℗ 2021 Reel to Real under exclusive license to La Reserve Records
Released April 16, 2021
Duration 58m 38s
Record Label Cellar Live
Catalogue No. RTRCD003
Genre Jazz (Hard Bop)
 

Ow! Live at the Penthouse

Eddie "Lockjaw" Davis, Johnny Griffin

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1.1
Intermission Riff I. Introduction by Jim Wilke (Live)
Eddie "Lockjaw" Davis; Johnny Griffin
0:53
1.2
Blues Up and Down (Live)
Eddie "Lockjaw" Davis; Johnny Griffin
6:48
1.3
Ow! (Live)
Eddie "Lockjaw" Davis; Johnny Griffin
8:20
1.4
Spoken Outro I. (Live)
Eddie "Lockjaw" Davis; Johnny Griffin
0:09
1.5
Bahia (Live)
Eddie "Lockjaw" Davis; Johnny Griffin
8:43
1.6
Spoken Introduction I. (Live)
Eddie "Lockjaw" Davis; Johnny Griffin
0:05
1.7
Blue Lou (Live)
Eddie "Lockjaw" Davis; Johnny Griffin
4:11
1.8
Second Balcony Jump (Live)
Eddie "Lockjaw" Davis; Johnny Griffin
7:14
1.9
Spoken Outro II. (Live)
Eddie "Lockjaw" Davis; Johnny Griffin
0:08
1.10
How Am I to Know? (Live)
Eddie "Lockjaw" Davis; Johnny Griffin
10:14
1.11
Spoken Introduction II. (Live)
Eddie "Lockjaw" Davis; Johnny Griffin
0:09
1.12
Sophisticated Lady (Live)
Eddie "Lockjaw" Davis; Johnny Griffin
4:03
1.13
Spoken Introduction III. (Live)
Eddie "Lockjaw" Davis; Johnny Griffin
0:09
1.14
Tickle Toe (Live)
Eddie "Lockjaw" Davis; Johnny Griffin
6:36
1.15
Intermission Riff II. Outro by Jim Wilke (Live)
Eddie "Lockjaw" Davis; Johnny Griffin
0:56
Ow! Live at The Penthouse is a collection of previously-unissued recordings by the supercharged saxophone duo of Johnny Griffin / Eddie “Lockjaw” Davis captured over 2 nights at the famous Penthouse jazz club in Seattle, WA in 1962. Though the tenor sax battle became a fixture of the hard bop era after Dexter Gordon and Wardell Gray established the format with “The Chase” in 1947, no duo was as powerful or as prolific as Davis, a veteran of the Count Basie Orchestra and a popular trio with organist Shirley Scott, and Griffin, noted for his high-voltage work with Thelonious Monk. The pair who became known known as “the Tough Tenors” cut nine LPs – including four live albums caught at Minton’s in New York – for Prestige and Jazzland in 1960-62. This excellent collection features the potent rhythm section of Horace Parlan on piano, Buddy Catlett on bass and Art Taylor on drums.
96 kHz / 24-bit PCM – Cellar Live Studio Masters
Track title
Peak
(dB FS)
RMS
(dB FS)
LUFS
(integrated)
DR
Album average
Range of values
-2.93
-12.81 to -0.50
-21.98
-32.82 to -17.57
-18.99
-29.70 to -15.00
13
11 to 15
1
Intermission Riff I. Introduction by Jim Wilke (Live)
-1.79-20.57-18.212
2
Blues Up and Down (Live)
-0.50-18.60-16.213
3
Ow! (Live)
-0.50-17.99-15.513
4
Spoken Outro I. (Live)
-12.81-32.82-29.713
5
Bahia (Live)
-0.50-20.57-17.515
6
Spoken Introduction I. (Live)
-7.95-26.76-23.615
7
Blue Lou (Live)
-0.50-18.53-15.913
8
Second Balcony Jump (Live)
-0.50-17.57-15.111
9
Spoken Outro II. (Live)
-6.36-25.93-22.711
10
How Am I to Know? (Live)
-0.50-18.82-16.013
11
Spoken Introduction II. (Live)
-3.05-24.97-21.213
12
Sophisticated Lady (Live)
-1.21-21.46-19.014
13
Spoken Introduction III. (Live)
-6.72-27.73-23.914
14
Tickle Toe (Live)
-0.50-18.13-15.012
15
Intermission Riff II. Outro by Jim Wilke (Live)
-0.50-19.24-15.314

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