
℗ 2013 ECM Records GmbH under exclusive license to Universal Music Classics, a Division of UMG Recordings, Inc.
Released | October 25, 2013 |
Duration | 59m 17s |
Genre | Jazz |
Il Pergolese
Maria Pia De Vito, François Couturier, Anja Lechner, Michele Rabbia
Available in 88.2 kHz / 24-bit AIFF, FLAC high resolution audio formats
1.1
|
Ogne pena cchiù spietata
Maria Pia De Vito; François Couturier; Anja Lechner; Michele Rabbia |
5:58 | |||
1.2
|
Amen / Fac Ut Portem
Maria Pia De Vito; François Couturier; Anja Lechner; Michele Rabbia |
11:20 | |||
1.3
|
Sinfonia For Violoncello
Maria Pia De Vito; François Couturier; Anja Lechner; Michele Rabbia |
10:03 | |||
1.4
|
Chi disse ca la femmena
Maria Pia De Vito; François Couturier; Anja Lechner; Michele Rabbia |
4:43 | |||
1.5
|
Tre giorni son che Nina
Maria Pia De Vito; François Couturier; Anja Lechner; Michele Rabbia |
8:43 | |||
1.6
|
Fremente
Maria Pia De Vito; François Couturier; Anja Lechner; Michele Rabbia |
3:14 | |||
1.7
|
In compagnia d'amore I
Maria Pia De Vito; François Couturier; Anja Lechner; Michele Rabbia |
4:11 | |||
1.8
|
In compagnia d'amore II
Maria Pia De Vito; François Couturier; Anja Lechner; Michele Rabbia |
3:47 | |||
1.9
|
Dolente
Maria Pia De Vito; François Couturier; Anja Lechner; Michele Rabbia |
7:18 | |||
Digital Booklet
|
"Four Stars ... the early material is used as a jumping-off point for various improvisations, from the unobtrusive melodic twists of French pianist Francois Couturier and German cellist Anja Lechner, to De Vito's whoops, gasps and scat-like squirmings ... both opera and improv listeners may find much to enjoy in it."
- The Guardian
Acclaimed vocalist Maria Pia De Vito pays tribute to 18th century composer Giovanni Battista Pergolesi on this programme that underlines his relationship to the art music and the popular music of Naples from a highly contemporary perspective. The text of the Stabat Mater, translated into Neapolitan by De Vito, along with the opera arias, are transformed into songs and vivid narrative, open frames providing the key to reinterpreting Pergolesi. François Couturier's arrangements widen Pergolesi's structures, offering space for improvisational interaction. But this is a real group project, a discourse among acoustic sounds, with rhythms of drums and metals and sampled and real time electronics. Sound textures grow dense with the richness of instrumental counterpoint or are set free in electronic soundscapes and along colouristic, percussive lines, as cello becomes voice or voice becomes an instrument.
88.2 kHz / 24-bit PCM – ECM Studio Masters
Recorded December 2012 Auditorio Radiotelevisione svizzera, Lugano Engineer: Stefano Amerio Cover motif: Detail of frontispice of “Raccolta nazionale delle musiche italiane” Liner photos: Michaμ Ramus, Dániel Vass (2/3), Paulo Seabra (back cover) Design: Sascha Kleis Produced by Manfred Eicher
Recorded December 2012 Auditorio Radiotelevisione svizzera, Lugano Engineer: Stefano Amerio Cover motif: Detail of frontispice of “Raccolta nazionale delle musiche italiane” Liner photos: Michaμ Ramus, Dániel Vass (2/3), Paulo Seabra (back cover) Design: Sascha Kleis Produced by Manfred Eicher
Track title | Peak (dB FS) | RMS (dB FS) | LUFS (integrated) | DR | |
Album average Range of values | -7.23 -10.80 to -4.60 | -30.18 -31.37 to -28.21 | -26.69 -27.70 to -24.80 | 14 13 to 18 | |
1 | Ogne pena cchiù spietata | -8.92 | -30.24 | -27.6 | 14 |
2 | Amen / Fac Ut Portem | -6.25 | -30.04 | -26.5 | 15 |
3 | Sinfonia For Violoncello | -4.60 | -30.98 | -27.6 | 18 |
4 | Chi disse ca la femmena | -4.63 | -28.21 | -24.8 | 15 |
5 | Tre giorni son che Nina | -9.16 | -29.59 | -26.2 | 13 |
6 | Fremente | -6.56 | -29.41 | -25.4 | 13 |
7 | In compagnia d'amore I | -10.80 | -31.37 | -27.7 | 13 |
8 | In compagnia d'amore II | -6.42 | -30.83 | -27.1 | 16 |
9 | Dolente | -7.74 | -30.98 | -27.3 | 13 |