℗ 2020 Deutsche Grammophon, Berlin
| Released | November 6, 2020 |
| Duration | 1h 09m 17s |
| Record Label | Deutsche Grammophon (DG) |
| Genre | Classical |
I Am Hera
Hera Hyesang Park, Wiener Symphoniker, Bertrand de Billy
Available in 96 kHz / 24-bit AIFF, FLAC high resolution audio formats
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Orfeo ed Euridice, Wq. 30
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1.1
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Qual vita è questa mai
Christoph Willibald von Gluck; Raniero da Calzabigi; Hera Hyesang Park; Wiener Symphoniker; Bertrand de Billy; Johannes Maria Bogner |
1:41 | |||
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1.2
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Che fiero momento
Christoph Willibald von Gluck; Raniero da Calzabigi; Hera Hyesang Park; Wiener Symphoniker; Bertrand de Billy; Johannes Maria Bogner |
3:15 | |||
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La Serva Padrona
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1.3
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Stizzoso, mio stizzoso
Giovanni Battista Pergolesi; Gennaro Antonio Federico; Hera Hyesang Park; Wiener Symphoniker; Bertrand de Billy; Johannes Maria Bogner |
3:37 | |||
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Giulio Cesare, HWV 17
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1.4
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Se pietà di me non senti
George Frideric Handel; Nicola Francesco Haym; Hera Hyesang Park; Wiener Symphoniker; Bertrand de Billy; Johannes Maria Bogner |
9:16 | |||
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Le nozze di Figaro, K. 492
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1.5
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Giunse alfin il momento
Wolfgang Amadeus Mozart; Lorenzo Da Ponte; Pierre Augustin Caron de Beaumarchais; Hera Hyesang Park; Wiener Symphoniker; Bertrand de Billy |
1:09 | |||
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1.6
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Deh vieni, non tardar
Wolfgang Amadeus Mozart; Lorenzo Da Ponte; Pierre Augustin Caron de Beaumarchais; Hera Hyesang Park; Wiener Symphoniker; Bertrand de Billy |
2:55 | |||
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Il barbiere di Siviglia
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1.7
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Una voce poco fa
Gioacchino Rossini; Cesare Sterbini; Pierre Augustin Caron de Beaumarchais; Giuseppe Petrosellini; Hera Hyesang Park; Wiener Symphoniker; Bertrand de Billy |
6:10 | |||
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Idomeneo, K. 366
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1.8
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Quando avran fine omai
Wolfgang Amadeus Mozart; Giovanni Battista Varesco; Hera Hyesang Park; Wiener Symphoniker; Bertrand de Billy; Johannes Maria Bogner |
3:29 | |||
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1.9
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Padre, germani, addio!
Wolfgang Amadeus Mozart; Giovanni Battista Varesco; Hera Hyesang Park; Wiener Symphoniker; Bertrand de Billy; Johannes Maria Bogner |
3:22 | |||
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Don Giovanni, K. 527
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1.10
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Vedrai, carino
Wolfgang Amadeus Mozart; Lorenzo Da Ponte; Hera Hyesang Park; Wiener Symphoniker; Bertrand de Billy |
3:20 | |||
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Die Zauberflöte, K. 620
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1.11
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Ach, ich fühl's, es ist verschwunden
Wolfgang Amadeus Mozart; Emanuel Johann Josef Schikaneder; Hera Hyesang Park; Wiener Symphoniker; Bertrand de Billy |
3:26 | |||
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Il Turco in Italia
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1.12
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Non si dà follia maggiore
Gioacchino Rossini; Felice Romani; Hera Hyesang Park; Wiener Symphoniker; Bertrand de Billy |
3:32 | |||
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I Capuleti e i Montecchi
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1.13
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Eccomi in lieta vesta
Vincenzo Bellini; Felice Romani; Hera Hyesang Park; Wiener Symphoniker; Bertrand de Billy |
4:55 | |||
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1.14
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Oh! quante volte ti chiedo
Vincenzo Bellini; Felice Romani; Hera Hyesang Park; Wiener Symphoniker; Bertrand de Billy |
3:45 | |||
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La bohème, SC 67
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1.15
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Quando m'en vo soletta
Giacomo Puccini; Giuseppe Giacosa; Luigi Illica; Hera Hyesang Park; Wiener Symphoniker; Bertrand de Billy |
2:29 | |||
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Gianni Schicchi, SC 88
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1.16
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O mio babbino caro
Giacomo Puccini; Giovacchino Forzano; Dante Alighieri; Hera Hyesang Park; Wiener Symphoniker; Bertrand de Billy |
2:15 | |||
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1.17
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Like the Wind That Met with Lotus
Joowon Kim; Jeong-ju Seo; Hera Hyesang Park; Wiener Symphoniker; Bertrand de Billy |
5:27 | |||
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1.18
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Psalm 23
Un-Yung La; Traditional; Bernhard Eder; Hera Hyesang Park; Wiener Symphoniker; Bertrand de Billy |
5:14 | |||
“Bright, clear voice and impressive coloratura technique.”
- The New York Times
Describing herself as a nomad and free spirit, Park is determined to follow her own path as she travels the world, challenging cultural, racial and gender stereotypes along the way. Her fascination with the issue of personal identity is determining the choice of repertoire for her first album. Collectively representing her lyric coloratura voice and understanding of her art, her selected works will also be linked to key episodes in her life and career so far. She hopes this musical self-portrait will speak to a wide audience.
“Creating my debut album for Deutsche Grammophon has proven to be a process of self-discovery. I want to see what might be hidden beneath the protective layers in which we all need to clothe ourselves. This recording will let me show who I am and share the music I love in the most direct and simple way possible.”
- Hera Hyesang Park
96 kHz / 24-bit PCM – Deutsche Grammophon (DG) Studio Masters
| Track title | Peak (dB FS) | RMS (dB FS) | LUFS (integrated) | DR | |
Album average Range of values | -6.29 -12.81 to -1.45 | -30.34 -35.18 to -25.65 | -26.17 -31.50 to -21.70 | 14 12 to 17 | |
| 1 | Qual vita è questa mai | -12.81 | -33.83 | -29.6 | 12 |
| 2 | Che fiero momento | -2.04 | -29.46 | -25.4 | 14 |
| 3 | Stizzoso, mio stizzoso | -5.41 | -29.32 | -25.2 | 16 |
| 4 | Se pietà di me non senti | -7.13 | -29.66 | -26.3 | 14 |
| 5 | Giunse alfin il momento | -10.48 | -35.18 | -31.5 | 13 |
| 6 | Deh vieni, non tardar | -11.16 | -32.99 | -29.3 | 14 |
| 7 | Una voce poco fa | -1.48 | -29.15 | -23.7 | 15 |
| 8 | Quando avran fine omai | -5.48 | -28.15 | -24.4 | 15 |
| 9 | Padre, germani, addio! | -2.70 | -25.65 | -21.7 | 14 |
| 10 | Vedrai, carino | -6.45 | -28.74 | -25.2 | 14 |
| 11 | Ach, ich fühl's, es ist verschwunden | -4.40 | -28.64 | -24.2 | 14 |
| 12 | Non si dà follia maggiore | -1.59 | -27.34 | -23.0 | 17 |
| 13 | Eccomi in lieta vesta | -8.26 | -35.07 | -30.9 | 15 |
| 14 | Oh! quante volte ti chiedo | -11.35 | -32.69 | -28.3 | 13 |
| 15 | Quando m'en vo soletta | -5.15 | -29.07 | -25.1 | 14 |
| 16 | O mio babbino caro | -7.75 | -30.84 | -27.0 | 15 |
| 17 | Like the Wind That Met with Lotus | -1.45 | -28.74 | -23.4 | 16 |
| 18 | Psalm 23 | -8.18 | -31.57 | -26.8 | 13 |