℗ 2016 Affetto Recordings
Released March 25, 2016
Duration 43m 18s
Record Label Affetto Recordings
Catalogue No. AF1503
Genre Classical (Chamber Music)
 

J.S. Bach: Sonatas for Viola da Gamba and Harpsichord, BWV 1027-1029

Kate Dillingham, Jory Vinikour

Available in 96 kHz / 24-bit AIFF, FLAC high resolution audio formats
  • Select Format
    • AIFF 96 kHz | 24-bit
    • FLAC 96 kHz | 24-bit
Add to cart
discounted price

 
Viola da gamba Sonata in G Major, BWV 1027 (arr. for Cello & Harpsichord)  
1.1
I. Adagio
Anonymous; Johann Sebastian Bach; Kate Dillingham; Jory Vinikour
3:52
1.2
II. Allegro ma non tanto
Anonymous; Johann Sebastian Bach; Kate Dillingham; Jory Vinikour
3:48
1.3
III. Andante
Anonymous; Johann Sebastian Bach; Kate Dillingham; Jory Vinikour
2:42
1.4
IV. Allegro moderato
Anonymous; Johann Sebastian Bach; Kate Dillingham; Jory Vinikour
3:15
Viola da gamba Sonata in D Major, BWV 1028 (arr. for Cello & Harpsichord)  
1.5
I. Adagio
Anonymous; Johann Sebastian Bach; Kate Dillingham; Jory Vinikour
1:59
1.6
II. Allegro
Anonymous; Johann Sebastian Bach; Kate Dillingham; Jory Vinikour
4:08
1.7
III. Andante
Anonymous; Johann Sebastian Bach; Kate Dillingham; Jory Vinikour
4:54
1.8
IV. Allegro molto
Anonymous; Johann Sebastian Bach; Kate Dillingham; Jory Vinikour
4:28
Viola da gamba Sonata in G Minor, BWV 1029 (arr. for Cello & Harpsichord)  
1.9
I. Vivace
Anonymous; Johann Sebastian Bach; Kate Dillingham; Jory Vinikour
5:26
1.10
II. Adagio
Anonymous; Johann Sebastian Bach; Kate Dillingham; Jory Vinikour
7:42
1.11
III. Allegro
Anonymous; Johann Sebastian Bach; Kate Dillingham; Jory Vinikour
1:04
Digital Booklet
Cellist Kate Dillingham and harpsichordist Jory Vinikour present this collection of works originally composed for viola da gamba and harpsichord, interpreted here in arrangements for cello and harpsichord. The historically informed performance includes the world premiere recording of the Schirmer Dillingham/Greenhouse Edition.
96 kHz / 24-bit PCM – Affetto Recordings Studio Masters

Recorded June 3-5, 2015 at Miller Chapel, Princeton Theological Seminary, Princeton, NJ Producer: Sam Ward Recording Engineer: John C. Baker Edited and mastered by Sam Ward Graphic Design: Jana DeWitt design Cover photo: Keisuke Hoashi Booklet photos: John C. Baker
Track title
Peak
(dB FS)
RMS
(dB FS)
LUFS
(integrated)
DR
Album average
Range of values
-2.60
-5.61 to -1.47
-21.73
-24.00 to -19.67
-18.90
-21.10 to -16.90
12
11 to 13
1
I. Adagio
-2.28-21.62-18.712
2
II. Allegro ma non tanto
-2.87-20.99-18.212
3
III. Andante
-5.61-23.90-21.111
4
IV. Allegro moderato
-2.34-20.92-18.112
5
I. Adagio
-4.50-23.28-20.511
6
II. Allegro
-1.79-20.00-17.212
7
III. Andante
-1.47-21.15-18.212
8
IV. Allegro molto
-1.47-22.59-19.813
9
I. Vivace
-1.60-20.88-18.312
10
II. Adagio
-2.97-24.00-20.912
11
III. Allegro
-1.70-19.67-16.912

Offers & New Releases

exclusive benefits for mailing list members

Subscribe Now

What is High-Resolution Audio?

High-resolution audio offers the highest-fidelity available, far surpassing the sound quality of traditional CDs. When you listen to music on a CD or tracks purchased via consumer services such as iTunes, you are hearing a low-resolution version of what was actually recorded and mastered in the studio. ProStudioMasters offers the original studio masters — exactly as the artist, producers and sound engineers mastered them — for download, directly to you.

What do I need for playback?

You may need additional software / hardware to take full advantage of the higher 24-bit high-res audio formats, but any music lover that has heard 16-bit vs 24-bit will tell you it's worth it!

Software for Mac OS X

Software for Windows

Hardware Suggestions