℗ 2020 Composers Concordance Records
| Released | November 6, 2020 |
| Duration | 1h 05m 53s |
| Record Label | Composers Concordance Records |
| Catalogue No. | COMCON0061 |
| Genre | Classical (Contemporary Era) |
|
1.1
|
Interlude I
Peter Jarvis; Peter Jarvis |
0:30 | |||
|
1.2
|
Fishdream
Kung Chi Shing; Peter Jarvis |
2:48 | |||
|
1.3
|
Forced Bravery
Gene Pritsker; Peter Jarvis |
8:21 | |||
|
1.4
|
To Asclepius, Op. 70 (Arr. for Piano & Baritone)
Peter Jarvis; Carl Patrick Bolleia; Charles Coleman |
2:37 | |||
|
1.5
|
Full Fathom Five, Op. 71
Peter Jarvis; Carl Patrick Bolleia; Charles Coleman |
3:09 | |||
|
1.6
|
Interlude II
Peter Jarvis; Peter Jarvis |
1:09 | |||
|
1.7
|
Fang and Claw
Chris Opperman; Peter Jarvis; Peter Jarvis; Chris Opperman |
2:12 | |||
|
1.8
|
Passing Fancies II
Stephen Peles; Peter Jarvis; Robert Pollock |
5:55 | |||
|
1.9
|
To the Earth
Frederic Rzewski; Peter Jarvis |
9:04 | |||
|
1.10
|
Composition for One Instrument and Ben
Milton Babbitt; Jeffrey Kresky |
0:17 | |||
|
1.11
|
Interlude III
Peter Jarvis; Peter Jarvis |
0:23 | |||
|
1.12
|
Sonorities VI
Patrick Hardish; Peter Jarvis |
3:36 | |||
|
1.13
|
A Vaudevillian Circus in the City
Chris Opperman; Peter Jarvis; Peter Jarvis; Chris Opperman |
5:56 | |||
|
1.14
|
Orbits
Glen Velez; Peter Jarvis |
5:51 | |||
|
1.15
|
Structures III, Op. 118
Peter Jarvis; Peter Jarvis; Chris Opperman |
6:15 | |||
|
1.16
|
Interlude IV
Peter Jarvis; Peter Jarvis |
1:04 | |||
|
1.17
|
Six-Hands for Scott, Op. 57
Peter Jarvis; Carl Patrick Bolleia; Jeffrey Kresky; Anton Vishio |
2:52 | |||
|
1.18
|
Half of a Color, Op. 65
Peter Jarvis; John Ferrari |
3:54 |
48 kHz / 24-bit PCM – Composers Concordance Records Studio Masters
Tracks 2, 8 – contains material which has been processed by a perceptual audio coding algorithm Track 8 – 44.1 kHz / 24-bit PCM, mastered in 48 kHz / 24-bit Tracks 10, 12 – 44.1 kHz / 24-bit PCM
Tracks 2, 8 – contains material which has been processed by a perceptual audio coding algorithm Track 8 – 44.1 kHz / 24-bit PCM, mastered in 48 kHz / 24-bit Tracks 10, 12 – 44.1 kHz / 24-bit PCM
| Track title | Peak (dB FS) | RMS (dB FS) | LUFS (integrated) | DR | |
Album average Range of values | -0.19 -0.23 to -0.16 | -15.69 -20.06 to -10.21 | -11.87 -16.20 to -7.30 | 9 5 to 12 | |
| 1 | Interlude I | 0.00 | -15.66 | -11.8 | 10 |
| 2 | Fishdream | 0.00 | -11.81 | -9.3 | 6 |
| 3 | Forced Bravery | -0.16 | -12.98 | -10.2 | 7 |
| 4 | To Asclepius, Op. 70 (Arr. for Piano & Baritone) | 0.00 | -16.31 | -12.5 | 10 |
| 5 | Full Fathom Five, Op. 71 | 0.00 | -16.57 | -13.2 | 10 |
| 6 | Interlude II | 0.00 | -14.69 | -11.2 | 9 |
| 7 | Fang and Claw | -0.16 | -10.21 | -7.3 | 5 |
| 8 | Passing Fancies II | -0.16 | -13.10 | -8.8 | 6 |
| 9 | To the Earth | 0.00 | -19.06 | -11.1 | 12 |
| 10 | Composition for One Instrument and Ben | 0.00 | -17.51 | -13.2 | 10 |
| 11 | Interlude III | 0.00 | -19.77 | -14.5 | 11 |
| 12 | Sonorities VI | -0.20 | -19.61 | -13.8 | 12 |
| 13 | A Vaudevillian Circus in the City | 0.00 | -14.39 | -10.8 | 8 |
| 14 | Orbits | -0.23 | -15.21 | -13.2 | 7 |
| 15 | Structures III, Op. 118 | -0.23 | -14.85 | -11.8 | 6 |
| 16 | Interlude IV | 0.00 | -20.06 | -16.2 | 12 |
| 17 | Six-Hands for Scott, Op. 57 | 0.00 | -12.69 | -10.0 | 7 |
| 18 | Half of a Color, Op. 65 | 0.00 | -18.02 | -14.7 | 11 |