℗ 2016 Chandos
Released March 25, 2016
Duration 1h 16m 59s
Record Label Chandos
Catalogue No. CHAN0810
Genre Classical (Orchestral)
 

Comédie et Tragédie, Vol. 2 (Orchestral music for theatre): Charpentier - Rameau - Leclair

Tempesta di Mare

Available in 96 kHz / 24-bit AIFF, FLAC high resolution audio formats
  • Select Format
    • AIFF 96 kHz | 24-bit
    • FLAC 96 kHz | 24-bit
Add to cart
discounted price
 
Suite from ‘Scylla et Glaucus’, Op. 11  
1.1
Ouverture
Jean-Marie Leclair; Tempesta di Mare
3:55
1.2
Sarabande
Jean-Marie Leclair; Tempesta di Mare
5:55
1.3
Air gracieux
Jean-Marie Leclair; Tempesta di Mare
1:13
1.4
Symphonie pour la descente de Vénus
Jean-Marie Leclair; Tempesta di Mare
2:24
1.5
Gigue
Jean-Marie Leclair; Tempesta di Mare
1:42
1.6
Passepied
Jean-Marie Leclair; Tempesta di Mare
1:15
1.7
Marche de bergers et de silvains
Jean-Marie Leclair; Tempesta di Mare
2:28
1.8
Air des silvains
Jean-Marie Leclair; Tempesta di Mare
1:34
1.9
Passacaille
Jean-Marie Leclair; Tempesta di Mare
4:24
1.10
Loure
Jean-Marie Leclair; Tempesta di Mare
3:02
1.11
Premier Air de démons -
Jean-Marie Leclair; Tempesta di Mare
1:00
1.12
Second Air de démons -
Jean-Marie Leclair; Tempesta di Mare
0:57
1.13
Troisième Air de démons -
Jean-Marie Leclair; Tempesta di Mare
0:52
1.14
Second Air
Jean-Marie Leclair; Tempesta di Mare
3:00
1.15
Symphonie pour exprimer l'aboiement des monstres
Jean-Marie Leclair; Tempesta di Mare
0:51
Suite from ‘Le Malade imaginaire’, H 495  
1.16
Ouverture
Marc-Antoine Charpentier; Tempesta di Mare
1:45
Suite from Le malade imaginaire, H. 495  
1.17
Les Tapissiers
Marc-Antoine Charpentier; Tempesta di Mare
1:09
1.18
Second Air pour les tapissiers
Marc-Antoine Charpentier; Tempesta di Mare
0:40
1.19
Les Chirurgiens et apothicaires
Marc-Antoine Charpentier; Tempesta di Mare
0:28
1.20
Air des révérences
Marc-Antoine Charpentier; Tempesta di Mare
1:16
1.21
Entrée des Mores
Marc-Antoine Charpentier; Tempesta di Mare
1:02
1.22
Ritournelle
Marc-Antoine Charpentier; Tempesta di Mare
0:51
1.23
Premier Air des Mores
Marc-Antoine Charpentier; Tempesta di Mare
1:26
1.24
Second Air des Mores
Marc-Antoine Charpentier; Tempesta di Mare
0:56
1.25
La Fantaisie
Marc-Antoine Charpentier; Tempesta di Mare
2:25
Suite from ‘Les Fêtes de Polymnie’  
1.26
Ouverture
Jean-Philippe Rameau; Tempesta di Mare
2:38
1.27
Gigue
Jean-Philippe Rameau; Tempesta di Mare
2:11
1.28
Ballet figuré. Gracieusement et un peu gai
Jean-Philippe Rameau; Tempesta di Mare
1:59
1.29
Descente d'Oriade et d'Argélie
Jean-Philippe Rameau; Tempesta di Mare
0:30
1.30
Air grave et majestueux
Jean-Philippe Rameau; Tempesta di Mare
4:00
1.31
Deuxième Air vif
Jean-Philippe Rameau; Tempesta di Mare
2:33
1.32
Premième Gavotte en rondeau
Jean-Philippe Rameau; Tempesta di Mare
1:17
1.33
Menuets
Jean-Philippe Rameau; Tempesta di Mare
3:56
1.34
Air majestueux sans lenteur
Jean-Philippe Rameau; Tempesta di Mare
2:31
1.35
Chaconne
Jean-Philippe Rameau; Tempesta di Mare
4:43
1.36
Air gracieux en rondeau
Jean-Philippe Rameau; Tempesta di Mare
1:25
1.37
[Prelude]. Gai, sans se presser
Jean-Philippe Rameau; Tempesta di Mare
0:42
1.38
Mouvement vif de chaconne
Jean-Philippe Rameau; Tempesta di Mare
2:04
Digital Booklet
"... delightful music, delightfully played ..." - Gramophone "... this is beautiful music and it receives elegant and beautiful performances ..." - MusicWeb International This is the second and final volume in the Comédie et Tragédie project from Tempesta di Mare and consists of suites made up of orchestral excerpts from three dramatic works of the French stage, spanning 73 years, all highlighting the importance of dance as a part of drama. Of note on this programme is Scylla et Glaucus, the only stage work by Jean-Marie Leclair, the foremost violinist of his generation and a composer whose late opera shows the clarity of his orchestration and places its focal point on the strings, as one would expect. Les Fêtes de Polymnie is contemporary with Leclair’s opera but more forward looking in its approach, famous for the ingenuity of Rameau’s colourful orchestration, particularly evident in the overture.
96 kHz / 24-bit PCM – Chandos Studio Masters

Recording venue: Gould Recital Hall, Curtis Institute of Music, Philadelphia, Pennsylvania, USA; 8 - 10 June 2015 Executive producer: Ralph Couzens Recording producer: Rachel Smith Sound engineer: Loren Stata Editor: Rachel Smith A & R administrator: Sue Shortridge Front cover: Artwork by designer incorporating a hand-coloured etching of A Meeting of Umbrellas (1782) by James Gillray (1756 – 1815) Back cover: Photograph of Richard Stone, Gwyn Roberts, and Emlyn Ngai by Andrew Kahl Design and typesetting: Cap & Anchor Design Co. Booklet editor: Finn S. Gundersen
Track titlePeak (dB FS)RMS (dB FS)DR
Album average
Range of values
-9.37
-13.91 to -0.15
-28.75
-35.37 to -18.33
12
9 to 15
1
Ouverture
-9.21-29.1013
2
Sarabande
-12.10-31.3211
3
Air gracieux
-13.32-35.3711
4
Symphonie pour la descente de Vénus
-1.06-21.5512
5
Gigue
-10.04-28.5312
6
Passepied
-5.36-25.0011
7
Marche de bergers et de silvains
-12.02-30.7711
8
Air des silvains
-11.46-29.8811
9
Passacaille
-9.53-29.6012
10
Loure
-11.44-29.8112
11
Premier Air de démons -
-8.27-27.0011
12
Second Air de démons -
-6.70-26.1012
13
Troisième Air de démons -
-8.78-27.9312
14
Second Air
-13.61-32.1312
15
Symphonie pour exprimer l'aboiement des monstres
-2.97-23.5612
16
Ouverture
-12.79-30.0011
17
Les Tapissiers
-13.62-30.4012
18
Second Air pour les tapissiers
-12.28-30.5310
19
Les Chirurgiens et apothicaires
-11.07-29.1510
20
Air des révérences
-11.79-28.8511
21
Entrée des Mores
-11.66-30.4612
22
Ritournelle
-12.00-33.4611
23
Premier Air des Mores
-10.67-29.4611
24
Second Air des Mores
-10.16-29.3011
25
La Fantaisie
-9.97-30.0312
26
Ouverture
-0.15-23.7914
27
Gigue
-11.47-31.9013
28
Ballet figuré. Gracieusement et un peu gai
-13.91-32.8413
29
Descente d'Oriade et d'Argélie
-10.32-28.6311
30
Air grave et majestueux
-11.66-30.3512
31
Deuxième Air vif
-8.63-28.5613
32
Premième Gavotte en rondeau
-3.49-21.919
33
Menuets
-11.06-30.3212
34
Air majestueux sans lenteur
-4.66-27.9815
35
Chaconne
-11.98-31.0412
36
Air gracieux en rondeau
-12.70-32.0611
37
[Prelude]. Gai, sans se presser
-0.30-18.339
38
Mouvement vif de chaconne
-3.72-25.5612

Offers & New Releases

exclusive benefits for mailing list members

Subscribe Now

What is High-Resolution Audio?

High-resolution audio offers the highest-fidelity available, far surpassing the sound quality of traditional CDs. When you listen to music on a CD or tracks purchased via consumer services such as iTunes, you are hearing a low-resolution version of what was actually recorded and mastered in the studio. ProStudioMasters offers the original studio masters — exactly as the artist, producers and sound engineers mastered them — for download, directly to you.

What do I need for playback?

You may need additional software / hardware to take full advantage of the higher 24-bit high-res audio formats, but any music lover that has heard 16-bit vs 24-bit will tell you it's worth it!

Software for Mac OS X

Software for Windows

Hardware Suggestions