℗ 2020 VDE-GALLO
Released November 20, 2020
Duration 54m 26s
Record Label VDE-GALLO
Catalogue No. CD-1629
Genre Classical (Baroque)
 

Telemann: Fantasia & Canon for Oboe Solo

Fabrice Ferez

Available in 88.2 kHz / 24-bit AIFF, FLAC high resolution audio formats
  • Select Format
    • AIFF 88.2 kHz | 24-bit
    • FLAC 88.2 kHz | 24-bit
Add to cart
↵ discounted price

 
Fantasia No. 11 in G Major, TWV 40:12  
1.1
I. Allegro
Georg Philipp Telemann; Fabrice Ferez
1:22
1.2
II. Adagio-Vivace
Georg Philipp Telemann; Fabrice Ferez
1:25
1.3
III. Allegro
Georg Philipp Telemann; Fabrice Ferez
0:48
Canonic Sonata No. 6 in A Minor, TWV 40:123  
1.4
I. Vivace
Georg Philipp Telemann; Fabrice Ferez
1:55
1.5
II. Soave
Georg Philipp Telemann; Fabrice Ferez
2:21
1.6
III. Allegro assai
Georg Philipp Telemann; Fabrice Ferez
1:59
Fantasia No. 6 in D Minor, TWV 40:7  
1.7
I. Dolce
Georg Philipp Telemann; Fabrice Ferez
1:41
1.8
II. Allegro
Georg Philipp Telemann; Fabrice Ferez
1:15
1.9
III. Spirituoso
Georg Philipp Telemann; Fabrice Ferez
1:05
Fantasia No. 1 in A Major, TWV 40:2  
1.10
I. Vivace
Georg Philipp Telemann; Fabrice Ferez
2:06
1.11
II. Allegro
Georg Philipp Telemann; Fabrice Ferez
1:18
Fantasia No. 2 in A Minor, TWV 40:3  
1.12
I. Grave
Georg Philipp Telemann; Fabrice Ferez
0:46
1.13
II. Vivace
Georg Philipp Telemann; Fabrice Ferez
1:22
Fantasia No. 2 in A Minor, TWV 40;3  
1.14
III. Adagio
Georg Philipp Telemann; Fabrice Ferez
1:30
Fantasia No. 2 in A Minor, TWV 40:3  
1.15
IV. Allegro
Georg Philipp Telemann; Fabrice Ferez
0:50
Canonic Sonata No. 1 in G Major, TWV 40:118  
1.16
I. Vivace
Georg Philipp Telemann; Fabrice Ferez
1:42
1.17
II. Adagio
Georg Philipp Telemann; Fabrice Ferez
1:34
1.18
III. Allegro
Georg Philipp Telemann; Fabrice Ferez
1:46
Fantasia No. 8 in E Minor, TWV 40:9  
1.19
I. Largo
Georg Philipp Telemann; Fabrice Ferez
1:54
1.20
II. Spirituoso
Georg Philipp Telemann; Fabrice Ferez
1:08
1.21
III. Allegro
Georg Philipp Telemann; Fabrice Ferez
1:00
Partita No. 2 in D Minor, BWV 1004  
1.22
I. Allemande
Johann Sebastian Bach; Fabrice Ferez
2:20
1.23
IV. Gigue
Johann Sebastian Bach; Fabrice Ferez
2:43
Fantasia No. 4 in B-Flat Major, TWV 40:5  
1.24
I. Andante
Georg Philipp Telemann; Fabrice Ferez
1:27
1.25
II. Allegro
Georg Philipp Telemann; Fabrice Ferez
1:35
1.26
III. Presto
Georg Philipp Telemann; Fabrice Ferez
0:55
Flute Duet No. 2 in E-Flat Major, F. 55  
1.27
I. Allegro
Wilhelm Friedemann Bach; Fabrice Ferez
3:19
Canonic Sonata No. 6 in A Minor, TWV 40:123  
1.28
I. Vivace (Accompaniment)
Georg Philipp Telemann; Fabrice Ferez
1:55
1.29
II. Soave (Accompaniment)
Georg Philipp Telemann; Fabrice Ferez
2:21
1.30
III. Allegro assai (Accompaniment)
Georg Philipp Telemann; Fabrice Ferez
2:01
Canonic Sonata No. 1 in G Major, TWV 40:118  
1.31
I. Vivace (Accompaniment)
Georg Philipp Telemann; Fabrice Ferez
1:43
1.32
II. Adagio (Accompaniment)
Georg Philipp Telemann; Fabrice Ferez
1:34
1.33
III. Allegro (Accompaniment)
Georg Philipp Telemann; Fabrice Ferez
1:46
The cycle of the Twelve fantasias for flute solo, though surrounded by hundreds of oratorios, dozens of passions or operas, holds a singular place in Telemann’s huge work. First of all, it is one of the few rare opuses were engraving and publication was carried out by Telemann himself, in Hamburg, in 1732. These Twelve fantasias are a true demonstration of Telemann’s capacity for invention and thus contradict the vision that would make him a composer who was certainly precocious, gifted and prolific but above all routine and conventional. They vividly sketch out, sometimes in a few notes, musical worlds that take us from the most melancholy to the most joyful exaltation with an astonishing sense of contrast and humour. Fabrice Ferez is principal oboe in the Victor Hugo Franche Comté Orchestra, Oboe Teacher at the Greater Besançon Conservatoire and Artistic co-Director of the Tetraktys Ensemble. An insatiable chamber music player, arranger, and occasional conductor and composer, he likes to live and to share music of all kinds.
88.2 kHz / 24-bit PCM – VDE-GALLO Studio Masters
Track title
Peak
(dB FS)
RMS
(dB FS)
LUFS
(integrated)
DR
Album average
Range of values
-4.15
-8.61 to -1.10
-23.16
-26.71 to -19.36
-18.20
-21.80 to -14.60
11
9 to 12
1
I. Allegro
-5.09-24.13-19.311
2
II. Adagio-Vivace
-5.30-24.02-19.212
3
III. Allegro
-8.61-26.71-21.811
4
I. Vivace
-1.81-21.18-16.612
5
II. Soave
-1.84-20.18-15.311
6
III. Allegro assai
-2.55-19.36-14.610
7
I. Dolce
-4.36-23.33-18.39
8
II. Allegro
-5.29-24.32-19.511
9
III. Spirituoso
-7.19-26.06-21.211
10
I. Vivace
-4.54-24.36-19.412
11
II. Allegro
-5.57-24.77-19.912
12
I. Grave
-5.72-24.73-19.510
13
II. Vivace
-5.19-24.96-20.212
14
III. Adagio
-5.22-23.12-17.810
15
IV. Allegro
-6.07-24.76-19.711
16
I. Vivace
-3.67-21.22-16.311
17
II. Adagio
-1.83-20.52-15.711
18
III. Allegro
-1.10-21.03-16.511
19
I. Largo
-3.34-24.37-19.012
20
II. Spirituoso
-5.05-23.48-18.311
21
III. Allegro
-7.05-26.21-21.311
22
I. Allemande
-1.53-21.17-16.611
23
IV. Gigue
-3.27-22.57-18.012
24
I. Andante
-4.66-23.93-18.710
25
II. Allegro
-4.09-22.77-18.111
26
III. Presto
-4.33-24.86-19.410
27
I. Allegro
-1.29-20.15-15.411
28
I. Vivace (Accompaniment)
-1.80-21.66-16.612
29
II. Soave (Accompaniment)
-2.68-23.08-17.611
30
III. Allegro assai (Accompaniment)
-2.93-22.26-17.111
31
I. Vivace (Accompaniment)
-4.63-23.28-17.811
32
II. Adagio (Accompaniment)
-3.88-22.27-16.910
33
III. Allegro (Accompaniment)
-5.54-23.60-18.910

Offers & New Releases

exclusive benefits for mailing list members

 Subscribe Now

What is High-Resolution Audio?

High-resolution audio offers the highest-fidelity available, far surpassing the sound quality of traditional CDs. When you listen to music on a CD or tracks purchased via consumer services such as iTunes, you are hearing a low-resolution version of what was actually recorded and mastered in the studio. ProStudioMasters offers the original studio masters — exactly as the artist, producers and sound engineers mastered them — for download, directly to you.

What do I need for playback?

You may need additional software / hardware to take full advantage of the higher 24-bit high-res audio formats, but any music lover that has heard 16-bit vs 24-bit will tell you it's worth it!

Software for Mac OS X

Software for Windows

Hardware Suggestions