℗ 2020 haenssler CLASSIC
Released | October 23, 2020 |
Duration | 2h 06m 32s |
Record Label | haenssler CLASSIC |
Catalogue No. | HC17040 |
Genre | Classical (Piano) |
Schumann: Complete Piano Works, Vol. 14
Florian Uhlig
Available in 96 kHz / 24-bit AIFF, FLAC high resolution audio formats
Impromptus on a Theme of Clara Wieck, Op. 5
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1.1
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No. 1, Un poco adagio - Romanza
Robert Schumann; Florian Uhlig |
1:28 | |||
1.2
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No. 2, —
Robert Schumann; Florian Uhlig |
0:29 | |||
1.3
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No. 3, Espressivo
Robert Schumann; Florian Uhlig |
0:43 | |||
1.4
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No. 4, —
Robert Schumann; Florian Uhlig |
0:42 | |||
1.5
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No. 5, —
Robert Schumann; Florian Uhlig |
1:06 | |||
1.6
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No. 6, —
Robert Schumann; Florian Uhlig |
1:13 | |||
1.7
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No. 7, Presto
Robert Schumann; Florian Uhlig |
0:49 | |||
1.8
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No. 8, —
Robert Schumann; Florian Uhlig |
0:39 | |||
1.9
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No. 9, —
Robert Schumann; Florian Uhlig |
1:32 | |||
1.10
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No. 10, —
Robert Schumann; Florian Uhlig |
0:59 | |||
1.11
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No. 11, Allegro con brio
Robert Schumann; Florian Uhlig |
1:46 | |||
1.12
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No. 12, Vivace
Robert Schumann; Florian Uhlig |
4:11 | |||
Etudes in Variation Form on a Theme by Beethoven, WoO 31
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1.13
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No. 1, —
Robert Schumann; Florian Uhlig |
0:30 | |||
1.14
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No. 2, —
Robert Schumann; Florian Uhlig |
0:50 | |||
1.15
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No. 3, Molto moderato
Robert Schumann; Florian Uhlig |
0:50 | |||
1.16
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No. 4, —
Robert Schumann; Florian Uhlig |
1:34 | |||
1.17
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No. 5, —
Robert Schumann; Florian Uhlig |
0:45 | |||
1.18
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No. 6, Passionato
Robert Schumann; Florian Uhlig |
0:43 | |||
1.19
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No. 7, Idee aus Beethoven
Robert Schumann; Florian Uhlig |
1:45 | |||
1.20
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No. 8, Moderato
Robert Schumann; Florian Uhlig |
1:00 | |||
1.21
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No. 9 , Fragment, ausgeführte Version aus einer zweiten, unvollständigen Niederschrift von 1833
Robert Schumann; Florian Uhlig |
1:40 | |||
1.22
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No. 10, Prestissimo
Robert Schumann; Florian Uhlig |
0:42 | |||
1.23
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No. 11, Legato, teneramente
Robert Schumann; Florian Uhlig |
0:41 | |||
Variations pathétiques, Op. 13 (First Version)
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1.24
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Thême. Adagio
Robert Schumann; Florian Uhlig |
3:11 | |||
1.25
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Var. 1, Grave
Robert Schumann; Florian Uhlig |
1:44 | |||
1.26
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Var. 2
Robert Schumann; Florian Uhlig |
2:59 | |||
1.27
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Var. 3
Robert Schumann; Florian Uhlig |
1:56 | |||
1.28
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Var. 4
Robert Schumann; Florian Uhlig |
2:31 | |||
1.29
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Var. 5
Robert Schumann; Florian Uhlig |
1:14 | |||
1.30
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Var. 6
Robert Schumann; Florian Uhlig |
1:53 | |||
1.31
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Var. 7
Robert Schumann; Florian Uhlig |
4:16 | |||
1.32
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Var. 8
Robert Schumann; Florian Uhlig |
2:30 | |||
1.33
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Var. 9
Robert Schumann; Florian Uhlig |
1:04 | |||
1.34
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Var. 10
Robert Schumann; Florian Uhlig |
3:11 | |||
1.35
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Finale
Robert Schumann; Florian Uhlig |
7:04 | |||
2.1
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Variation in G Major (Arr. J. Draheim)
Robert Schumann; Florian Uhlig |
3:57 | |||
2.2
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Variation on "The Little Bell" by Paganini (Completed by J. Draheim)
Robert Schumann; Florian Uhlig |
4:29 | |||
Etudes in Variation Form on a Theme by Beethoven, WoO 31 (Version 2) (Excerpts)
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2.3
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Etudes in Variation Form on a Theme by Beethoven, WoO 31 (Version 2 / Excerpts): Etude Mignonne
Robert Schumann; Florian Uhlig |
0:57 | |||
2.4
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Etudes in Variation Form on a Theme by Beethoven, WoO 31 (Version 2 / Excerpts): Var. 4
Robert Schumann; Florian Uhlig |
0:59 | |||
2.5
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Etudes in Variation Form on a Theme by Beethoven, WoO 31 (Version 2 / Excerpts): Var. 5, Cantando
Robert Schumann; Florian Uhlig |
0:57 | |||
2.6
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Etudes in Variation Form on a Theme by Beethoven, WoO 31 (Version 2 / Excerpts): Var. 7
Robert Schumann; Florian Uhlig |
1:01 | |||
2.7
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Variations on a Theme by Schubert (Completed by A. Boyde)
Robert Schumann; Florian Uhlig |
6:08 | |||
Etudes in Variation Form on a Theme by Beethoven, WoO 31 "Exercises" (Third Version)
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2.8
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No. 1, Un poco maestoso
Robert Schumann; Florian Uhlig |
0:53 | |||
2.9
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No. 2, Exercice
Robert Schumann; Florian Uhlig |
0:30 | |||
2.10
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No. 3, Exercice
Robert Schumann; Florian Uhlig |
0:48 | |||
2.11
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No. 4, Molto moderato
Robert Schumann; Florian Uhlig |
1:19 | |||
2.12
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No. 5, Exercice
Robert Schumann; Florian Uhlig |
1:50 | |||
2.13
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No. 6, Presto
Robert Schumann; Florian Uhlig |
0:46 | |||
2.14
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No. 7, Exercice
Robert Schumann; Florian Uhlig |
1:29 | |||
2.15
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Variations on a Nocturne by Chopin (Completed by J. Draheim)
Robert Schumann; Florian Uhlig |
3:57 | |||
12 Etudes symphoniques, Op. 13 (Second Version)
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2.16
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Thême
Robert Schumann; Florian Uhlig |
1:33 | |||
2.17
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Var. 1, Un poco più vivo
Robert Schumann; Florian Uhlig |
1:17 | |||
2.18
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Var. 2
Robert Schumann; Florian Uhlig |
3:46 | |||
2.19
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Var. 3, Vivace
Robert Schumann; Florian Uhlig |
1:23 | |||
2.20
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Var. 4
Robert Schumann; Florian Uhlig |
0:58 | |||
2.21
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Var. 5, Scherzando
Robert Schumann; Florian Uhlig |
1:15 | |||
2.22
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Var. 6, Agitato
Robert Schumann; Florian Uhlig |
0:55 | |||
2.23
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Var. 7, Allegro molto
Robert Schumann; Florian Uhlig |
1:09 | |||
2.24
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Var. 8, Sempre marcatissimo
Robert Schumann; Florian Uhlig |
2:15 | |||
2.25
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Var. 9, Presto possibile
Robert Schumann; Florian Uhlig |
0:36 | |||
2.26
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Var. 10, Con energia sempre
Robert Schumann; Florian Uhlig |
1:16 | |||
2.27
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Var. 11
Robert Schumann; Florian Uhlig |
2:05 | |||
2.28
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Var. 12, Allegro brillante
Robert Schumann; Florian Uhlig |
6:34 | |||
Variations in E-Flat Major on an Original Theme "Geistervariationen"
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2.29
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Theme
Robert Schumann; Florian Uhlig |
1:40 | |||
2.30
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Var. 1
Robert Schumann; Florian Uhlig |
1:30 | |||
2.31
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Var. 2, Canonisch
Robert Schumann; Florian Uhlig |
1:35 | |||
2.32
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Var. 3, Etwas belebter
Robert Schumann; Florian Uhlig |
2:01 | |||
2.33
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Var. 4
Robert Schumann; Florian Uhlig |
1:43 | |||
2.34
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Var. 5
Robert Schumann; Florian Uhlig |
2:51 | |||
Digital Booklet
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For over 60 years, repeated efforts have been made to capture on sound carriers Robert Schumann’s Complete Works for Piano solo, a fascinatingly broad and varied spectrum ranging from highly virtuosic pieces for the concert hall and valuable literature for teaching purposes. This attractive and yet challenging assignment was not always approached with the necessary intellectual rigor, quite apart from any purely artistic shortcomings, and so none of these sets can justly be deemed “complete”.
Schumann had published a string of works (Impromptus op. 5, Davidsbündlertänze op. 6, Etudes symphoniques op. 13, Concert sans Orchestre or Sonata in F minor op. 14 and Kreisleriana op. 16) in two more or less divergent versions, so that it is highly questionable whether an edition can be labelled “Complete Recordings” if it only contains one of those versions or worse still, makes a misguided attempt to combine two of them. Meanwhile, works that were published at remote locations or remained unpublished, along with fragments that could easily be completed without resorting to audacious speculation, have hitherto been taken into account only in exceptional cases.
The first true complete recording of Robert Schumann’s works for piano solo on in 15 volumes, played by Florian Uhlig, seeks for the first time to offer imaginative compilations on album (e.g. “Robert Schumann and the Sonata”, “The Young Piano Virtuoso”, “Schumann in Vienna”, “Schumann and Counterpoint”, “Variations”) containing all original works for pianoforte written between 1830 (Abegg Variations op. 1) and 1854 (Ghost Variations) according to the newest critical editions and/or first editions. Several of these albums include premiere recordings.
96 kHz / 24-bit PCM – haenssler CLASSIC Studio Masters
Track title | Peak (dB FS) | RMS (dB FS) | LUFS (integrated) | DR | |
Album average Range of values | -6.23 -15.74 to -0.40 | -26.30 -37.07 to -18.41 | -23.23 -34.20 to -15.60 | 12 9 to 16 | |
1.1 | No. 1, Un poco adagio - Romanza | -14.99 | -35.68 | -31.9 | 11 |
1.2 | No. 2, — | -11.31 | -30.83 | -28.0 | 11 |
1.3 | No. 3, Espressivo | -6.90 | -24.75 | -22.1 | 10 |
1.4 | No. 4, — | -2.88 | -22.51 | -19.8 | 12 |
1.5 | No. 5, — | -11.05 | -30.73 | -28.2 | 11 |
1.6 | No. 6, — | -3.47 | -21.09 | -18.6 | 12 |
1.7 | No. 7, Presto | -0.88 | -20.61 | -17.5 | 12 |
1.8 | No. 8, — | -9.78 | -27.64 | -25.0 | 10 |
1.9 | No. 9, — | -1.34 | -22.85 | -19.9 | 14 |
1.10 | No. 10, — | -6.36 | -23.67 | -20.8 | 10 |
1.11 | No. 11, Allegro con brio | -2.09 | -21.72 | -18.9 | 12 |
1.12 | No. 12, Vivace | -0.40 | -21.48 | -17.9 | 14 |
1.13 | No. 1, — | -5.77 | -23.55 | -20.6 | 11 |
1.14 | No. 2, — | -9.06 | -27.35 | -24.6 | 11 |
1.15 | No. 3, Molto moderato | -6.60 | -25.65 | -22.9 | 9 |
1.16 | No. 4, — | -10.06 | -28.54 | -25.9 | 11 |
1.17 | No. 5, — | -3.22 | -21.93 | -19.3 | 12 |
1.18 | No. 6, Passionato | -3.16 | -21.57 | -18.9 | 11 |
1.19 | No. 7, Idee aus Beethoven | -12.80 | -32.77 | -30.2 | 12 |
1.20 | No. 8, Moderato | -7.26 | -25.71 | -22.7 | 11 |
1.21 | No. 9 , Fragment, ausgeführte Version aus einer zweiten, unvollständigen Niederschrift von 1833 | -10.72 | -29.27 | -26.5 | 11 |
1.22 | No. 10, Prestissimo | -4.85 | -20.90 | -18.5 | 10 |
1.23 | No. 11, Legato, teneramente | -11.52 | -29.08 | -25.5 | 10 |
1.24 | Thême. Adagio | -9.53 | -34.71 | -31.2 | 15 |
1.25 | Var. 1, Grave | -7.10 | -27.53 | -24.5 | 13 |
1.26 | Var. 2 | -2.36 | -21.51 | -18.5 | 12 |
1.27 | Var. 3 | -3.68 | -23.18 | -20.3 | 12 |
1.28 | Var. 4 | -5.87 | -27.39 | -24.5 | 11 |
1.29 | Var. 5 | -5.73 | -27.16 | -24.3 | 15 |
1.30 | Var. 6 | -3.33 | -23.81 | -20.1 | 12 |
1.31 | Var. 7 | -2.67 | -26.47 | -22.9 | 15 |
1.32 | Var. 8 | -9.66 | -29.87 | -27.1 | 13 |
1.33 | Var. 9 | -6.43 | -29.69 | -26.7 | 15 |
1.34 | Var. 10 | -5.19 | -29.61 | -25.3 | 14 |
1.35 | Finale | -0.40 | -20.15 | -16.8 | 12 |
2.1 | Variation in G Major (Arr. J. Draheim) | -0.40 | -23.53 | -18.7 | 14 |
2.2 | Variation on "The Little Bell" by Paganini (Completed by J. Draheim) | -4.46 | -25.01 | -21.3 | 13 |
2.3 | Etudes in Variation Form on a Theme by Beethoven, WoO 31 (Version 2 / Excerpts): Etude Mignonne | -9.84 | -28.22 | -25.2 | 10 |
2.4 | Etudes in Variation Form on a Theme by Beethoven, WoO 31 (Version 2 / Excerpts): Var. 4 | -13.53 | -32.00 | -28.9 | 12 |
2.5 | Etudes in Variation Form on a Theme by Beethoven, WoO 31 (Version 2 / Excerpts): Var. 5, Cantando | -9.36 | -32.14 | -29.1 | 14 |
2.6 | Etudes in Variation Form on a Theme by Beethoven, WoO 31 (Version 2 / Excerpts): Var. 7 | -13.53 | -31.69 | -28.3 | 10 |
2.7 | Variations on a Theme by Schubert (Completed by A. Boyde) | -0.40 | -22.99 | -19.3 | 14 |
2.8 | No. 1, Un poco maestoso | -6.26 | -24.69 | -21.4 | 10 |
2.9 | No. 2, Exercice | -5.11 | -20.98 | -18.1 | 11 |
2.10 | No. 3, Exercice | -3.91 | -20.52 | -17.6 | 11 |
2.11 | No. 4, Molto moderato | -7.58 | -27.17 | -24.5 | 12 |
2.12 | No. 5, Exercice | -11.23 | -33.43 | -30.6 | 13 |
2.13 | No. 6, Presto | -5.08 | -23.67 | -20.8 | 11 |
2.14 | No. 7, Exercice | -9.54 | -30.90 | -27.6 | 12 |
2.15 | Variations on a Nocturne by Chopin (Completed by J. Draheim) | -5.38 | -25.96 | -21.6 | 12 |
2.16 | Thême | -3.06 | -28.09 | -23.5 | 15 |
2.17 | Var. 1, Un poco più vivo | -4.96 | -26.67 | -23.4 | 13 |
2.18 | Var. 2 | -2.34 | -22.56 | -19.0 | 12 |
2.19 | Var. 3, Vivace | -5.64 | -24.82 | -22.1 | 12 |
2.20 | Var. 4 | -1.64 | -24.99 | -22.3 | 14 |
2.21 | Var. 5, Scherzando | -3.33 | -25.87 | -23.0 | 16 |
2.22 | Var. 6, Agitato | -4.30 | -21.22 | -18.7 | 11 |
2.23 | Var. 7, Allegro molto | -0.40 | -18.41 | -15.6 | 11 |
2.24 | Var. 8, Sempre marcatissimo | -1.09 | -22.84 | -19.5 | 14 |
2.25 | Var. 9, Presto possibile | -3.23 | -22.49 | -19.5 | 12 |
2.26 | Var. 10, Con energia sempre | -1.69 | -22.11 | -19.4 | 15 |
2.27 | Var. 11 | -6.43 | -28.00 | -25.2 | 12 |
2.28 | Var. 12, Allegro brillante | -0.40 | -20.90 | -17.5 | 13 |
2.29 | Theme | -15.74 | -37.07 | -34.2 | 12 |
2.30 | Var. 1 | -10.73 | -30.10 | -27.6 | 12 |
2.31 | Var. 2, Canonisch | -13.48 | -34.74 | -32.0 | 12 |
2.32 | Var. 3, Etwas belebter | -7.43 | -28.35 | -25.9 | 11 |
2.33 | Var. 4 | -9.78 | -31.84 | -28.6 | 14 |
2.34 | Var. 5 | -10.32 | -29.68 | -26.8 | 12 |