℗ 2020 Cedille
| Released | November 13, 2020 |
| Duration | 1h 25m 05s |
| Record Label | Cedille |
| Catalogue No. | CDR90000-199 |
| Genre | Classical (Violin) |
Bach & Beyond, Pt. 3
Jennifer Koh
Available in 96 kHz / 24-bit AIFF, FLAC high resolution audio formats
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Violin Sonata No. 2 in A Minor, BWV 1003
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1.1
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I. Grave
Johann Sebastian Bach; Jennifer Koh |
4:13 | |||
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1.2
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II. Fuga
Johann Sebastian Bach; Jennifer Koh |
7:59 | |||
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1.3
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III. Andante
Johann Sebastian Bach; Jennifer Koh |
6:00 | |||
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1.4
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IV. Allegro
Johann Sebastian Bach; Jennifer Koh |
6:20 | |||
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1.5
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Sequenza No. 7 for Solo Violin
Luciano Berio; Jennifer Koh |
15:40 | |||
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For Violin Alone
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2.1
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I. Ground
John Harbison; Jennifer Koh |
3:40 | |||
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2.2
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II. Dance I
John Harbison; Jennifer Koh |
3:10 | |||
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2.3
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III. Air
John Harbison; Jennifer Koh |
3:12 | |||
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2.4
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IV. March
John Harbison; Jennifer Koh |
2:32 | |||
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2.5
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V. Dance II
John Harbison; Jennifer Koh |
4:14 | |||
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2.6
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VI. Duet
John Harbison; Jennifer Koh |
1:59 | |||
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2.7
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VII. Epilogue
John Harbison; Jennifer Koh |
1:40 | |||
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Violin Sonata No. 3 in C Major, BWV 1005
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2.8
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I. Adagio
Johann Sebastian Bach; Jennifer Koh |
5:25 | |||
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2.9
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II. Fuga
Johann Sebastian Bach; Jennifer Koh |
10:30 | |||
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2.10
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III. Largo
Johann Sebastian Bach; Jennifer Koh |
3:29 | |||
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2.11
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IV. Allegro assai
Johann Sebastian Bach; Jennifer Koh |
5:02 | |||
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Digital Booklet
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Jennifer Koh’s Bach & Beyond Part 3 concludes her critically acclaimed series of recordings based on her groundbreaking, multi-season recital series of the same name that The New York Times has called “indispensable.”
Koh, “a virtuoso with quirky and wonderful ideas” (San Francisco Chronicle), again pairs two of J.S. Bach’s landmark Sonatas and Partitas for solo violin with Bach-inspired 20th- and 21st-century works. On this series-finale album, Bach’s florid and fanciful Sonata No. 2 in A minor and Sonata No. 3 in C major, celebrated for its colossal Fuga movement, frame Luciano Berio’s expressive, chaconne-like Sequenza VIII and Pulitzer Prize winner John Harbison’s alluring For Violin Alone, a dance suite inspired by Bach’s partitas, written for Koh (a world-premiere recording).
Toronto’s The WholeNote said of Koh’s previous installment, Bach & Beyond Part 2, “Koh, as always, is superb, her intelligence and interpretation always matching her outstanding technique,” while the Newark Star-Ledger cited “her distinctive voice over a range of styles” in its praise of Bach & Beyond Part 1, which launched the series. Bach & Beyond Part 3 is Koh’s 14th Cedille Records album.
96 kHz / 24-bit PCM – Cedille Studio Masters
| Track title | Peak (dB FS) | RMS (dB FS) | LUFS (integrated) | DR | |
Album average Range of values | -7.26 -11.93 to -0.16 | -29.81 -34.88 to -25.16 | -25.61 -30.50 to -21.30 | 14 12 to 17 | |
| 1.1 | I. Grave | -7.14 | -28.75 | -24.7 | 13 |
| 1.2 | II. Fuga | -4.17 | -25.16 | -21.6 | 13 |
| 1.3 | III. Andante | -8.88 | -30.21 | -26.2 | 14 |
| 1.4 | IV. Allegro | -4.57 | -26.28 | -22.8 | 13 |
| 1.5 | Sequenza No. 7 for Solo Violin | -0.16 | -25.96 | -21.3 | 17 |
| 2.1 | I. Ground | -6.52 | -30.01 | -25.7 | 15 |
| 2.2 | II. Dance I | -4.49 | -29.24 | -24.5 | 15 |
| 2.3 | III. Air | -10.93 | -34.88 | -30.5 | 14 |
| 2.4 | IV. March | -4.77 | -31.32 | -26.3 | 16 |
| 2.5 | V. Dance II | -7.61 | -30.03 | -25.7 | 15 |
| 2.6 | VI. Duet | -11.92 | -31.12 | -27.3 | 12 |
| 2.7 | VII. Epilogue | -11.10 | -32.04 | -27.0 | 12 |
| 2.8 | I. Adagio | -7.65 | -31.78 | -27.6 | 14 |
| 2.9 | II. Fuga | -4.69 | -26.93 | -23.2 | 14 |
| 2.10 | III. Largo | -11.93 | -33.13 | -29.0 | 14 |
| 2.11 | IV. Allegro assai | -9.68 | -30.16 | -26.4 | 14 |