℗ 2020 Warner Records Inc.
Released | October 16, 2020 |
Duration | 18m 59s |
Record Label | Warner Records |
Genre | Pop |
1.1
|
Broke Boy
Malia Civetz |
2:53 | |||
1.2
|
Love Thing (feat. Yung Baby Tate )
Malia Civetz; Yung Baby Tate |
3:07 | |||
1.3
|
The High
Malia Civetz |
3:00 | |||
1.4
|
25
Malia Civetz |
3:47 | |||
1.5
|
Disrespectful
Malia Civetz |
3:25 | |||
1.6
|
Unapologetic
Malia Civetz |
2:47 |
Malia Civetz releases her new album, The Flip A confident and charismatic woman struts up to a microphone and brings the house down with an earth-quaking voice, head-turning lyrics, sass and swagger to spare. Self-positive, sex-positive, and in pursuit of inclusivity, Civetz pushes buttons by way of powerhouse vocal delivery, sharp songwriting, and a thoughtful overarching message. Equally ponderous, provocative, passionate, and powerful, she asserts herself and ultimately embodies the future of female-driven pop for Warner Records.
“I trust myself to speak up. I’m being direct, but I’m also giving you a sense of humor. That’s what I like to do. It’s really important for me to shift the way society views women. The times are interesting. I try to walk the line between masculinity and femininity. I want to challenge you to think of us in an entirely new light. I’m taking the undeniable swag of males like Usher or Justin Timberlake and applying it to a female sound.”
- Malia Civetz
44.1 kHz / 24-bit PCM – Warner Records Studio Masters
Track title | Peak (dB FS) | RMS (dB FS) | LUFS (integrated) | DR | |
Album average Range of values | -0.15 -0.20 to -0.10 | -9.62 -10.37 to -8.40 | -7.25 -8.30 to -6.80 | 4 3 to 5 | |
1 | Broke Boy | -0.20 | -9.94 | -7.2 | 5 |
2 | Love Thing (feat. Yung Baby Tate ) | -0.10 | -9.93 | -6.8 | 5 |
3 | The High | -0.20 | -8.40 | -7.1 | 3 |
4 | 25 | -0.20 | -9.71 | -7.2 | 4 |
5 | Disrespectful | -0.10 | -9.39 | -6.9 | 4 |
6 | Unapologetic | -0.10 | -10.37 | -8.3 | 5 |