℗ 2020 Naxos
Released | October 23, 2020 |
Duration | 1h 15m 31s |
Record Label | Naxos |
Catalogue No. | 8.574273 |
Genre | Classical (Sacred) |
Brahms: Ein deutsches Requiem, Op. 45
Bachchor Mainz, Deutsche Radio Philharmonie Saarbrücken Kaiserslautern, Ralf Otto, Matthias Winckhler, Christina Gansch
Available in 96 kHz / 24-bit AIFF, FLAC high resolution audio formats
Ein deutsches Requiem, Op. 45
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1.1
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No. 1, Selig sind, die da Leid tragen
Johannes Brahms; Bachchor Mainz; Deutsche Radio Philharmonie Saarbrücken Kaiserslautern; Ralf Otto |
10:54 | |||
1.2
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No. 2, Denn alles Fleisch, es ist wie Gras
Johannes Brahms; Bachchor Mainz; Deutsche Radio Philharmonie Saarbrücken Kaiserslautern; Ralf Otto |
16:01 | |||
1.3
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No. 3, Herr, lehre doch mich
Johannes Brahms; Matthias Winckhler; Bachchor Mainz; Deutsche Radio Philharmonie Saarbrücken Kaiserslautern; Ralf Otto |
10:13 | |||
1.4
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No. 4, Wie lieblich sind deine Wohnungen
Johannes Brahms; Bachchor Mainz; Deutsche Radio Philharmonie Saarbrücken Kaiserslautern; Ralf Otto |
6:20 | |||
1.5
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No. 5, Ihr habt nun Traurigkeit
Johannes Brahms; Christina Gansch; Bachchor Mainz; Deutsche Radio Philharmonie Saarbrücken Kaiserslautern; Ralf Otto |
7:28 | |||
1.6
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No. 6, Denn wir haben hie keine bleibende Statt
Johannes Brahms; Matthias Winckhler; Bachchor Mainz; Deutsche Radio Philharmonie Saarbrücken Kaiserslautern; Ralf Otto |
12:57 | |||
1.7
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No. 7, Selig sind die Toten
Johannes Brahms; Bachchor Mainz; Deutsche Radio Philharmonie Saarbrücken Kaiserslautern; Ralf Otto |
11:38 | |||
Digital Booklet
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Brahms’ "Ein deutsches Requiem" was initially conceived as a ‘cantata of grief’ – it was the death of his mother and the desire to create a memorial to his friend Robert Schumann that makes this music so intensely personal. With its radiant messages of humanity, consolation and comfort, the Requiem caused a sensation and made Brahms famous virtually overnight. The work is heard here with its ‘ad libitum’ organ and contrabassoon reinstated, enormously intensifying the depth of tone colors and lower sonorities.
For the conductor Ralf Otto flexibility, diversity and transparency of sound have always been essential for his work with orchestras and choirs. Otto believes that understanding the compositional structure of a piece of music is an indispensable prerequisite to achieving intensely emotional expression. The conductor’s reputation is based on his gift for interpreting different musical styles, from the Renaissance to the music of today. Since the beginning of his career, he has been a strong advocate for the performance of early music according to historically informed performance practices. His numerous recordings and broadcasts are a testament to his artistic achievements.
96 kHz / 24-bit PCM – Naxos Studio Masters
Track title | Peak (dB FS) | RMS (dB FS) | LUFS (integrated) | DR | |
Album average Range of values | -2.93 -8.10 to -0.30 | -26.99 -32.04 to -21.40 | -22.83 -28.30 to -16.70 | 14 13 to 17 | |
1 | No. 1, Selig sind, die da Leid tragen | -2.99 | -29.03 | -25.0 | 14 |
2 | No. 2, Denn alles Fleisch, es ist wie Gras | -0.30 | -24.18 | -19.5 | 15 |
3 | No. 3, Herr, lehre doch mich | -0.30 | -23.56 | -18.5 | 14 |
4 | No. 4, Wie lieblich sind deine Wohnungen | -6.49 | -28.90 | -25.7 | 13 |
5 | No. 5, Ihr habt nun Traurigkeit | -8.10 | -32.04 | -28.3 | 14 |
6 | No. 6, Denn wir haben hie keine bleibende Statt | -0.30 | -21.40 | -16.7 | 13 |
7 | No. 7, Selig sind die Toten | -2.03 | -29.82 | -26.1 | 17 |