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Beethoven: Late Piano Sonatas, Opp. 101,109 & 111

Nikolai Lugansky

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Piano Sonata No. 28 in A Major, Op. 101  
1.1
I. Etwas lebhaft und mit der innigsten Empfindung. Allegretto ma non troppo
Ludwig van Beethoven; Nikolai Lugansky
4:06
1.2
II. Lebhaft. Marschmäßig. Vivace alla marcia
Ludwig van Beethoven; Nikolai Lugansky
6:23
1.3
III. Langsam und sehnsuchtsvoll. Adagio, ma non troppo, con affetto
Ludwig van Beethoven; Nikolai Lugansky
3:25
1.4
IV. Geschwind, doch nicht zu sehr und mit Entschlossenheit. Allegro
Ludwig van Beethoven; Nikolai Lugansky
7:29
Piano Sonata No. 30 in E Major, Op. 109  
1.5
I. Vivace ma non troppo, sempre legato - Adagio espressivo
Ludwig van Beethoven; Nikolai Lugansky
3:56
1.6
II. Prestissimo
Ludwig van Beethoven; Nikolai Lugansky
2:29
1.7
III. Gesangvoll, mit innigster Empfindung. Thema. Andante molto cantabile ed espressivo - Var.I - Var.II - Var.III - Var.IV - Var.V - Var.VI
Ludwig van Beethoven; Nikolai Lugansky
14:05
Piano Sonata No. 32 in C Minor, Op. 111  
1.8
I. Maestoso - Allegro con brio ed appassionato
Ludwig van Beethoven; Nikolai Lugansky
9:19
1.9
II. Arietta. Adagio molto semplice cantabile - Var.I - Var.II - Var.III - Var. IV - Var. V – Coda
Ludwig van Beethoven; Nikolai Lugansky
17:57
Digital Booklet
Total Playing Time    69:09
Édouard Herriot once said: 'In Beethoven, everything comes from within. His model is not the rule of the schoolroom.' This is particularly true of the late sonatas, which contain elements of both intimate journal (Romain Rolland saw in op.101 'a day in the inner life' of Beethoven) and total experimentation (the variations of op.109!) before attaining the mystical serenity of the very last sonata, op.111. Here is Nikolai Lugansky's long-awaited vision of this pianistic Everest.
96 kHz / 24-bit PCM – harmonia mundi Studio Masters

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