℗ 2020 Cantaloupe Music
| Released | October 23, 2020 |
| Duration | 46m 14s |
| Record Label | Cantaloupe Music |
| Catalogue No. | CA-21162 |
| Genre | Classical (Contemporary Era) |
Modern Yesterdays
Kaki King, Chloe Alexandra Thompson
Available in 96 kHz / 24-bit AIFF, FLAC high resolution audio formats
|
1.1
|
Default Shell
Kaki King; Kaki King; Chloe Alexandra Thompson |
3:32 | |||
|
1.2
|
Can't Touch This or That or You or My Face
Kaki King; Kaki King; Chloe Alexandra Thompson |
4:08 | |||
|
1.3
|
Teek
Kaki King; Kaki King; Chloe Alexandra Thompson; Ralph Farris |
4:32 | |||
|
1.4
|
Godchild
Kaki King; Kaki King; Chloe Alexandra Thompson |
4:55 | |||
|
1.5
|
Rhythmic Tiny Sand Ball Patterns
Kaki King; Kaki King; Chloe Alexandra Thompson |
4:22 | |||
|
1.6
|
Puzzle Me-You
Kaki King; Kaki King; Chloe Alexandra Thompson |
4:26 | |||
|
1.7
|
Final State
Kaki King; Kaki King; Chloe Alexandra Thompson |
4:33 | |||
|
1.8
|
Lorlir
Kaki King; Kaki King; Chloe Alexandra Thompson |
2:50 | |||
|
1.9
|
Sanitized, Alone
Kaki King; Kaki King; Chloe Alexandra Thompson |
4:19 | |||
|
1.10
|
Sei sei
Kaki King; Kaki King; Chloe Alexandra Thompson |
3:54 | |||
|
1.11
|
Forms of Light and Death (Arr. Ú. Hansson)
Kaki King; Kaki King; Ulfur Hansson |
4:43 | |||
|
Digital Booklet
|
Internationally renowned guitarist and composer Kaki King joins the Cantaloupe Music family with her latest album, Modern Yesterdays. Co-produced with sound designer Chloe Alexandra Thompson and recording engineer Arjan Miranda, it's her first full-length studio project since the 2015 release of The Neck Is A Bridge to the Body (“bursting with masterclass talent,” as reviewed in PopMatters), and her first to be recorded almost entirely on acoustic guitar.
Rich in post-classical, jazz, folk and blues-flavored motifs, as well as electronic and electro-acoustic influences, Modern Yesterdays mines a poignant, meditative arc that not only fits the mood of these turbulent times, but once again establishes King as a tirelessly inventive composer whose imagination extends well beyond the sonic limits of her chosen instrument.
“We talk about ‘the before,’ or back before the outbreak, and that was six months ago. Time has barely passed. So I think there is a bit of a looking back that we’re all doing in every way about what we miss — what was good, what was bad, all of it. We’re all yearning in some ways for our modern yesterday, and in some ways saying well, there is clearly going to be a modern tomorrow too.”
- Kaki King
96 kHz / 24-bit PCM – Cantaloupe Music Studio Masters
Tracks 3, 8 – 44.1 kHz / 24-bit PCM, mastered in 96 kHz / 24-bit Tracks 9, 11 – 48 kHz / 24-bit PCM, mastered in 96 kHz / 24-bit
Tracks 3, 8 – 44.1 kHz / 24-bit PCM, mastered in 96 kHz / 24-bit Tracks 9, 11 – 48 kHz / 24-bit PCM, mastered in 96 kHz / 24-bit
| Track title | Peak (dB FS) | RMS (dB FS) | LUFS (integrated) | DR | |
Album average Range of values | -0.40 -0.40 to -0.40 | -14.84 -17.33 to -13.06 | -12.48 -15.10 to -10.80 | 9 7 to 12 | |
| 1 | Default Shell | -0.40 | -14.09 | -12.2 | 9 |
| 2 | Can't Touch This or That or You or My Face | -0.40 | -14.73 | -12.8 | 12 |
| 3 | Teek | -0.40 | -15.00 | -11.8 | 7 |
| 4 | Godchild | -0.40 | -17.14 | -14.1 | 10 |
| 5 | Rhythmic Tiny Sand Ball Patterns | -0.40 | -13.75 | -11.3 | 7 |
| 6 | Puzzle Me-You | -0.40 | -13.06 | -10.8 | 8 |
| 7 | Final State | -0.40 | -15.18 | -12.8 | 9 |
| 8 | Lorlir | -0.40 | -13.36 | -11.8 | 9 |
| 9 | Sanitized, Alone | -0.40 | -14.67 | -12.2 | 9 |
| 10 | Sei sei | -0.40 | -17.33 | -15.1 | 11 |
| 11 | Forms of Light and Death (Arr. Ú. Hansson) | -0.40 | -14.99 | -12.4 | 8 |