℗ 2020 harmonia mundi
| Released | October 30, 2020 |
| Duration | 1h 19m 25s |
| Record Label | harmonia mundi |
| Catalogue No. | 902640DI |
| Genre | Classical (Mass, requiem etc.) |
Charpentier: Messe à quatre chœurs - Carnets de voyage d'Italie
Ensemble Correspondances, Sébastien Daucé
Available in 96 kHz / 24-bit AIFF, FLAC high resolution audio formats
|
1.1
|
Sub tuum praesidium, H. 28
Marc-Antoine Charpentier; Anonymous; Ensemble Correspondances; Sébastien Daucé |
2:18 | |||
|
1.2
|
Salve caput sacrosanctum
Maurizio Cazzati; Anonymous; Ensemble Correspondances; Sébastien Daucé |
2:54 | |||
|
1.3
|
Sonata a 12 in D Minor
Francesco Cavalli; Anonymous; Ensemble Correspondances; Sébastien Daucé |
3:49 | |||
|
1.4
|
Magnificat
Francesco Cavalli; Anonymous; Ensemble Correspondances; Sébastien Daucé |
16:26 | |||
|
1.5
|
Credidi propter quod
Tarquinio Merula; Anonymous; Ensemble Correspondances; Sébastien Daucé |
4:12 | |||
|
Missa Mirabiles elationes maris
|
|||||
|
1.6
|
Kyrie I
Francesco Beretta; Anonymous; Ensemble Correspondances; Sébastien Daucé |
2:00 | |||
|
1.7
|
Christe
Francesco Beretta; Anonymous; Ensemble Correspondances; Sébastien Daucé |
2:59 | |||
|
1.8
|
Kyrie II
Francesco Beretta; Anonymous; Ensemble Correspondances; Sébastien Daucé |
2:15 | |||
|
1.9
|
Similabo eum viro sapienti
Giuseppe Giamberti; Anonymous; Ensemble Correspondances; Sébastien Daucé |
2:31 | |||
|
1.10
|
Et incarnatus est
Francesco Beretta; Anonymous; Ensemble Correspondances; Sébastien Daucé |
1:45 | |||
|
Missa Si Deus pro nobis
|
|||||
|
1.11
|
Crucifixus
Orazio Benevoli; Anonymous; Ensemble Correspondances; Sébastien Daucé |
1:45 | |||
|
Missa Mirabiles elationes maris
|
|||||
|
1.12
|
Sanctus
Francesco Beretta; Anonymous; Ensemble Correspondances; Sébastien Daucé |
2:48 | |||
|
1.13
|
Agnus Dei
Francesco Beretta; Anonymous; Ensemble Correspondances; Sébastien Daucé |
1:46 | |||
|
Messe pour les trépassés, H.2
|
|||||
|
1.14
|
Symphonie du Kyrie
Marc-Antoine Charpentier; Anonymous; Ensemble Correspondances; Sébastien Daucé |
1:30 | |||
|
Messe à 4 chœurs, H. 4
|
|||||
|
1.15
|
Kyrie I
Marc-Antoine Charpentier; Anonymous; Ensemble Correspondances; Sébastien Daucé |
2:38 | |||
|
1.16
|
Christe
Marc-Antoine Charpentier; Anonymous; Ensemble Correspondances; Sébastien Daucé |
2:13 | |||
|
1.17
|
Kyrie II
Marc-Antoine Charpentier; Anonymous; Ensemble Correspondances; Sébastien Daucé |
2:40 | |||
|
1.18
|
Gloria
Marc-Antoine Charpentier; Anonymous; Ensemble Correspondances; Sébastien Daucé |
5:47 | |||
|
1.19
|
Credo
Marc-Antoine Charpentier; Anonymous; Ensemble Correspondances; Sébastien Daucé |
9:47 | |||
|
1.20
|
Sanctus
Marc-Antoine Charpentier; Anonymous; Ensemble Correspondances; Sébastien Daucé |
3:05 | |||
|
1.21
|
Agnus Dei
Marc-Antoine Charpentier; Anonymous; Ensemble Correspondances; Sébastien Daucé |
2:42 | |||
|
1.22
|
Domine salvum fac regem, H. 285
Marc-Antoine Charpentier; Anonymous; Ensemble Correspondances; Sébastien Daucé |
1:35 | |||
|
Digital Booklet
|
|||||
An Italian travel diary Paris, 1665: a young composer leaves the Saint-Michel district to embark on a journey to Rome. The journey promises to be a long one, its stopovers rich in encounters for Charpentier. On this album, Sébastien Daucé invites us on an imaginary recreation of that voyage of initiation, from Cremona (Merula) to Rome (Beretta), by way of Venice (Cavalli) and Bologna (Cazzati). A journey in space, but also in time, through the sources of inspiration of a composer whose future works were to recall the colours of Italy – as the magnificent Mass for four choirs testifies.
96 kHz / 24-bit PCM – harmonia mundi Studio Masters
| Track title | Peak (dB FS) | RMS (dB FS) | LUFS (integrated) | DR | |
Album average Range of values | -3.92 -9.93 to -0.28 | -23.38 -28.85 to -19.34 | -20.03 -25.80 to -16.10 | 12 10 to 14 | |
| 1 | Sub tuum praesidium, H. 28 | -5.39 | -28.73 | -24.8 | 12 |
| 2 | Salve caput sacrosanctum | -1.16 | -19.34 | -16.1 | 11 |
| 3 | Sonata a 12 in D Minor | -3.04 | -22.32 | -19.0 | 12 |
| 4 | Magnificat | -0.28 | -21.70 | -17.7 | 13 |
| 5 | Credidi propter quod | -5.29 | -26.17 | -23.1 | 14 |
| 6 | Kyrie I | -4.31 | -22.25 | -19.0 | 10 |
| 7 | Christe | -6.99 | -25.14 | -22.0 | 11 |
| 8 | Kyrie II | -3.45 | -21.40 | -18.2 | 11 |
| 9 | Similabo eum viro sapienti | -9.93 | -28.85 | -25.8 | 12 |
| 10 | Et incarnatus est | -4.79 | -22.86 | -19.6 | 10 |
| 11 | Crucifixus | -8.48 | -26.54 | -23.4 | 10 |
| 12 | Sanctus | -2.58 | -22.82 | -19.6 | 11 |
| 13 | Agnus Dei | -5.09 | -24.31 | -20.8 | 11 |
| 14 | Symphonie du Kyrie | -7.49 | -24.71 | -21.9 | 11 |
| 15 | Kyrie I | -2.06 | -20.73 | -17.4 | 11 |
| 16 | Christe | -5.08 | -25.46 | -22.1 | 11 |
| 17 | Kyrie II | -3.90 | -20.85 | -17.6 | 11 |
| 18 | Gloria | -0.28 | -21.44 | -17.9 | 13 |
| 19 | Credo | -1.34 | -23.71 | -19.8 | 14 |
| 20 | Sanctus | -1.30 | -21.64 | -18.0 | 12 |
| 21 | Agnus Dei | -2.05 | -22.71 | -19.7 | 12 |
| 22 | Domine salvum fac regem, H. 285 | -2.10 | -20.56 | -17.1 | 11 |