℗ ℗ 2020 Brandi Disterheft under exclusive license to Justin Time Records Inc.
 

Surfboard

Brandi Disterheft, George Coleman

Available in MQA and 96 kHz / 24-bit AIFF, FLAC high resolution audio formats

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1.1
Surfboard
Brandi Disterheft; George Coleman
4:03
1.2
Prelude to Coup de Foudre
Brandi Disterheft; George Coleman
2:57
1.3
Coup de Foudre
Brandi Disterheft; George Coleman
3:51
1.4
My Foolish Heart
Brandi Disterheft; George Coleman
6:50
1.5
Nanã
Brandi Disterheft; George Coleman
4:31
1.6
Manhattan Moon
Brandi Disterheft; George Coleman
3:51
1.7
The Pendulum at Falcon's Lair
Brandi Disterheft; George Coleman
3:36
1.8
On Broadway
Brandi Disterheft; George Coleman
4:42
1.9
Speak Low
Brandi Disterheft; George Coleman
5:20
1.10
One Dream
Brandi Disterheft; George Coleman
5:24
1.11
Portrait of Porto
Brandi Disterheft; George Coleman
5:05
1.12
Where or When
Brandi Disterheft; George Coleman
3:41
1.13
Del Sasser
Brandi Disterheft; George Coleman
5:43
1.14
Reveries
Brandi Disterheft; George Coleman
4:37
Total Playing Time    64:11
"She is what we call serious."
- Oscar Peterson

Brandi Disterheft’s fifth album, Surfboard is her most accomplished yet. Joined by two iconic octogenarian masters — virtuoso tenor saxophonist George Coleman and the definitive Brazilian drummer Portinho — and world-class pianist Klaus Mueller, Disterheft authoritatively and organically guides the flow on a varied program that reflects her capacious interests. Her kinetic, harmonically erudite basslines anchor ensemble interpretations of choice tunes culled from the blues, mainstem jazz, and the Great Brazilian and American Songbooks. She sings those Songbook numbers, and her own evocative lyrics, with an instantly recognizable voice that conveys vulnerability and emotional intelligence. And she matches the high bar set by her partners on a series of creative solos.

Jazz bassist Brandi Disterheft relocated to NYC to begin an apprenticeship under Miles Davis' bassist Ron Carter. It’s not only her fiery bass playing that make audiences stand-up and holler, but also her innovative live shows showcasing her uptempo, swinging originals and ambient voice.
96 kHz / 24-bit PCM – Justin Time Records Studio Masters

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