℗ 2020 Paraty
| Released | November 20, 2020 |
| Duration | 56m 10s |
| Record Label | Paraty |
| Catalogue No. | PTY150101D |
| Genre | Classical (Sonata for keyboard, violin etc.) |
Chopin & Franchomme: Le chant du violoncelle (Live)
Edoardo Torbianelli, Fernando Caida-Greco
Available in 88.2 kHz / 24-bit AIFF, FLAC high resolution audio formats
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1.1
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Nocturne No. 3 en Mi-Bémol Majeur, Op. 14 (Live)
Auguste-Joseph Franchomme; Edoardo Torbianelli; Fernando Caida-Greco |
5:50 | |||
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1.2
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Polonaise No. 1 en Do-Dièse Mineur, Op. 26 (Live)
Frederic Chopin; Edoardo Torbianelli |
6:28 | |||
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1.3
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Nocturne No. 2 en Fa-Dièse Mineur, Op. 48 (Live)
Frederic Chopin; Edoardo Torbianelli |
6:12 | |||
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1.4
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Mazurka No. 2 en Si Mineur, Op. 30 (Live)
Frederic Chopin; Edoardo Torbianelli |
1:08 | |||
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1.5
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Nocturne No. 1 en Mi Mineur, Op. 14 (Live)
Auguste-Joseph Franchomme; Edoardo Torbianelli; Fernando Caida-Greco |
4:13 | |||
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1.6
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Caprice sur un thème du Pirate de Bellini en La Mineur (Live)
Auguste-Joseph Franchomme; Edoardo Torbianelli; Fernando Caida-Greco |
6:04 | |||
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Sonate en Sol Mineur pour violoncelle & piano, Op. 65
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1.7
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I. Allegro Moderato (Live)
Frederic Chopin; Edoardo Torbianelli; Fernando Caida-Greco |
11:08 | |||
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1.8
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II. Scherzo (Live)
Frederic Chopin; Edoardo Torbianelli; Fernando Caida-Greco |
5:01 | |||
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1.9
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III. Largo (Live)
Frederic Chopin; Edoardo Torbianelli; Fernando Caida-Greco |
3:09 | |||
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1.10
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IV. Finale (Live)
Frederic Chopin; Edoardo Torbianelli; Fernando Caida-Greco |
6:57 | |||
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Digital Booklet
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Chopin and Franchomme's collaboration and sincere friendship rested on a double understanding : they were linked both by a communion of feeling, so precious to the Polish exile in the Paris mondain of the time, and an artistic symbiosis that fed both on an affinity in the mastery of their instrument, and on the sharing of such basic musical values as authenticity, simplicity, elegance, and nobility of expression. Edoardo Torbianelli and Fernando Caida-Greco first played together in 2000 as a trio formation, with the violinist Amandine Beyer, within the Schola Cantorum Basiliensis. Their collaboration led to a musical dialogue based on extensive research, with a particular focus on the Romantic repertoire, revisited in the light of the aesthetic and technical knowledge acquired over 20 years of research.
88.2 kHz / 24-bit PCM – Paraty Studio Masters
| Track title | Peak (dB FS) | RMS (dB FS) | LUFS (integrated) | DR | |
Album average Range of values | -2.26 -5.05 to -0.05 | -23.02 -25.49 to -19.08 | -20.05 -22.40 to -16.40 | 13 12 to 14 | |
| 1 | Nocturne No. 3 en Mi-Bémol Majeur, Op. 14 (Live) | -5.05 | -24.95 | -21.6 | 12 |
| 2 | Polonaise No. 1 en Do-Dièse Mineur, Op. 26 (Live) | -3.06 | -23.60 | -20.7 | 13 |
| 3 | Nocturne No. 2 en Fa-Dièse Mineur, Op. 48 (Live) | -3.16 | -25.49 | -22.4 | 14 |
| 4 | Mazurka No. 2 en Si Mineur, Op. 30 (Live) | -4.33 | -24.13 | -21.1 | 12 |
| 5 | Nocturne No. 1 en Mi Mineur, Op. 14 (Live) | -3.94 | -23.82 | -21.0 | 12 |
| 6 | Caprice sur un thème du Pirate de Bellini en La Mineur (Live) | -0.41 | -22.13 | -19.2 | 14 |
| 7 | I. Allegro Moderato (Live) | -0.27 | -20.41 | -17.4 | 13 |
| 8 | II. Scherzo (Live) | -0.42 | -21.41 | -18.6 | 13 |
| 9 | III. Largo (Live) | -1.94 | -25.21 | -22.1 | 13 |
| 10 | IV. Finale (Live) | -0.05 | -19.08 | -16.4 | 13 |