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Christmas in Puebla

Siglo de Oro, Patrick Allies

Available in 44.1 kHz / 24-bit AIFF, FLAC audio formats

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1.1
Convidando está la noche (Arr. for Choir & Chamber Ensemble)
Siglo de Oro; Patrick Allies
4:03
1.2
Hodie scietis
Siglo de Oro; Patrick Allies
2:09
1.3
Joseph fili David
Siglo de Oro; Patrick Allies
4:51
Missa "Joseph fili David" (Arr. for Choir & Chamber Ensemble)  
1.4
I. Kyrie
Siglo de Oro; Patrick Allies
3:05
1.5
II. Gloria
Siglo de Oro; Patrick Allies
4:00
1.6
Los que fueren de buen gusto
Siglo de Oro; Patrick Allies
5:54
1.7
Alleluia (Crastina die)
Siglo de Oro; Patrick Allies
1:31
1.8
A la xácara xacarilla
Siglo de Oro; Patrick Allies
9:39
1.9
III. Credo
Siglo de Oro; Patrick Allies
6:50
1.10
Tollite portas
Siglo de Oro; Patrick Allies
1:03
1.11
Marizápalos a lo Divino (Serafin que, condulce harmonía)
Siglo de Oro; Patrick Allies
7:42
1.12
IV. Sanctus
Siglo de Oro; Patrick Allies
1:41
1.13
Benedictus (Mode VII)
Siglo de Oro; Patrick Allies
0:30
1.14
Cui luna, sol et omnia
Siglo de Oro; Patrick Allies
2:58
Missa "O admirabile commercium"  
1.15
V. Agnus Dei
Siglo de Oro; Patrick Allies
5:00
3 Cuadernos de Navidad  
1.16
No. 1, Christus natus est
Siglo de Oro; Patrick Allies
1:56
1.17
Tleycantimo choquiliya (Arr. for Choir & Chamber Ensemble)
Siglo de Oro; Patrick Allies
2:16
1.18
Deus in adiutorium meum intende (Arr. for Choir & Chamber Ensemble)
Siglo de Oro; Patrick Allies
2:21
Total Playing Time    67:29
By the early 1620s – when Juan Gutiérrez de Padilla migrated from Cádiz to New Spain (modernday Mexico) in search of new horizons as a music director, composer and instrument-maker – the colony was an important and wealthy outpost of the Habsburg Empire, keen to maintain the religious and musical customs of its mother country. The cathedral of the young, thriving city of Puebla de los Ángeles was still a magnificent work in progress, but its music provision could already rival its European counterparts. Padilla stayed there for forty years, composing prolifically right up to his death in 1664, and had at his disposal a sizeable body of men and boys who not only sang but also played instruments – including guitars, sackbut, dulcian, and simple percussion such as the cajón.

Siglo de Oro’s programme explores the rich soundworld of this time and place: a sonic landscape ultimately quite different from the one Padilla had left behind in Europe. Evoking a Mass at Christmas Eve affords the opportunity to include a number of villancicos – energetic, dance-like pieces whose captivating mixture of Mexican, Afro-Hispanic and Portuguese influences would have invigorated even the most sober churchgoer.
44.1 kHz / 24-bit PCM – Delphian Studio Masters

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