℗ 2020 Daniel Barenboim
Released | October 30, 2020 |
Duration | 2h 24m 55s |
Record Label | Deutsche Grammophon (DG) |
Genre | Classical |
Beethoven: Piano Sonatas Nos. 13-19
Daniel Barenboim
Available in 96 kHz / 24-bit AIFF, FLAC high resolution audio formats
Piano Sonata No. 13 in E-Flat Major, Op. 27 No. 1 "Quasi una fantasia"
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1.1
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I. Andante - Allegro - Tempo I
Ludwig van Beethoven; Daniel Barenboim |
5:18 | |||
1.2
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II. Allegro molto e vivace
Ludwig van Beethoven; Daniel Barenboim |
2:28 | |||
1.3
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III. Adagio con espressione
Ludwig van Beethoven; Daniel Barenboim |
2:55 | |||
1.4
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IV. Allegro vivace - Tempo I - Presto
Ludwig van Beethoven; Daniel Barenboim |
6:13 | |||
Piano Sonata No. 14 in C-Sharp Minor, Op. 27 No. 2 "Moonlight"
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1.5
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I. Adagio sostenuto
Ludwig van Beethoven; Daniel Barenboim |
6:03 | |||
1.6
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II. Allegretto
Ludwig van Beethoven; Daniel Barenboim |
2:25 | |||
1.7
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III. Presto agitato
Ludwig van Beethoven; Daniel Barenboim |
8:18 | |||
Piano Sonata No. 15 in D Major, Op. 28 "Pastorale"
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1.8
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I. Allegro
Ludwig van Beethoven; Daniel Barenboim |
12:11 | |||
1.9
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II. Andante
Ludwig van Beethoven; Daniel Barenboim |
8:01 | |||
1.10
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III. Scherzo. Allegro vivace
Ludwig van Beethoven; Daniel Barenboim |
2:50 | |||
1.11
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IV. Rondo. Allegro ma non troppo
Ludwig van Beethoven; Daniel Barenboim |
6:11 | |||
Piano Sonata No. 16 in G Major, Op. 31 No. 1
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1.12
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I. Allegro vivace
Ludwig van Beethoven; Daniel Barenboim |
6:55 | |||
1.13
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II. Adagio grazioso
Ludwig van Beethoven; Daniel Barenboim |
11:39 | |||
1.14
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III. Rondo. Allegretto
Ludwig van Beethoven; Daniel Barenboim |
6:44 | |||
Piano Sonata No. 17 in D Minor, Op. 31 No. 2 "The Tempest"
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1.15
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I. Largo - Allegro
Ludwig van Beethoven; Daniel Barenboim |
8:35 | |||
1.16
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II. Adagio
Ludwig van Beethoven; Daniel Barenboim |
8:46 | |||
1.17
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III. Allegretto
Ludwig van Beethoven; Daniel Barenboim |
7:54 | |||
Piano Sonata No. 18 in E-Flat Major, Op. 31 No. 3 "The Hunt"
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1.18
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I. Allegro
Ludwig van Beethoven; Daniel Barenboim |
8:29 | |||
1.19
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II. Scherzo. Allegretto vivace
Ludwig van Beethoven; Daniel Barenboim |
5:11 | |||
1.20
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III. Menuetto. Moderato e grazioso
Ludwig van Beethoven; Daniel Barenboim |
4:15 | |||
1.21
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IV. Presto con fuoco
Ludwig van Beethoven; Daniel Barenboim |
5:04 | |||
Piano Sonata No. 19 in G Minor, Op. 49 No. 1
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1.22
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I. Andante
Ludwig van Beethoven; Daniel Barenboim |
4:55 | |||
1.23
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II. Rondo. Allegro
Ludwig van Beethoven; Daniel Barenboim |
3:35 |
“There is no other musician who exemplifies and embodies Beethoven’s humanistic philosophy as much as Daniel Barenboim. Barenboim’s Beethoven is uncompromising and filled with hidden depths, contrapuntally stirring, while at the same time rhapsodising about the distant beloved with the tenderness of the gentlest of breaths.”
- Anne-Sophie Mutter
Daniel Barenboim releases his new recording of Beethoven’s Piano Sonatas Nos. 13-19 as part of his Complete Piano Sonatas series. This year Daniel Barenboim marked the 250th anniversary of Beethoven’s birth by recording his thirty-two piano sonatas and the Diabelli Variations at Berlin’s Pierre Boulez Saal for Deutsche Grammophon. Daniel Barenboim has been exploring Beethoven’s music for more than seven decades and his fifth complete survey of the sonatas arose from a period of deep immersion in Beethoven’s scores due to the cancellation of public concerts because of the coronavirus pandemic.
Throughout his career, as both pianist and conductor, Daniel Barenboim has remained closely associated with both Beethoven’s music and his outlook on life. Few musicians have engaged with Beethoven’s music as intensively and over such a long period.
“I was delighted that, thanks to Deutsche Grammophon and its partners, hundreds of thousands of listeners around the world were able to share in the live-streamed concerts we gave in April from the Pierre Boulez Saal. To have the chance to record Beethoven’s sonatas so soon after for the Yellow Label felt like the ideal response to the pandemic. At no point during the last fifty years has there been a period when I’ve had time to spend three whole months just playing the piano.”
- Daniel Barenboim
96 kHz / 24-bit PCM – Deutsche Grammophon (DG) Studio Masters
Track title | Peak (dB FS) | RMS (dB FS) | LUFS (integrated) | DR | |
Album average Range of values | -5.42 -14.13 to -1.21 | -28.27 -36.81 to -24.25 | -25.13 -34.40 to -20.80 | 14 12 to 17 | |
1 | I. Andante - Allegro - Tempo I | -4.47 | -29.56 | -25.8 | 15 |
2 | II. Allegro molto e vivace | -4.00 | -24.99 | -22.2 | 12 |
3 | III. Adagio con espressione | -9.68 | -32.01 | -28.8 | 13 |
4 | IV. Allegro vivace - Tempo I - Presto | -2.41 | -24.72 | -21.3 | 14 |
5 | I. Adagio sostenuto | -14.13 | -36.81 | -34.4 | 15 |
6 | II. Allegretto | -8.01 | -30.51 | -27.9 | 14 |
7 | III. Presto agitato | -2.17 | -24.25 | -21.4 | 15 |
8 | I. Allegro | -5.21 | -28.30 | -25.3 | 15 |
9 | II. Andante | -7.36 | -31.21 | -28.0 | 15 |
10 | III. Scherzo. Allegro vivace | -4.96 | -27.81 | -24.4 | 15 |
11 | IV. Rondo. Allegro ma non troppo | -3.73 | -26.61 | -23.3 | 13 |
12 | I. Allegro vivace | -3.90 | -25.21 | -21.7 | 13 |
13 | II. Adagio grazioso | -7.53 | -31.16 | -28.2 | 15 |
14 | III. Rondo. Allegretto | -5.33 | -26.79 | -24.0 | 13 |
15 | I. Largo - Allegro | -3.26 | -25.17 | -20.8 | 14 |
16 | II. Adagio | -7.26 | -32.47 | -28.9 | 16 |
17 | III. Allegretto | -4.43 | -24.77 | -21.9 | 13 |
18 | I. Allegro | -4.31 | -27.52 | -24.6 | 14 |
19 | II. Scherzo. Allegretto vivace | -3.90 | -28.31 | -25.2 | 17 |
20 | III. Menuetto. Moderato e grazioso | -4.28 | -29.97 | -26.6 | 17 |
21 | IV. Presto con fuoco | -1.21 | -24.45 | -21.5 | 15 |
22 | I. Andante | -7.97 | -30.50 | -27.8 | 15 |
23 | II. Rondo. Allegro | -5.17 | -26.98 | -24.1 | 12 |