℗ 2021 Edition Records
| Released | March 5, 2021 |
| Duration | 46m 39s |
| Record Label | Edition Records |
| Catalogue No. | EDN1170 |
| Genre | Jazz |
|
1.1
|
É Preciso Perdoar
Gretchen Parlato |
5:56 | |||
|
1.2
|
Sweet Love (feat. Gerald Clayton)
Gerald Clayton; Gretchen Parlato |
4:11 | |||
|
1.3
|
Magnus (feat. Magnus Thompson, Thaddeus Thompson, Ashley Thompson)
Gretchen Parlato; Magnus Thompson; Thaddeus Thompson; Ashley Thompson |
4:10 | |||
|
1.4
|
Rosa
Gretchen Parlato |
4:32 | |||
|
1.5
|
What Does a Lion Say?
Gretchen Parlato |
5:55 | |||
|
1.6
|
Roy Allan (feat. Airto Moreira)
Gretchen Parlato; Airto Moreira |
4:11 | |||
|
1.7
|
Wonderful (feat. Gerald Clayton, Mark Guiliana)
Gretchen Parlato; Gerald Clayton; Mark Guiliana |
6:02 | |||
|
1.8
|
Cello Suite No. 1 BWV 1007 Minuet I II
Gretchen Parlato |
5:45 | |||
|
1.9
|
No Plan (feat. Mark Guiliana)
Gretchen Parlato; Mark Guiliana |
5:57 |
Grammy Award Nomination, 2022 – Best Jazz Vocal Album
“There is a story to tell, now.
Gretchen Parlato has returned, not only to the recording industry but to herself, with her new Brazilian-inspired project, Flor. Portuguese for “flower”, Flor is the artistic embodiment of the GRAMMY®-nominated singer’s deep dive into motherhood over the last six years, a metamorphic interval of space that allowed Parlato to discover the fullness of her essence through a new lens. In this season of epiphany, Parlato reaps her most personal harvest yet, which she refers to as, “a blossoming, an opening, an offering, a return.”
A gorgeous synthesis of original material, American popular music, European classical music, and Brazilian standards, Flor exemplifies the many ways in which motherhood has reconnected Parlato to her own inner child, revisiting the enchantment of falling in love with music for the first time, particularly the various Brazilian genres she became enamored with as a young teenager. “This is music that I’ve always wanted to honor,” says Parlato. “What I’m trying to find isn’t outside of myself. It’s not out of reach, it’s actually that internal revealing of what already exists.”
88.2 kHz / 24-bit PCM – Edition Records Studio Masters
Tracks 1-5, 7, 9 – contains material which utilizes a limited amount of the available bandwidth Track 6 – 48 kHz / 24-bit PCM, mastered in 88.2 kHz / 24-bit
Tracks 1-5, 7, 9 – contains material which utilizes a limited amount of the available bandwidth Track 6 – 48 kHz / 24-bit PCM, mastered in 88.2 kHz / 24-bit
| Track title | Peak (dB FS) | RMS (dB FS) | LUFS (integrated) | DR | |
Album average Range of values | -0.95 -0.97 to -0.92 | -13.17 -15.65 to -11.67 | -10.73 -12.70 to -9.10 | 7 5 to 9 | |
| 1 | É Preciso Perdoar | -0.95 | -12.02 | -9.7 | 6 |
| 2 | Sweet Love (feat. Gerald Clayton) | -0.92 | -12.44 | -10.4 | 8 |
| 3 | Magnus (feat. Magnus Thompson, Thaddeus Thompson, Ashley Thompson) | -0.94 | -12.57 | -10.2 | 7 |
| 4 | Rosa | -0.97 | -11.67 | -9.1 | 5 |
| 5 | What Does a Lion Say? | -0.93 | -13.87 | -11.5 | 7 |
| 6 | Roy Allan (feat. Airto Moreira) | -0.95 | -13.79 | -11.4 | 8 |
| 7 | Wonderful (feat. Gerald Clayton, Mark Guiliana) | -0.94 | -12.97 | -10.8 | 7 |
| 8 | Cello Suite No. 1 BWV 1007 Minuet I II | -0.97 | -15.65 | -12.7 | 9 |
| 9 | No Plan (feat. Mark Guiliana) | -0.94 | -13.56 | -10.8 | 7 |