℗ 2020 ILK Music
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1.1
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Ears #5
Mark Solborg |
3:03 | ||
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1.2
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Ears #7
Mark Solborg |
1:39 | ||
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1.3
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Conversation #1
Mark Solborg |
3:30 | ||
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1.4
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Conversation #2
Mark Solborg |
3:38 | ||
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1.5
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Nattesang
Mark Solborg |
4:22 | ||
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1.6
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Gentle #1
Mark Solborg |
2:24 | ||
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1.7
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Ears #2
Mark Solborg |
3:24 | ||
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1.8
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Filmprimadonna
Mark Solborg |
4:02 | ||
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1.9
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Conversation #4
Mark Solborg |
3:52 | ||
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1.10
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Gentle #2
Mark Solborg |
1:45 | ||
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1.11
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Leaps
Mark Solborg |
4:08 | ||
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1.12
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PitchFork
Mark Solborg |
1:36 | ||
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1.13
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Prepared #1
Mark Solborg |
2:42 | ||
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1.14
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Prepared #2
Mark Solborg |
6:52 | ||
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1.15
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Redondo
Mark Solborg |
3:42 | ||
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1.16
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Tokyo
Mark Solborg |
3:10 | ||
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1.17
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Slides
Mark Solborg |
3:13 | ||
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1.18
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Resonans #2
Mark Solborg |
4:10 | ||
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1.19
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Minor Garden
Mark Solborg |
3:08 | ||
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Total Playing Time 64:20
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Tungemål I is concerned with the electrified guitar as a voice in contemporary chamber- musical contexts. With this comprehensive project Mark Solborg wishes to elaborate the intimate listening experience, and develop methods and tools for the creative work at hand. An extensive artistic study and qualifying awareness of the modern guitar in interplay with acoustic instruments, and the musical spaces they inhabit.
96 kHz / 24-bit PCM – ILK Music Studio Masters
Tracks 1-12 – contains high-resolution digital transfers of material originating from an analogue master source Tracks 13-15, 17 – 48 kHz / 24-bit PCM, mastered in 96 kHz / 24-bit Tracks 16, 18, 19 – contains material which utilizes a limited amount of the available bandwidth
Tracks 1-12 – contains high-resolution digital transfers of material originating from an analogue master source Tracks 13-15, 17 – 48 kHz / 24-bit PCM, mastered in 96 kHz / 24-bit Tracks 16, 18, 19 – contains material which utilizes a limited amount of the available bandwidth