℗ 2016 Alpha Classics / Outhere Music
| Released | March 25, 2016 |
| Duration | 1h 13m 58s |
| Record Label | Alpha |
| Catalogue No. | ALPHA235 |
| Genre | Classical (Concertos) |
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Concerto à Quatre Parties, Oeuvre XII
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1.1
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I. Largo
Jean-Baptiste Quentin; Nevermind |
4:25 | |||
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Quatuor, Sonata III, Oeuvre XV
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1.2
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I. Allegro
Jean-Baptiste Quentin; Nevermind |
2:05 | |||
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1.3
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II. Adagio
Jean-Baptiste Quentin; Nevermind |
3:18 | |||
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1.4
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III. Première et Seconde Aria
Jean-Baptiste Quentin; Nevermind |
6:05 | |||
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1.5
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IV. Presto
Jean-Baptiste Quentin; Nevermind |
3:55 | |||
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Sonata III, Premier Livre de Sonates en Quatuors
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1.6
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I. Allegro Moderato
Louis-Gabriel Guillemain; Nevermind |
3:43 | |||
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1.7
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II. Larghetto
Louis-Gabriel Guillemain; Nevermind |
5:01 | |||
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1.8
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III. Aria
Louis-Gabriel Guillemain; Nevermind |
2:55 | |||
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1.9
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IV. Allegro
Louis-Gabriel Guillemain; Nevermind |
3:45 | |||
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Sonata IV à Quatre Parties, Oeuvre VIII
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1.10
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I. Largo
Jean-Baptiste Quentin; Nevermind |
2:45 | |||
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1.11
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II. Allegro
Jean-Baptiste Quentin; Nevermind |
2:26 | |||
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1.12
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III. Gavotta. Tendrement
Jean-Baptiste Quentin; Nevermind |
2:30 | |||
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1.13
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IV. Allegro
Jean-Baptiste Quentin; Nevermind |
2:12 | |||
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Sonata IV, Second Livre de Sonates en Quatuors
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1.14
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I. Allegro
Louis-Gabriel Guillemain; Nevermind |
4:29 | |||
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1.15
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III. Aria gratioso
Louis-Gabriel Guillemain; Nevermind |
4:40 | |||
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1.16
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III. Presto
Louis-Gabriel Guillemain; Nevermind |
3:31 | |||
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Sonata V en Trio, Oeuvre X
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1.17
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I. Adagio
Jean-Baptiste Quentin; Nevermind |
2:34 | |||
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1.18
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II. Allegro
Jean-Baptiste Quentin; Nevermind |
1:55 | |||
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1.19
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III. Première et Seconde Aria
Jean-Baptiste Quentin; Nevermind |
5:11 | |||
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1.20
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IV. Vivemenet
Jean-Baptiste Quentin; Nevermind |
2:35 | |||
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Concerto in A Major, Op. 12 No. 1
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1.21
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III. Adagio
Jean-Baptiste Quentin; Nevermind |
3:58 | |||
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Digital Booklet
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For its debut recording, the four young members of Nevermind tackle the treasures of the Baroque in the shape of two totally neglected French composers. The first one, Jean-Baptiste Quentin, was a habitué of the Parisian salons where he frequented Rameau among others. The second composer, Louis-Gabriel Guillemain, studied in Italy before joining the court musicians at Versailles. Sometimes whimsical and often very complex on the Guillemain and invariably lucid and classical on the Quentin, their style nonetheless presents a common feature: the dominance of the Italian idiom. The four members of Nevermind share a passion for early music and for the influence of jazz and traditional genres, leading to the formation of an ensemble whose virtuosity is equalled only by its youthful impetuosity.
96 kHz / 24-bit PCM – Alpha Studio Masters
Recorded from 3 to 6 September 2015 at Notre Dame de Bon Secours (Paris) Recording producer, editing and mastering: Aline Blondiau Harpsichord tuning: Elisabeth Geiger and Loris Barrucand English translation : Charles Johnston Übersetzungen ins Deutsche: Hilla Maria Heintz Graphic design: Valérie Lagarde and Gaëlle Löchner Cover and inside photos: Édouard Bressy Alpha Classics Director : Didier Martin Production : Pauline Pujol Editorial coordinator: Amélie Boccon-Gibod
Recorded from 3 to 6 September 2015 at Notre Dame de Bon Secours (Paris) Recording producer, editing and mastering: Aline Blondiau Harpsichord tuning: Elisabeth Geiger and Loris Barrucand English translation : Charles Johnston Übersetzungen ins Deutsche: Hilla Maria Heintz Graphic design: Valérie Lagarde and Gaëlle Löchner Cover and inside photos: Édouard Bressy Alpha Classics Director : Didier Martin Production : Pauline Pujol Editorial coordinator: Amélie Boccon-Gibod
| Track title | Peak (dB FS) | RMS (dB FS) | LUFS (integrated) | DR | |
Album average Range of values | -2.27 -5.62 to -0.21 | -20.74 -23.10 to -19.60 | -17.51 -20.20 to -16.30 | 11 9 to 13 | |
| 1 | I. Largo | -5.00 | -22.18 | -18.9 | 10 |
| 2 | I. Allegro | -0.21 | -19.72 | -16.3 | 11 |
| 3 | II. Adagio | -5.62 | -22.08 | -18.6 | 10 |
| 4 | III. Première et Seconde Aria | -0.42 | -19.79 | -16.6 | 13 |
| 5 | IV. Presto | -1.46 | -20.40 | -16.9 | 11 |
| 6 | I. Allegro Moderato | -2.29 | -19.75 | -16.8 | 11 |
| 7 | II. Larghetto | -3.93 | -21.63 | -18.6 | 10 |
| 8 | III. Aria | -0.58 | -20.24 | -17.0 | 12 |
| 9 | IV. Allegro | -1.61 | -20.22 | -16.9 | 12 |
| 10 | I. Largo | -3.87 | -20.63 | -17.4 | 10 |
| 11 | II. Allegro | -1.31 | -19.60 | -16.4 | 11 |
| 12 | III. Gavotta. Tendrement | -3.28 | -21.26 | -18.3 | 11 |
| 13 | IV. Allegro | -1.91 | -21.49 | -17.9 | 11 |
| 14 | I. Allegro | -0.50 | -20.13 | -17.1 | 13 |
| 15 | III. Aria gratioso | -3.00 | -23.10 | -20.2 | 12 |
| 16 | III. Presto | -1.02 | -21.36 | -18.4 | 13 |
| 17 | I. Adagio | -2.61 | -19.71 | -16.5 | 10 |
| 18 | II. Allegro | -1.64 | -19.66 | -16.3 | 11 |
| 19 | III. Première et Seconde Aria | -1.07 | -20.97 | -18.2 | 11 |
| 20 | IV. Vivemenet | -2.13 | -20.07 | -16.6 | 11 |
| 21 | III. Adagio | -4.23 | -21.55 | -17.9 | 9 |