℗ 2020 Naxos
 

J.S. Bach: Cello Suites, Vol. 2 (Arr. J. McFadden for Guitar)

Jeffrey McFadden

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Cello Suite No. 4 in E-Flat Major, BWV 1010 (Arr. J. McFadden for Guitar)  
1.1
I. Prélude
Johann Sebastian Bach; Jeffrey McFadden
3:26
1.2
II. Allemande
Johann Sebastian Bach; Jeffrey McFadden
4:13
1.3
III. Courante
Johann Sebastian Bach; Jeffrey McFadden
3:24
1.4
IV. Sarabande
Johann Sebastian Bach; Jeffrey McFadden
3:23
1.5
V. Bourrées I & II
Johann Sebastian Bach; Jeffrey McFadden
4:35
1.6
VI. Gigue
Johann Sebastian Bach; Jeffrey McFadden
2:34
Cello Suite No. 5 in C Minor, BWV 1011 (Arr. J. McFadden for Guitar)  
1.7
I. Prélude
Johann Sebastian Bach; Jeffrey McFadden
5:22
1.8
II. Allemande
Johann Sebastian Bach; Jeffrey McFadden
5:11
1.9
III. Courante
Johann Sebastian Bach; Jeffrey McFadden
2:01
1.10
IV. Sarabande
Johann Sebastian Bach; Jeffrey McFadden
2:37
1.11
V. Gavottes I & II
Johann Sebastian Bach; Jeffrey McFadden
4:36
1.12
VI. Gigue
Johann Sebastian Bach; Jeffrey McFadden
1:56
Cello Suite No. 6 in D Major, BWV 1012 (Arr. J. McFadden for Guitar)  
1.13
I. Prélude
Johann Sebastian Bach; Jeffrey McFadden
4:36
1.14
II. Allemande
Johann Sebastian Bach; Jeffrey McFadden
6:58
1.15
III. Courante
Johann Sebastian Bach; Jeffrey McFadden
3:36
1.16
IV. Sarabande
Johann Sebastian Bach; Jeffrey McFadden
4:05
Cello Suite No. 6 in D Major, BWV 1012 (Arr. J. McFadden for Guitar)  
1.17
V. Gavottes I & II
Johann Sebastian Bach; Jeffrey McFadden
4:08
Cello Suite No. 6 in D Major, BWV 1012 (Arr. J. McFadden for Guitar)  
1.18
VI. Gigue
Johann Sebastian Bach; Jeffrey McFadden
3:55
Digital Booklet
Total Playing Time    70:36
J.S. Bach’s Cello Suites are believed to have been written in the Saxon town of Cöthen between 1717 and 1723. They stand near the apex of Bach’s compositions for a single instrument and contain some of his most beautiful and vivid writing. Jeffrey McFadden’s guitar arrangements augment these elements with their own harmonic complexity, creating a new string medium for these epochal works. J.S. Bach’s six Cello Suites have been arranged for guitar in the past, with Francisco Tárrega starting this tradition in the 19th century, followed by the likes of Andrés Segovia and John W. Duarte. Each new arrangement brings contemporary thinking and fresh insights and research, and Jeffrey McFadden’s superb transcriptions have been applauded at numerous concert performances in which he was able to refine and hone his approach in advance of these recordings.
96 kHz / 24-bit PCM – Naxos Studio Masters

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