-4.52-30.94-28.621
10
IV. Sarabande
-9.21-31.62-28.714
11
V. Gavottes I & II
-10.38-30.66-28.415
12
VI. Gigue
-8.11-28.09-25.614
13
I. Prélude
-7.67-27.06-25.012
14
II. Allemande
-8.67-28.93-26.713
15
III. Courante
-8.52-27.45-25.612
16
IV. Sarabande
-7.89-29.16-26.714
17
V. Gavottes I & II
-7.20-26.95-24.312
18
VI. Gigue
-7.48-26.56-24.213

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