℗ 2020 Daniel Barenboim
Released | October 30, 2020 |
Duration | 1h 51m 40s |
Record Label | Deutsche Grammophon (DG) |
Genre | Classical |
Beethoven: Piano Sonatas Nos. 20-26
Daniel Barenboim
Available in 96 kHz / 24-bit AIFF, FLAC high resolution audio formats
Piano Sonata No. 20 in G Major, Op. 49 No. 2
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1.1
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I. Allegro ma non troppo
Ludwig van Beethoven; Daniel Barenboim |
4:54 | |||
1.2
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II. Tempo di Menuetto
Ludwig van Beethoven; Daniel Barenboim |
3:50 | |||
Piano Sonata No. 21 in C Major, Op. 53 "Waldstein"
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1.3
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I. Allegro con brio
Ludwig van Beethoven; Daniel Barenboim |
11:59 | |||
1.4
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II. Introduzione. Adagio molto
Ludwig van Beethoven; Daniel Barenboim |
3:48 | |||
1.5
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III. Rondo. Allegretto moderato - Prestissimo
Ludwig van Beethoven; Daniel Barenboim |
11:46 | |||
Piano Sonata No. 22 in F Major, Op. 54
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1.6
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I. In Tempo d'un Menuetto
Ludwig van Beethoven; Daniel Barenboim |
5:54 | |||
1.7
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II. Allegretto - Più Allegro
Ludwig van Beethoven; Daniel Barenboim |
6:55 | |||
Piano Sonata No. 23 in F Minor, Op. 57 "Appassionata"
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1.8
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I. Allegro assai
Ludwig van Beethoven; Daniel Barenboim |
11:04 | |||
1.9
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II. Andante con moto
Ludwig van Beethoven; Daniel Barenboim |
7:17 | |||
1.10
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III. Allegro ma non troppo
Ludwig van Beethoven; Daniel Barenboim |
5:49 | |||
Piano Sonata No. 24 in F-Sharp Major, Op. 78 "À Thérèse"
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1.11
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I. Adagio cantabile - Allegro ma non troppo
Ludwig van Beethoven; Daniel Barenboim |
7:28 | |||
1.12
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II. Allegro vivace
Ludwig van Beethoven; Daniel Barenboim |
3:24 | |||
Piano Sonata No. 25 in G Major, Op. 79 "Sonatina"
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1.13
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I. Presto alla tedesca
Ludwig van Beethoven; Daniel Barenboim |
3:26 | |||
1.14
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II. Andante
Ludwig van Beethoven; Daniel Barenboim |
2:48 | |||
1.15
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III. Vivace
Ludwig van Beethoven; Daniel Barenboim |
2:25 | |||
Piano Sonata No. 26 in E-Flat Major, Op. 81a "Les Adieux"
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1.16
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I. Das Lebewohl. Adagio - Allegro
Ludwig van Beethoven; Daniel Barenboim |
7:49 | |||
1.17
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II. Abwesenheit. Andante espressivo
Ludwig van Beethoven; Daniel Barenboim |
4:14 | |||
1.18
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III. Das Wiedersehen. Vivacissimamente
Ludwig van Beethoven; Daniel Barenboim |
6:50 |
“There is no other musician who exemplifies and embodies Beethoven’s humanistic philosophy as much as Daniel Barenboim. Barenboim’s Beethoven is uncompromising and filled with hidden depths, contrapuntally stirring, while at the same time rhapsodising about the distant beloved with the tenderness of the gentlest of breaths.”
- Anne-Sophie Mutter
Daniel Barenboim releases his new recording of Beethoven’s Piano Sonatas Nos. 20-26 as part of his Complete Piano Sonatas series. This year Daniel Barenboim marked the 250th anniversary of Beethoven’s birth by recording his thirty-two piano sonatas and the Diabelli Variations at Berlin’s Pierre Boulez Saal for Deutsche Grammophon. Daniel Barenboim has been exploring Beethoven’s music for more than seven decades and his fifth complete survey of the sonatas arose from a period of deep immersion in Beethoven’s scores due to the cancellation of public concerts because of the coronavirus pandemic.
Throughout his career, as both pianist and conductor, Daniel Barenboim has remained closely associated with both Beethoven’s music and his outlook on life. Few musicians have engaged with Beethoven’s music as intensively and over such a long period.
“I was delighted that, thanks to Deutsche Grammophon and its partners, hundreds of thousands of listeners around the world were able to share in the live-streamed concerts we gave in April from the Pierre Boulez Saal. To have the chance to record Beethoven’s sonatas so soon after for the Yellow Label felt like the ideal response to the pandemic. At no point during the last fifty years has there been a period when I’ve had time to spend three whole months just playing the piano.”
- Daniel Barenboim
96 kHz / 24-bit PCM – Deutsche Grammophon (DG) Studio Masters
Track title | Peak (dB FS) | RMS (dB FS) | LUFS (integrated) | DR | |
Album average Range of values | -4.90 -11.86 to -1.21 | -27.49 -35.83 to -23.16 | -24.23 -32.50 to -20.00 | 14 11 to 16 | |
1 | I. Allegro ma non troppo | -5.02 | -27.09 | -24.4 | 15 |
2 | II. Tempo di Menuetto | -7.83 | -31.24 | -28.0 | 15 |
3 | I. Allegro con brio | -1.30 | -25.36 | -22.2 | 15 |
4 | II. Introduzione. Adagio molto | -11.86 | -35.83 | -32.5 | 15 |
5 | III. Rondo. Allegretto moderato - Prestissimo | -1.42 | -23.98 | -20.2 | 14 |
6 | I. In Tempo d'un Menuetto | -5.16 | -27.30 | -23.8 | 14 |
7 | II. Allegretto - Più Allegro | -3.86 | -24.54 | -21.9 | 13 |
8 | I. Allegro assai | -1.64 | -24.35 | -20.8 | 14 |
9 | II. Andante con moto | -2.99 | -31.38 | -27.9 | 16 |
10 | III. Allegro ma non troppo | -1.21 | -23.16 | -20.0 | 14 |
11 | I. Adagio cantabile - Allegro ma non troppo | -4.78 | -26.93 | -23.8 | 14 |
12 | II. Allegro vivace | -4.41 | -24.59 | -21.0 | 12 |
13 | I. Presto alla tedesca | -5.76 | -25.45 | -22.8 | 12 |
14 | II. Andante | -10.09 | -32.42 | -29.7 | 11 |
15 | III. Vivace | -5.85 | -27.00 | -24.0 | 13 |
16 | I. Das Lebewohl. Adagio - Allegro | -3.63 | -27.00 | -22.9 | 15 |
17 | II. Abwesenheit. Andante espressivo | -8.12 | -32.90 | -29.0 | 16 |
18 | III. Das Wiedersehen. Vivacissimamente | -3.32 | -24.25 | -21.3 | 13 |