℗ 2020 Daniel Barenboim
Released | October 30, 2020 |
Duration | 2h 41m 30s |
Record Label | Deutsche Grammophon (DG) |
Genre | Classical |
Beethoven: Piano Sonatas Nos. 27-32
Daniel Barenboim
Available in 96 kHz / 24-bit AIFF, FLAC high resolution audio formats
Piano Sonata No. 27 in E Minor, Op. 90
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1.1
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I. Mit Lebhaftigkeit und durchaus mit Empfindung und Ausdruck
Ludwig van Beethoven; Daniel Barenboim |
6:04 | |||
1.2
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II. Nicht zu geschwind und sehr singbar vorgetragen
Ludwig van Beethoven; Daniel Barenboim |
8:36 | |||
Piano Sonata No. 28 in A Major, Op. 101
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1.3
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I. Etwas lebhaft und mit der innigsten Empfindung. Allegretto ma non troppo
Ludwig van Beethoven; Daniel Barenboim |
4:05 | |||
1.4
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II. Lebhaft, marschmäßig. Vivace alla marcia
Ludwig van Beethoven; Daniel Barenboim |
6:42 | |||
1.5
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III. Langsam und sehnsuchtsvoll. Adagio ma non troppo, con affetto
Ludwig van Beethoven; Daniel Barenboim |
2:51 | |||
1.6
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IV. Geschwind, doch nicht zu sehr und mit Entschlossenheit. Allegro
Ludwig van Beethoven; Daniel Barenboim |
8:06 | |||
Piano Sonata No. 29 in B-Flat Major, Op. 106 "Hammerklavier"
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1.7
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I. Allegro
Ludwig van Beethoven; Daniel Barenboim |
13:24 | |||
1.8
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II. Scherzo. Assai vivace
Ludwig van Beethoven; Daniel Barenboim |
3:15 | |||
1.9
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III. Adagio sostenuto
Ludwig van Beethoven; Daniel Barenboim |
20:33 | |||
1.10
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IVa. Largo -
Ludwig van Beethoven; Daniel Barenboim |
2:14 | |||
1.11
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IVb. Allegro risoluto
Ludwig van Beethoven; Daniel Barenboim |
11:30 | |||
Piano Sonata No. 30 in E Major, Op. 109
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1.12
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I. Vivace, ma non troppo - Adagio espressivo - Tempo I
Ludwig van Beethoven; Daniel Barenboim |
4:12 | |||
1.13
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II. Prestissimo
Ludwig van Beethoven; Daniel Barenboim |
2:58 | |||
1.14
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IIIa. Gesangvoll, mit innigster Empfindung (Andante molto cantabile ed espressivo)
Ludwig van Beethoven; Daniel Barenboim |
2:30 | |||
1.15
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IIIb. Variation I: Molto espressivo
Ludwig van Beethoven; Daniel Barenboim |
2:19 | |||
1.16
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IIIc. Variation II: Leggiermente
Ludwig van Beethoven; Daniel Barenboim |
1:34 | |||
1.17
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IIId. Variation III: Allegro vivace
Ludwig van Beethoven; Daniel Barenboim |
0:29 | |||
1.18
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IIIe. Variation IV: Etwas langsamer als das Thema
Ludwig van Beethoven; Daniel Barenboim |
3:17 | |||
1.19
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IIIf. Variation V: Allegro, ma non troppo
Ludwig van Beethoven; Daniel Barenboim |
0:54 | |||
1.20
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IIIg. Variation VI: Tempo I del tema
Ludwig van Beethoven; Daniel Barenboim |
3:59 | |||
Piano Sonata No. 31 in A-Flat Major, Op. 110
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1.21
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I. Moderato cantabile molto espressivo
Ludwig van Beethoven; Daniel Barenboim |
7:26 | |||
1.22
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II. Allegro molto
Ludwig van Beethoven; Daniel Barenboim |
2:28 | |||
1.23
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IIIa. Adagio ma non troppo
Ludwig van Beethoven; Daniel Barenboim |
3:52 | |||
1.24
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IIIb. Fuga. Allegro ma non troppo
Ludwig van Beethoven; Daniel Barenboim |
7:47 | |||
Piano Sonata No. 32 in C Minor, Op. 111
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1.25
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I. Maestoso - Allegro con brio ed appassionato
Ludwig van Beethoven; Daniel Barenboim |
9:44 | |||
1.26
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IIa. Arietta. Adagio molto semplice e cantabile
Ludwig van Beethoven; Daniel Barenboim |
3:11 | |||
1.27
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IIb. Variation I
Ludwig van Beethoven; Daniel Barenboim |
2:14 | |||
1.28
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IIc. Variation II
Ludwig van Beethoven; Daniel Barenboim |
1:55 | |||
1.29
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IId. Variation III
Ludwig van Beethoven; Daniel Barenboim |
2:25 | |||
1.30
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IIe. Variation IV
Ludwig van Beethoven; Daniel Barenboim |
6:28 | |||
1.31
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IIf. Variation V
Ludwig van Beethoven; Daniel Barenboim |
4:28 |
“There is no other musician who exemplifies and embodies Beethoven’s humanistic philosophy as much as Daniel Barenboim. Barenboim’s Beethoven is uncompromising and filled with hidden depths, contrapuntally stirring, while at the same time rhapsodising about the distant beloved with the tenderness of the gentlest of breaths.”
- Anne-Sophie Mutter
Daniel Barenboim releases his new recording of Beethoven’s Piano Sonatas Nos. 27-32 as part of his Complete Piano Sonatas series. This year Daniel Barenboim marked the 250th anniversary of Beethoven’s birth by recording his thirty-two piano sonatas and the Diabelli Variations at Berlin’s Pierre Boulez Saal for Deutsche Grammophon. Daniel Barenboim has been exploring Beethoven’s music for more than seven decades and his fifth complete survey of the sonatas arose from a period of deep immersion in Beethoven’s scores due to the cancellation of public concerts because of the coronavirus pandemic.
Throughout his career, as both pianist and conductor, Daniel Barenboim has remained closely associated with both Beethoven’s music and his outlook on life. Few musicians have engaged with Beethoven’s music as intensively and over such a long period.
“I was delighted that, thanks to Deutsche Grammophon and its partners, hundreds of thousands of listeners around the world were able to share in the live-streamed concerts we gave in April from the Pierre Boulez Saal. To have the chance to record Beethoven’s sonatas so soon after for the Yellow Label felt like the ideal response to the pandemic. At no point during the last fifty years has there been a period when I’ve had time to spend three whole months just playing the piano.”
- Daniel Barenboim
96 kHz / 24-bit PCM – Deutsche Grammophon (DG) Studio Masters
Track title | Peak (dB FS) | RMS (dB FS) | LUFS (integrated) | DR | |
Album average Range of values | -5.95 -15.16 to -1.21 | -28.49 -38.76 to -22.69 | -25.20 -35.60 to -19.60 | 14 11 to 17 | |
1 | I. Mit Lebhaftigkeit und durchaus mit Empfindung und Ausdruck | -4.09 | -27.00 | -23.1 | 14 |
2 | II. Nicht zu geschwind und sehr singbar vorgetragen | -4.94 | -29.35 | -26.7 | 16 |
3 | I. Etwas lebhaft und mit der innigsten Empfindung. Allegretto ma non troppo | -6.98 | -30.04 | -26.6 | 15 |
4 | II. Lebhaft, marschmäßig. Vivace alla marcia | -1.28 | -24.48 | -21.3 | 15 |
5 | III. Langsam und sehnsuchtsvoll. Adagio ma non troppo, con affetto | -6.16 | -31.38 | -27.4 | 13 |
6 | IV. Geschwind, doch nicht zu sehr und mit Entschlossenheit. Allegro | -1.56 | -24.12 | -20.5 | 14 |
7 | I. Allegro | -1.21 | -23.50 | -20.2 | 15 |
8 | II. Scherzo. Assai vivace | -1.95 | -24.40 | -20.9 | 12 |
9 | III. Adagio sostenuto | -5.60 | -32.44 | -29.1 | 17 |
10 | IVa. Largo - | -2.79 | -28.06 | -23.3 | 13 |
11 | IVb. Allegro risoluto | -2.12 | -22.69 | -19.6 | 14 |
12 | I. Vivace, ma non troppo - Adagio espressivo - Tempo I | -4.42 | -28.71 | -25.3 | 15 |
13 | II. Prestissimo | -2.48 | -25.35 | -22.1 | 15 |
14 | IIIa. Gesangvoll, mit innigster Empfindung (Andante molto cantabile ed espressivo) | -15.16 | -37.64 | -34.8 | 14 |
15 | IIIb. Variation I: Molto espressivo | -13.93 | -34.65 | -31.6 | 13 |
16 | IIIc. Variation II: Leggiermente | -11.12 | -31.21 | -28.3 | 11 |
17 | IIId. Variation III: Allegro vivace | -6.49 | -22.90 | -20.4 | 11 |
18 | IIIe. Variation IV: Etwas langsamer als das Thema | -7.80 | -30.32 | -27.5 | 13 |
19 | IIIf. Variation V: Allegro, ma non troppo | -6.56 | -24.38 | -21.9 | 12 |
20 | IIIg. Variation VI: Tempo I del tema | -5.60 | -26.51 | -21.7 | 12 |
21 | I. Moderato cantabile molto espressivo | -6.14 | -29.61 | -26.4 | 15 |
22 | II. Allegro molto | -2.57 | -24.89 | -21.6 | 13 |
23 | IIIa. Adagio ma non troppo | -11.12 | -35.06 | -31.2 | 15 |
24 | IIIb. Fuga. Allegro ma non troppo | -2.08 | -26.50 | -22.9 | 14 |
25 | I. Maestoso - Allegro con brio ed appassionato | -2.15 | -24.17 | -20.4 | 14 |
26 | IIa. Arietta. Adagio molto semplice e cantabile | -13.37 | -38.76 | -35.6 | 16 |
27 | IIb. Variation I | -10.95 | -32.57 | -30.1 | 12 |
28 | IIc. Variation II | -7.79 | -29.63 | -27.3 | 13 |
29 | IId. Variation III | -3.72 | -22.96 | -20.3 | 12 |
30 | IIe. Variation IV | -5.44 | -31.04 | -27.3 | 13 |
31 | IIf. Variation V | -6.90 | -28.91 | -25.8 | 12 |