℗ 2020 Grand Piano
Released November 13, 2020
Duration 1h 13m 06s
Record Label Grand Piano
Catalogue No. GP849
Genre Classical (Piano)
 

Mozartiana: Rarities & Arrangements Performed on Historical Keyboards

Michael Tsalka

Available in 96 kHz / 24-bit AIFF, FLAC high resolution audio formats
  • Select Format
    • AIFF 96 kHz | 24-bit
    • FLAC 96 kHz | 24-bit
Add to cart
discounted price

 
1.1
Adagio in B Minor, K. 540
Wolfgang Amadeus Mozart; Michael Tsalka
8:07
Symphony No. 11 in D Major, K. 84  
1.2
I. Allegro (Arr. F. Beyer for Piano)
Wolfgang Amadeus Mozart; Michael Tsalka
3:17
Musik zu einer Pantomime, K. 446 (Excerpts Completed & Arr. F. Beyer for Piano)  
1.3
No. 1, Pantalon und Colombine zanken sich
Wolfgang Amadeus Mozart; Michael Tsalka
0:43
1.4
No. 2, Der Dottore kommt
Wolfgang Amadeus Mozart; Michael Tsalka
2:05
1.5
No. 3, Pantalon, Pierò und Dottore liegen auf der Erde
Wolfgang Amadeus Mozart; Michael Tsalka
1:06
1.6
No. 4, Dottore und Colombine steht unbeweglich
Wolfgang Amadeus Mozart; Michael Tsalka
0:48
1.7
No. 5, Pantalon und Pierò bringen den Tischel
Wolfgang Amadeus Mozart; Michael Tsalka
0:50
1.8
No. 6, Colombine ist ganz traurig - No. 7, Harlequin guckt ans dem Kasten heraus
Wolfgang Amadeus Mozart; Michael Tsalka
4:47
1.9
No. 8, Allegro maestoso
Wolfgang Amadeus Mozart; Michael Tsalka
1:05
1.10
No. 10, Pierò geht auf und ab, sieht den Türken
Wolfgang Amadeus Mozart; Michael Tsalka
1:31
1.11
No. 11, Allegro - Presto
Wolfgang Amadeus Mozart; Michael Tsalka
0:58
1.12
No. 12, Maestoso
Wolfgang Amadeus Mozart; Michael Tsalka
2:49
1.13
No. 13, Pierò fürchtet sich vor dem toten Arlequin - No. 14, Marcia
Wolfgang Amadeus Mozart; Michael Tsalka
3:39
Symphony No. 48 in D Major, K. 120  
1.14
III. Presto (Arr. F. Beyer for Piano)
Wolfgang Amadeus Mozart; Michael Tsalka
1:11
1.15
Piece in F Major, K. 33b
Wolfgang Amadeus Mozart; Michael Tsalka
1:02
1.16
Allegro in F Major, K. 15a
Wolfgang Amadeus Mozart; Michael Tsalka
1:06
1.17
Andantino in C Major, K. 15b
Wolfgang Amadeus Mozart; Michael Tsalka
1:33
1.18
Contredanse in F Major, K. 15h
Wolfgang Amadeus Mozart; Michael Tsalka
0:50
1.19
Minore in A Minor, K. 15k
Wolfgang Amadeus Mozart; Michael Tsalka
1:09
1.20
Siciliano in D Minor, K. 15u
Wolfgang Amadeus Mozart; Michael Tsalka
1:31
1.21
Minuet in G Major, K. 1 (Arr. E. Fischer for Piano)
Wolfgang Amadeus Mozart; Michael Tsalka
2:14
1.22
Minuet in F Major, K. 2 (Arr. E. Fischer for Piano)
Wolfgang Amadeus Mozart; Michael Tsalka
0:47
1.23
Minuet in D Major, K. 94 (Arr. E. Fischer for Piano)
Wolfgang Amadeus Mozart; Michael Tsalka
1:18
1.24
Fantasia in F Minor, K. 608 (Arr. E. Fischer for Piano)
Wolfgang Amadeus Mozart; Michael Tsalka
11:51
1.25
Andantino in E-Flat Major, K. 236 (After Gluck's Wq. 44 / Arr. E. Fischer for Piano)
Wolfgang Amadeus Mozart; Michael Tsalka
1:09
1.26
Contredanse in D Major, K. 534 "Das Donnerwetter" (Arr. E. Fischer for Piano)
Wolfgang Amadeus Mozart; Michael Tsalka
2:39
1.27
Romance in A-Flat Major, K. Anh. 205 (Arr. E. Fischer for Piano)
Wolfgang Amadeus Mozart; Michael Tsalka
5:04
1.28
Variations on an Arietta from "I finti eredi", K. Anh. 289 (After Sarti / Arr. E. Fischer for Piano)
Wolfgang Amadeus Mozart; Michael Tsalka
7:57
Digital Booklet
Keyboard arrangements of Mozart’s compositions, ranging from one of his earliest minuets to his tribute to J.S. Bach, reveal the variety and fecundity of his imagination, not least in the inspired collection made by the great pianist Edwin Fischer, and in the excerpts from the playful Londoner Skizzenbuch. They are performed on two original and newly restored instruments, the Tangentenflügel—a transitional keyboard instrument with a unique tone quality that sounds like a harpsichord endowed with dynamics—and the pantalon square piano. This is the first recording ever made of a historical pantalon.
96 kHz / 24-bit PCM – Grand Piano Studio Masters
Track title
Peak
(dB FS)
RMS
(dB FS)
LUFS
(integrated)
DR
Album average
Range of values
-4.66
-11.48 to -0.10
-23.69
-28.97 to -19.99
-20.48
-25.50 to -16.80
12
11 to 15
1
Adagio in B Minor, K. 540
-3.50-24.39-21.114
2
I. Allegro (Arr. F. Beyer for Piano)
-2.27-20.21-17.412
3
No. 1, Pantalon und Colombine zanken sich
-4.00-22.65-19.913
4
No. 2, Der Dottore kommt
-1.51-21.25-18.413
5
No. 3, Pantalon, Pierò und Dottore liegen auf der Erde
-2.81-21.63-18.611
6
No. 4, Dottore und Colombine steht unbeweglich
-6.80-27.90-24.315
7
No. 5, Pantalon und Pierò bringen den Tischel
-2.94-23.13-20.412
8
No. 6, Colombine ist ganz traurig - No. 7, Harlequin guckt ans dem Kasten heraus
-3.10-22.47-19.012
9
No. 8, Allegro maestoso
-2.55-20.87-17.212
10
No. 10, Pierò geht auf und ab, sieht den Türken
-3.77-24.25-21.213
11
No. 11, Allegro - Presto
-4.91-24.36-21.513
12
No. 12, Maestoso
-1.71-21.51-18.612
13
No. 13, Pierò fürchtet sich vor dem toten Arlequin - No. 14, Marcia
-0.57-20.17-16.913
14
III. Presto (Arr. F. Beyer for Piano)
-1.88-20.12-16.912
15
Piece in F Major, K. 33b
-9.12-26.24-22.812
16
Allegro in F Major, K. 15a
-7.87-24.10-20.811
17
Andantino in C Major, K. 15b
-8.51-25.95-22.711
18
Contredanse in F Major, K. 15h
-9.36-26.56-23.012
19
Minore in A Minor, K. 15k
-11.48-28.97-25.512
20
Siciliano in D Minor, K. 15u
-9.06-26.13-22.711
21
Minuet in G Major, K. 1 (Arr. E. Fischer for Piano)
-4.92-25.64-22.613
22
Minuet in F Major, K. 2 (Arr. E. Fischer for Piano)
-6.81-24.80-21.512
23
Minuet in D Major, K. 94 (Arr. E. Fischer for Piano)
-5.63-25.89-22.512
24
Fantasia in F Minor, K. 608 (Arr. E. Fischer for Piano)
-0.10-21.90-18.614
25
Andantino in E-Flat Major, K. 236 (After Gluck's Wq. 44 / Arr. E. Fischer for Piano)
-5.71-24.92-21.313
26
Contredanse in D Major, K. 534 "Das Donnerwetter" (Arr. E. Fischer for Piano)
-2.20-19.99-16.811
27
Romance in A-Flat Major, K. Anh. 205 (Arr. E. Fischer for Piano)
-7.26-27.07-24.013
28
Variations on an Arietta from "I finti eredi", K. Anh. 289 (After Sarti / Arr. E. Fischer for Piano)
-0.21-20.27-17.213

Offers & New Releases

exclusive benefits for mailing list members

Subscribe Now

What is High-Resolution Audio?

High-resolution audio offers the highest-fidelity available, far surpassing the sound quality of traditional CDs. When you listen to music on a CD or tracks purchased via consumer services such as iTunes, you are hearing a low-resolution version of what was actually recorded and mastered in the studio. ProStudioMasters offers the original studio masters — exactly as the artist, producers and sound engineers mastered them — for download, directly to you.

What do I need for playback?

You may need additional software / hardware to take full advantage of the higher 24-bit high-res audio formats, but any music lover that has heard 16-bit vs 24-bit will tell you it's worth it!

Software for Mac OS X

Software for Windows

Hardware Suggestions