℗ 2013 Proprius
 

Bach: Motets

St. Jacob's Chamber Choir, REbaroque, Gary Graden

Available in 96 kHz / 24-bit AIFF, FLAC high resolution audio formats
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1.1
Singet dem Herrn ein neues Lied, BWV 225
Johann Sebastian Bach; St. Jacob's Chamber Choir; Rebaroque; Gary Graden
12:38
1.2
Furchte dich nicht, ich bin bei dir, BWV 228
Johann Sebastian Bach; St. Jacob's Chamber Choir; Rebaroque; Gary Graden
7:52
1.3
Jesu, meine Freude, BWV 227
Johann Sebastian Bach; St. Jacob's Chamber Choir; Rebaroque; Gary Graden
20:12
1.4
Der Geist hilft unser Schwachheit auf, BWV 226
Johann Sebastian Bach; St. Jacob's Chamber Choir; Rebaroque; Gary Graden
7:32
1.5
O Jesu Christ, mein's Lebens Licht, BWV 118
Johann Sebastian Bach; St. Jacob's Chamber Choir; Rebaroque; Gary Graden
9:38
1.6
Komm, Jesu, komm, BWV 229
Johann Sebastian Bach; St. Jacob's Chamber Choir; Rebaroque; Gary Graden
8:09
1.7
Ich lasse dich nicht, du segnest mich denn, BWV Anh. 159
Johann Sebastian Bach; St. Jacob's Chamber Choir; Rebaroque; Gary Graden
5:33
1.8
Lobet den Herrn, alle Heiden, BWV 230
Johann Sebastian Bach; St. Jacob's Chamber Choir; Rebaroque; Gary Graden
6:20
Digital Booklet
Total Playing Time    77:54
For the first joint recording between Maria Lindal's REbaroque group and the St. Jacobs Chamber Choir, the ensembles chose to perform all of Bach's motets, a collection of strikingly dance-like, varied and virtuosic works in which instruments and voices share the same parts. An optimal fusion of voice, words, song, instrument, timbre and colour, with every tone the instrumentalists perform a text: a vowel, a consonant or a poem, while the singers articulate every line in unison with their instrumental partners.
96 kHz / 24-bit PCM – Proprius Studio Masters

Recording I: october 11–13, 2010 Singet den Herrn ein neues Lied Komm, Jesu, komm Ich lasse dich nicht du segnest mich den Fürchte dich nicht, ich bin bei dir Der Geist hilft unser schwachheit auf Recording II: February 11–12, 2011 Lobet den Herrn, alle Heiden Jesu, meine Freude O Jesu christ, mein’s Lebens Licht Recording engineer and recording producer: Bertil Alving (Recording I) Co-producer: Olof Ander (Recording II) Main microphones: Sennheiser MKH-80. Ambience and spot microphones from Sennheiser, Neumann and Schoeps. Microphone pre-amps from Millennia, Earthworks and Focusrite. A/D-converter Motu HD-192. Recorded in St. Jacobs Church. Cover photo: Staffan Engwall (The gates of the St. Jacob’s Church) Design: Armand Alcazar

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