℗ 2020 harmonia mundi
| Released | November 20, 2020 |
| Duration | 1h 20m 08s |
| Record Label | harmonia mundi |
| Catalogue No. | 902305DI |
| Genre | Classical (Suite for harpsichord, lute etc.) |
The Mad Lover
Thomas Dunford, Théotime Langlois de Swarte
Available in 96 kHz / 24-bit AIFF, FLAC high resolution audio formats
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The Mad Lover Suite
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1.1
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Ground. Aire V
John Eccles; Théotime Langlois de Swarte; Thomas Dunford |
3:41 | |||
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Sonata sesta for violino solo
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1.2
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I. Adagio
Daniel Purcell; Théotime Langlois de Swarte; Thomas Dunford |
1:57 | |||
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1.3
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II. Allegro (1)
Daniel Purcell; Théotime Langlois de Swarte; Thomas Dunford |
0:59 | |||
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1.4
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III. Adagio
Daniel Purcell; Théotime Langlois de Swarte; Thomas Dunford |
2:22 | |||
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1.5
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VI. Allegro (2)
Daniel Purcell; Théotime Langlois de Swarte; Thomas Dunford |
1:08 | |||
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1.6
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Improvisation for solo lute
Thomas Dunford; Thomas Dunford |
5:34 | |||
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1.7
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Variations on La Folia
Nicola Matteis; Théotime Langlois de Swarte; Thomas Dunford |
5:15 | |||
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1.8
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Fantasia in A Minor 'Alia Fantasia'
Nicola Matteis Jr.; Théotime Langlois de Swarte |
4:05 | |||
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Suite in A Minor
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1.9
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V. Sarabanda amorosa (Adagio)
Nicola Matteis; Théotime Langlois de Swarte; Thomas Dunford |
2:28 | |||
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1.10
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Diverse bizzarrie sopra la vecchia sarabanda o pur Ciaccona
Nicola Matteis; Théotime Langlois de Swarte; Thomas Dunford |
5:08 | |||
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1.11
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Prelude in G Minor, ZN. 773
Henry Purcell; Théotime Langlois de Swarte |
1:44 | |||
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Violin Sonata in G Minor
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1.12
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I. Grave
Clancy Eccles; Théotime Langlois de Swarte; Thomas Dunford |
3:19 | |||
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1.13
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II. Courante
Clancy Eccles; Théotime Langlois de Swarte; Thomas Dunford |
1:41 | |||
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1.14
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III. Adagio
Clancy Eccles; Théotime Langlois de Swarte; Thomas Dunford |
2:08 | |||
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1.15
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IV. Vivace
Clancy Eccles; Théotime Langlois de Swarte; Thomas Dunford |
1:03 | |||
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Suite in G Major
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1.16
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I. Preludio
Nicola Matteis; Théotime Langlois de Swarte; Thomas Dunford |
1:27 | |||
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1.17
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II. Grave
Nicola Matteis; Théotime Langlois de Swarte; Thomas Dunford |
1:54 | |||
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1.18
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III. Sarabanda
Nicola Matteis; Théotime Langlois de Swarte; Thomas Dunford |
3:57 | |||
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1.19
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IV. Aria Burlesca
Nicola Matteis; Théotime Langlois de Swarte; Thomas Dunford |
2:21 | |||
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1.20
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V. Capriccio
Nicola Matteis; Théotime Langlois de Swarte; Thomas Dunford |
1:51 | |||
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1.21
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VI. Giga Al Genio Turchesco
Nicola Matteis; Théotime Langlois de Swarte; Thomas Dunford |
0:48 | |||
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Sonata Quinta in E Minor
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1.22
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I. Andante
Clancy Eccles; Théotime Langlois de Swarte; Thomas Dunford |
3:29 | |||
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1.23
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II. Courente
Clancy Eccles; Théotime Langlois de Swarte; Thomas Dunford |
2:14 | |||
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1.24
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III. Largo
Clancy Eccles; Théotime Langlois de Swarte; Thomas Dunford |
5:31 | |||
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1.25
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IV. Presto
Clancy Eccles; Théotime Langlois de Swarte; Thomas Dunford |
2:25 | |||
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1.26
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Fantasia in C Minor, "con discretione"
Nicola Matteis Jr.; Théotime Langlois de Swarte |
4:47 | |||
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1.27
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A new division upon the ground bass of "John come and kiss me"
Clancy Eccles; Théotime Langlois de Swarte; Thomas Dunford |
4:51 | |||
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The Mad Lover Suite
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1.28
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Ground. Aire III
John Eccles; Théotime Langlois de Swarte; Thomas Dunford |
2:01 | |||
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Digital Booklet
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Exalted melancholy A violin and a lute: with this choice line-up, our pair of instrumentalists – and frequent partners on the current Baroque music scene – illuminates some aspects of an elusive amalgam that constitutes the 17th-century English notion of melancholy. The inconsolable "Mad Lover" of the album title is reimagined by Théotime Langlois de Swarte and Thomas Dunford as a character from the reign of Charles II: a tale told through music from the pen of such violin virtuosos as the prodigiously gifted Nicola Matteis. Heightened by the exuberance and abandon common to those musicians transplanted from Italy, the beguiling nuances of this language of yearning and loss continue to echo in the popular music of our time.
96 kHz / 24-bit PCM – harmonia mundi Studio Masters
| Track title | Peak (dB FS) | RMS (dB FS) | LUFS (integrated) | DR | |
Album average Range of values | -4.07 -12.47 to -0.13 | -25.84 -34.09 to -20.16 | -22.30 -31.70 to -16.80 | 13 11 to 15 | |
| 1 | Ground. Aire V | -3.38 | -25.44 | -21.4 | 13 |
| 2 | I. Adagio | -6.13 | -26.64 | -22.9 | 12 |
| 3 | II. Allegro (1) | -1.33 | -24.22 | -20.4 | 12 |
| 4 | III. Adagio | -3.26 | -26.05 | -21.9 | 13 |
| 5 | VI. Allegro (2) | -5.94 | -24.96 | -21.0 | 12 |
| 6 | Improvisation for solo lute | -12.47 | -34.09 | -31.7 | 14 |
| 7 | Variations on La Folia | -0.13 | -24.57 | -21.0 | 15 |
| 8 | Fantasia in A Minor 'Alia Fantasia' | -3.53 | -25.01 | -21.3 | 11 |
| 9 | V. Sarabanda amorosa (Adagio) | -7.53 | -29.16 | -25.4 | 14 |
| 10 | Diverse bizzarrie sopra la vecchia sarabanda o pur Ciaccona | -2.18 | -23.93 | -20.6 | 14 |
| 11 | Prelude in G Minor, ZN. 773 | -9.59 | -29.33 | -25.7 | 12 |
| 12 | I. Grave | -6.92 | -27.76 | -24.5 | 13 |
| 13 | II. Courante | -2.28 | -22.06 | -19.0 | 14 |
| 14 | III. Adagio | -2.22 | -27.78 | -23.8 | 13 |
| 15 | IV. Vivace | -0.14 | -22.28 | -18.8 | 12 |
| 16 | I. Preludio | -5.74 | -25.68 | -22.6 | 12 |
| 17 | II. Grave | -3.66 | -23.95 | -20.1 | 13 |
| 18 | III. Sarabanda | -5.25 | -27.57 | -23.6 | 14 |
| 19 | IV. Aria Burlesca | -1.64 | -23.69 | -20.6 | 14 |
| 20 | V. Capriccio | -4.46 | -25.22 | -22.3 | 12 |
| 21 | VI. Giga Al Genio Turchesco | -1.78 | -20.16 | -16.8 | 12 |
| 22 | I. Andante | -3.74 | -25.88 | -22.5 | 14 |
| 23 | II. Courente | -1.17 | -23.65 | -20.3 | 13 |
| 24 | III. Largo | -5.01 | -27.71 | -24.2 | 14 |
| 25 | IV. Presto | -0.13 | -22.95 | -19.5 | 15 |
| 26 | Fantasia in C Minor, "con discretione" | -2.15 | -26.11 | -21.8 | 14 |
| 27 | A new division upon the ground bass of "John come and kiss me" | -0.13 | -24.28 | -20.7 | 14 |
| 28 | Ground. Aire III | -12.08 | -33.46 | -29.9 | 13 |