℗ 2020 Grand Piano
Released | November 13, 2020 |
Duration | 1h 13m 06s |
Record Label | Grand Piano |
Catalogue No. | GP849 |
Genre | Classical (Piano) |
Mozartiana: Rarities & Arrangements Performed on Historical Keyboards
Michael Tsalka
Available in 96 kHz / 24-bit AIFF, FLAC high resolution audio formats
1.1
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Adagio in B Minor, K. 540
Wolfgang Amadeus Mozart; Michael Tsalka |
8:07 | |||
Symphony No. 11 in D Major, K. 84
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1.2
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I. Allegro (Arr. F. Beyer for Piano)
Wolfgang Amadeus Mozart; Michael Tsalka |
3:17 | |||
Musik zu einer Pantomime, K. 446 (Excerpts Completed & Arr. F. Beyer for Piano)
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1.3
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No. 1, Pantalon und Colombine zanken sich
Wolfgang Amadeus Mozart; Michael Tsalka |
0:43 | |||
1.4
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No. 2, Der Dottore kommt
Wolfgang Amadeus Mozart; Michael Tsalka |
2:05 | |||
1.5
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No. 3, Pantalon, Pierò und Dottore liegen auf der Erde
Wolfgang Amadeus Mozart; Michael Tsalka |
1:06 | |||
1.6
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No. 4, Dottore und Colombine steht unbeweglich
Wolfgang Amadeus Mozart; Michael Tsalka |
0:48 | |||
1.7
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No. 5, Pantalon und Pierò bringen den Tischel
Wolfgang Amadeus Mozart; Michael Tsalka |
0:50 | |||
1.8
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No. 6, Colombine ist ganz traurig - No. 7, Harlequin guckt ans dem Kasten heraus
Wolfgang Amadeus Mozart; Michael Tsalka |
4:47 | |||
1.9
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No. 8, Allegro maestoso
Wolfgang Amadeus Mozart; Michael Tsalka |
1:05 | |||
1.10
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No. 10, Pierò geht auf und ab, sieht den Türken
Wolfgang Amadeus Mozart; Michael Tsalka |
1:31 | |||
1.11
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No. 11, Allegro - Presto
Wolfgang Amadeus Mozart; Michael Tsalka |
0:58 | |||
1.12
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No. 12, Maestoso
Wolfgang Amadeus Mozart; Michael Tsalka |
2:49 | |||
1.13
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No. 13, Pierò fürchtet sich vor dem toten Arlequin - No. 14, Marcia
Wolfgang Amadeus Mozart; Michael Tsalka |
3:39 | |||
Symphony No. 48 in D Major, K. 120
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1.14
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III. Presto (Arr. F. Beyer for Piano)
Wolfgang Amadeus Mozart; Michael Tsalka |
1:11 | |||
1.15
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Piece in F Major, K. 33b
Wolfgang Amadeus Mozart; Michael Tsalka |
1:02 | |||
1.16
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Allegro in F Major, K. 15a
Wolfgang Amadeus Mozart; Michael Tsalka |
1:06 | |||
1.17
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Andantino in C Major, K. 15b
Wolfgang Amadeus Mozart; Michael Tsalka |
1:33 | |||
1.18
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Contredanse in F Major, K. 15h
Wolfgang Amadeus Mozart; Michael Tsalka |
0:50 | |||
1.19
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Minore in A Minor, K. 15k
Wolfgang Amadeus Mozart; Michael Tsalka |
1:09 | |||
1.20
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Siciliano in D Minor, K. 15u
Wolfgang Amadeus Mozart; Michael Tsalka |
1:31 | |||
1.21
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Minuet in G Major, K. 1 (Arr. E. Fischer for Piano)
Wolfgang Amadeus Mozart; Michael Tsalka |
2:14 | |||
1.22
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Minuet in F Major, K. 2 (Arr. E. Fischer for Piano)
Wolfgang Amadeus Mozart; Michael Tsalka |
0:47 | |||
1.23
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Minuet in D Major, K. 94 (Arr. E. Fischer for Piano)
Wolfgang Amadeus Mozart; Michael Tsalka |
1:18 | |||
1.24
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Fantasia in F Minor, K. 608 (Arr. E. Fischer for Piano)
Wolfgang Amadeus Mozart; Michael Tsalka |
11:51 | |||
1.25
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Andantino in E-Flat Major, K. 236 (After Gluck's Wq. 44 / Arr. E. Fischer for Piano)
Wolfgang Amadeus Mozart; Michael Tsalka |
1:09 | |||
1.26
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Contredanse in D Major, K. 534 "Das Donnerwetter" (Arr. E. Fischer for Piano)
Wolfgang Amadeus Mozart; Michael Tsalka |
2:39 | |||
1.27
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Romance in A-Flat Major, K. Anh. 205 (Arr. E. Fischer for Piano)
Wolfgang Amadeus Mozart; Michael Tsalka |
5:04 | |||
1.28
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Variations on an Arietta from "I finti eredi", K. Anh. 289 (After Sarti / Arr. E. Fischer for Piano)
Wolfgang Amadeus Mozart; Michael Tsalka |
7:57 | |||
Digital Booklet
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Keyboard arrangements of Mozart’s compositions, ranging from one of his earliest minuets to his tribute to J.S. Bach, reveal the variety and fecundity of his imagination, not least in the inspired collection made by the great pianist Edwin Fischer, and in the excerpts from the playful Londoner Skizzenbuch. They are performed on two original and newly restored instruments, the Tangentenflügel—a transitional keyboard instrument with a unique tone quality that sounds like a harpsichord endowed with dynamics—and the pantalon square piano. This is the first recording ever made of a historical pantalon.
96 kHz / 24-bit PCM – Grand Piano Studio Masters
Track title | Peak (dB FS) | RMS (dB FS) | LUFS (integrated) | DR | |
Album average Range of values | -4.66 -11.48 to -0.10 | -23.69 -28.97 to -19.99 | -20.48 -25.50 to -16.80 | 12 11 to 15 | |
1 | Adagio in B Minor, K. 540 | -3.50 | -24.39 | -21.1 | 14 |
2 | I. Allegro (Arr. F. Beyer for Piano) | -2.27 | -20.21 | -17.4 | 12 |
3 | No. 1, Pantalon und Colombine zanken sich | -4.00 | -22.65 | -19.9 | 13 |
4 | No. 2, Der Dottore kommt | -1.51 | -21.25 | -18.4 | 13 |
5 | No. 3, Pantalon, Pierò und Dottore liegen auf der Erde | -2.81 | -21.63 | -18.6 | 11 |
6 | No. 4, Dottore und Colombine steht unbeweglich | -6.80 | -27.90 | -24.3 | 15 |
7 | No. 5, Pantalon und Pierò bringen den Tischel | -2.94 | -23.13 | -20.4 | 12 |
8 | No. 6, Colombine ist ganz traurig - No. 7, Harlequin guckt ans dem Kasten heraus | -3.10 | -22.47 | -19.0 | 12 |
9 | No. 8, Allegro maestoso | -2.55 | -20.87 | -17.2 | 12 |
10 | No. 10, Pierò geht auf und ab, sieht den Türken | -3.77 | -24.25 | -21.2 | 13 |
11 | No. 11, Allegro - Presto | -4.91 | -24.36 | -21.5 | 13 |
12 | No. 12, Maestoso | -1.71 | -21.51 | -18.6 | 12 |
13 | No. 13, Pierò fürchtet sich vor dem toten Arlequin - No. 14, Marcia | -0.57 | -20.17 | -16.9 | 13 |
14 | III. Presto (Arr. F. Beyer for Piano) | -1.88 | -20.12 | -16.9 | 12 |
15 | Piece in F Major, K. 33b | -9.12 | -26.24 | -22.8 | 12 |
16 | Allegro in F Major, K. 15a | -7.87 | -24.10 | -20.8 | 11 |
17 | Andantino in C Major, K. 15b | -8.51 | -25.95 | -22.7 | 11 |
18 | Contredanse in F Major, K. 15h | -9.36 | -26.56 | -23.0 | 12 |
19 | Minore in A Minor, K. 15k | -11.48 | -28.97 | -25.5 | 12 |
20 | Siciliano in D Minor, K. 15u | -9.06 | -26.13 | -22.7 | 11 |
21 | Minuet in G Major, K. 1 (Arr. E. Fischer for Piano) | -4.92 | -25.64 | -22.6 | 13 |
22 | Minuet in F Major, K. 2 (Arr. E. Fischer for Piano) | -6.81 | -24.80 | -21.5 | 12 |
23 | Minuet in D Major, K. 94 (Arr. E. Fischer for Piano) | -5.63 | -25.89 | -22.5 | 12 |
24 | Fantasia in F Minor, K. 608 (Arr. E. Fischer for Piano) | -0.10 | -21.90 | -18.6 | 14 |
25 | Andantino in E-Flat Major, K. 236 (After Gluck's Wq. 44 / Arr. E. Fischer for Piano) | -5.71 | -24.92 | -21.3 | 13 |
26 | Contredanse in D Major, K. 534 "Das Donnerwetter" (Arr. E. Fischer for Piano) | -2.20 | -19.99 | -16.8 | 11 |
27 | Romance in A-Flat Major, K. Anh. 205 (Arr. E. Fischer for Piano) | -7.26 | -27.07 | -24.0 | 13 |
28 | Variations on an Arietta from "I finti eredi", K. Anh. 289 (After Sarti / Arr. E. Fischer for Piano) | -0.21 | -20.27 | -17.2 | 13 |