℗ 2008 Chandos
Released October 28, 2008
Duration 1h 00m 28s
Record Label Chandos
Catalogue No. CHSA5067
Genre Classical (Choral - Secular)
 

Carl Orff: Carmina Burana

Laura Claycomb, Barry Banks, Christopher Maltman, London Symphony Chorus, London Symphony Orchestra, Richard Hickox

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Carmina Burana: Fortuna Imperatrix Mundi  
1.1
O Fortuna. Pesante
Carl Orff; Laura Claycomb; Barry Banks; Christopher Maltman; Tiffin Boys Choir; London Symphony Chorus; London Symphony Orchestra; Richard Hickox
2:36
1.2
Fortune plango vulnera. [ ] – Più mosso
Carl Orff; Laura Claycomb; Barry Banks; Christopher Maltman; Tiffin Boys Choir; London Symphony Chorus; London Symphony Orchestra; Richard Hickox
2:40
Carmina Burana: I. Primo vere  
1.3
Veris leta facies. [ ] – Poco più lento, tranquillo – A tempo, come prima –
Carl Orff; Laura Claycomb; Barry Banks; Christopher Maltman; Tiffin Boys Choir; London Symphony Chorus; London Symphony Orchestra; Richard Hickox
3:54
1.4
Omnia Sol temperat. [ ] – Sempre molto rubato –
Carl Orff; Laura Claycomb; Barry Banks; Christopher Maltman; Tiffin Boys Choir; London Symphony Chorus; London Symphony Orchestra; Richard Hickox
2:11
1.5
Ecce gratum. Con ampiezza – Quasi allegretto – Allegro molto – Ancora più presto di prima – Presto
Carl Orff; Laura Claycomb; Barry Banks; Christopher Maltman; Tiffin Boys Choir; London Symphony Chorus; London Symphony Orchestra; Richard Hickox
2:43
Carmina Burana: I. Uf dem anger  
1.6
Tanz. Pesante – Allegro – Un poco più lento – Più mosso –
Carl Orff; Laura Claycomb; Barry Banks; Christopher Maltman; Tiffin Boys Choir; London Symphony Chorus; London Symphony Orchestra; Richard Hickox
1:44
1.7
Floret silva. [ ] – Poco più mosso – [ ] – Poco più mosso –
Carl Orff; Laura Claycomb; Barry Banks; Christopher Maltman; Tiffin Boys Choir; London Symphony Chorus; London Symphony Orchestra; Richard Hickox
3:18
1.8
Chramer, gip die varwe mir. Quasi andante –
Carl Orff; Laura Claycomb; Barry Banks; Christopher Maltman; Tiffin Boys Choir; London Symphony Chorus; London Symphony Orchestra; Richard Hickox
3:23
1.9
Reie. Andante poco esitante – Più andante – Swaz hie gat umbe. Allegro molto – Chume, chum, geselle min. [ ] – Swaz hie gat umbe. A tempo come prima –
Carl Orff; Laura Claycomb; Barry Banks; Christopher Maltman; Tiffin Boys Choir; London Symphony Chorus; London Symphony Orchestra; Richard Hickox
4:51
1.10
Were diu werlt alle min. Allegro molto
Carl Orff; Laura Claycomb; Barry Banks; Christopher Maltman; Tiffin Boys Choir; London Symphony Chorus; London Symphony Orchestra; Richard Hickox
0:53
Carmina Burana: II. In taberna  
1.11
Estuans interius. Allegro molto –
Carl Orff; Laura Claycomb; Barry Banks; Christopher Maltman; Tiffin Boys Choir; London Symphony Chorus; London Symphony Orchestra; Richard Hickox
2:28
1.12
Olim lacus colueram
Carl Orff; Laura Claycomb; Barry Banks; Christopher Maltman; Tiffin Boys Choir; London Symphony Chorus; London Symphony Orchestra; Richard Hickox
3:35
1.13
Ego sum abbas
Carl Orff; Laura Claycomb; Barry Banks; Christopher Maltman; Tiffin Boys Choir; London Symphony Chorus; London Symphony Orchestra; Richard Hickox
1:29
1.14
In taberna quando sumus.
Carl Orff; Laura Claycomb; Barry Banks; Christopher Maltman; Tiffin Boys Choir; London Symphony Chorus; London Symphony Orchestra; Richard Hickox
3:05
Carmina Burana: III. Cour d'amours  
1.15
Amor volat undique. Largo – Rubato flessibile – [ ] – A tempo come prima –
Carl Orff; Laura Claycomb; Barry Banks; Christopher Maltman; Tiffin Boys Choir; London Symphony Chorus; London Symphony Orchestra; Richard Hickox
3:16
1.16
Dies, nox et omnia
Carl Orff; Laura Claycomb; Barry Banks; Christopher Maltman; Tiffin Boys Choir; London Symphony Chorus; London Symphony Orchestra; Richard Hickox
2:07
1.17
Stetit puella
Carl Orff; Laura Claycomb; Barry Banks; Christopher Maltman; Tiffin Boys Choir; London Symphony Chorus; London Symphony Orchestra; Richard Hickox
1:49
1.18
Circa mea pectora. Ancora più mosso – Sempre accelerando – Come prima – Più mosso – Ancora più mosso – Sempre accelerando – Molto appassionato – Più mosso – Ancora più mosso – Sempre accelerando –
Carl Orff; Laura Claycomb; Barry Banks; Christopher Maltman; Tiffin Boys Choir; London Symphony Chorus; London Symphony Orchestra; Richard Hickox
2:04
1.19
Si puer cum puellula. Allegro buffo – Allegro molto –
Carl Orff; Laura Claycomb; Barry Banks; Christopher Maltman; Tiffin Boys Choir; London Symphony Chorus; London Symphony Orchestra; Richard Hickox
0:58
1.20
Veni, veni, venias. Allegro –
Carl Orff; Laura Claycomb; Barry Banks; Christopher Maltman; Tiffin Boys Choir; London Symphony Chorus; London Symphony Orchestra; Richard Hickox
1:01
1.21
In trutina
Carl Orff; Laura Claycomb; Barry Banks; Christopher Maltman; Tiffin Boys Choir; London Symphony Chorus; London Symphony Orchestra; Richard Hickox
2:17
1.22
Tempus est iocundum. Allegro molto – Più lento – Allegro molto – Come prima – Allegro molto – Ancora più lento di prima –
Carl Orff; Laura Claycomb; Barry Banks; Christopher Maltman; Tiffin Boys Choir; London Symphony Chorus; London Symphony Orchestra; Richard Hickox
2:22
1.23
Dulcissime
Carl Orff; Laura Claycomb; Barry Banks; Christopher Maltman; Tiffin Boys Choir; London Symphony Chorus; London Symphony Orchestra; Richard Hickox
0:43
Carmina Burana: Blanziflor et Helena  
1.24
Ave formosissima
Carl Orff; Laura Claycomb; Barry Banks; Christopher Maltman; Tiffin Boys Choir; London Symphony Chorus; London Symphony Orchestra; Richard Hickox
1:50
Carmina Burana: Fortuna Imperatrix Mundi  
1.25
O Fortuna. Pesante – [ ]
Carl Orff; Laura Claycomb; Barry Banks; Christopher Maltman; Tiffin Boys Choir; London Symphony Chorus; London Symphony Orchestra; Richard Hickox
3:11
Digital Booklet
"Five Stars ... it's the excellence of choruses and orchestra you keep coming back to ... a richly enjoyable performance of a much-recorded masterpiece." - BBC Music Magazine "The Chandos engineers have worked wonders ... vivid sound allowing a wealth of orchestral detail to be heard ... dynamic range is enormous ... a vibrant performance that has a real sense of occasion ... the soloists make a fine trio ... the choral contribution is excellent ..." - Gramophone Recorded live at the Barbican Centre in November 2007, Richard Hickox conducts Carl Orff’s immensely popular dramatic cantata Carmina Burana with the London Symphony Orchestra and Chorus and soloists Barry Banks, Laura Claycomb and Christopher Maltman. Hailed as one of the masterpieces of the 20th century, the music is scored for three vocal soloists, three choirs and a large orchestra featuring triple woodwinds, two pianos and no fewer than five percussionists.
96 kHz / 24-bit PCM – Chandos Studio Masters

Recording venue: Barbican Centre, London (live); 17 and 18 November 2007 Recording producer: Ralph Couzens Sound engineers: Jonathan Stokes and Neil Hutchinson, Classic Sound Editor: Rachel Smith Mastering: Ralph Couzens Front cover: ‘The Storm – A Flame Fractal’, photograph © Ann Garrett/Arcangel Images Back cover: Photograph of Richard Hickox by Greg Barrett Design and typesetting: Cassidy Rayne Creative Booklet editor: Finn S. Gundersen Copyright: Schott Music GmbH & Co. KG, Mainz
Track titlePeak (dB FS)RMS (dB FS)DR
Album average
Range of values
-9.02
-24.80 to 0.00
-32.82
-48.65 to -19.86
14
11 to 16
1
O Fortuna. Pesante
-1.09-22.1713
2
Fortune plango vulnera. [ ] – Più mosso
-4.15-28.5014
3
Veris leta facies. [ ] – Poco più lento, tranquillo – A tempo, come prima –
-19.70-44.8416
4
Omnia Sol temperat. [ ] – Sempre molto rubato –
-24.80-48.6515
5
Ecce gratum. Con ampiezza – Quasi allegretto – Allegro molto – Ancora più presto di prima – Presto
-2.77-25.6714
6
Tanz. Pesante – Allegro – Un poco più lento – Più mosso –
-4.55-28.6415
7
Floret silva. [ ] – Poco più mosso – [ ] – Poco più mosso –
-8.49-33.5814
8
Chramer, gip die varwe mir. Quasi andante –
-19.30-40.6313
9
Reie. Andante poco esitante – Più andante – Swaz hie gat umbe. Allegro molto – Chume, chum, geselle min. [ ] – Swaz hie gat umbe. A tempo come prima –
-4.18-30.2415
10
Were diu werlt alle min. Allegro molto
-1.01-23.4214
11
Estuans interius. Allegro molto –
-2.25-30.8714
12
Olim lacus colueram
-6.27-34.4016
13
Ego sum abbas
-0.71-25.6616
14
In taberna quando sumus.
-1.47-26.7616
15
Amor volat undique. Largo – Rubato flessibile – [ ] – A tempo come prima –
-22.45-46.6814
16
Dies, nox et omnia
-20.92-45.3712
17
Stetit puella
-15.50-36.3111
18
Circa mea pectora. Ancora più mosso – Sempre accelerando – Come prima – Più mosso – Ancora più mosso – Sempre accelerando – Molto appassionato – Più mosso – Ancora più mosso – Sempre accelerando –
-3.70-29.1315
19
Si puer cum puellula. Allegro buffo – Allegro molto –
-10.61-33.9912
20
Veni, veni, venias. Allegro –
-5.26-28.0512
21
In trutina
-23.66-46.1512
22
Tempus est iocundum. Allegro molto – Più lento – Allegro molto – Come prima – Allegro molto – Ancora più lento di prima –
-2.56-28.8416
23
Dulcissime
-19.04-41.0613
24
Ave formosissima
-1.05-19.8613
25
O Fortuna. Pesante – [ ]
0.00-20.9313

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