℗ 2020 Naxos
| Released | November 27, 2020 |
| Duration | 1h 13m 45s |
| Record Label | Naxos |
| Catalogue No. | 8.574148 |
| Genre | Classical (Piano) |
Complete Piano Music, Vol. 56: Liszt – Préludes et harmonies poétiques et religieuses
Roman Kosyakov
Available in 96 kHz / 24-bit AIFF, FLAC high resolution audio formats
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1.1
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Prière d'un enfant à son réveil, S. 171c
Franz Liszt; Roman Kosyakov |
2:35 | |||
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Préludes et harmonies poétiques et religieuses, S. 171d
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1.2
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No. 1 in E-Flat Major, Nancy "Prelude"
Franz Liszt; Roman Kosyakov |
4:33 | |||
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1.3
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No. 2 in C Minor, Langueur ?
Franz Liszt; Roman Kosyakov |
7:48 | |||
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1.4
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No. 3 in E Major
Franz Liszt; Roman Kosyakov |
4:21 | |||
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1.5
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No. 4 in D-Flat Major, Dernière illusion (Completed by L. Howard)
Franz Liszt; Roman Kosyakov |
12:34 | |||
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1.6
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No. 5 in G-Flat Major
Franz Liszt; Roman Kosyakov |
5:52 | |||
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1.7
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No. 6 in A Major, Attente (Completed by L. Howard)
Franz Liszt; Roman Kosyakov |
4:32 | |||
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1.8
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No. 7 in E Major, Alternative
Franz Liszt; Roman Kosyakov |
1:38 | |||
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1.9
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No. 8 in D-Flat Major, M.K. (Completed by L. Howard)
Franz Liszt; Roman Kosyakov |
3:52 | |||
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1.10
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Harmonies poétiques et religieuses I, S. 154
Franz Liszt; Roman Kosyakov |
10:44 | |||
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2 Légendes, S. 175
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1.11
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No. 2, St. François de Paule, marchant sur les flots (1863 Simplified Version)
Franz Liszt; Roman Kosyakov |
8:02 | |||
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1.12
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Marche de Prozinsky, S. 701v
Franz Liszt; Roman Kosyakov |
1:01 | |||
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1.13
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Klavierstück No. 2 in D-Flat Major, S. 189b
Franz Liszt; Roman Kosyakov |
0:41 | |||
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Album Leaf, S.
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1.14
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166b "Portugal"
Franz Liszt; Roman Kosyakov |
0:50 | |||
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1.15
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166c
Franz Liszt; Roman Kosyakov |
0:51 | |||
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1.16
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166d "Lyon Prélude"
Franz Liszt; Roman Kosyakov |
0:09 | |||
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1.17
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166e "Prélude omnitonique"
Franz Liszt; Roman Kosyakov |
0:10 | |||
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1.18
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166f "Braunschweig Prélude"
Franz Liszt; Roman Kosyakov |
0:11 | |||
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1.19
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166g "Serenade"
Franz Liszt; Roman Kosyakov |
0:14 | |||
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1.20
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166h "Andante religioso"
Franz Liszt; Roman Kosyakov |
3:07 | |||
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Digital Booklet
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Franz Liszt inherited strong religious convictions from his father, and the influence of sacred narratives can be found throughout his compositions. Drawn from the so-called "Tasso Sketchbook", the "Préludes et Harmonies poétiques et religieuses" were composed after the end of Liszt’s relationship with Marie d’Agoult, and include the passionately turbulent "Langueur?". Descriptive titles characterize many of the brief "Album-Leaves", while the legend of "St François de Paule marchant sur les flots" depicts the saint crossing the Straits of Messina using his cloak as a sail after being refused passage by a boatman.
Liszt’s famous "Harmonies poétiques et religieuses" has been visited in other volumes in this edition, but this is not to be confused with the "Préludes et Harmonies poétiques et religieuses", which is a set of eight pieces also associated with the poetry of Alphonse de Lamartine, but entirely distinct in character and content. Including fragments, this is a further collection of Liszt rarities that offers fascinating pre-echoes of later masterpieces, exploring the composer’s wider responses to religious themes, Romantic poetry and the intensity of his own circumstances.
96 kHz / 24-bit PCM – Naxos Studio Masters
| Track title | Peak (dB FS) | RMS (dB FS) | LUFS (integrated) | DR | |
Album average Range of values | -5.87 -19.13 to -0.51 | -27.69 -37.98 to -21.32 | -23.50 -33.30 to -17.70 | 12 9 to 15 | |
| 1 | Prière d'un enfant à son réveil, S. 171c | -9.86 | -31.30 | -27.7 | 12 |
| 2 | No. 1 in E-Flat Major, Nancy "Prelude" | -3.88 | -26.80 | -23.1 | 13 |
| 3 | No. 2 in C Minor, Langueur ? | -2.69 | -25.66 | -22.1 | 13 |
| 4 | No. 3 in E Major | -0.87 | -22.04 | -18.0 | 12 |
| 5 | No. 4 in D-Flat Major, Dernière illusion (Completed by L. Howard) | -1.94 | -26.71 | -22.8 | 15 |
| 6 | No. 5 in G-Flat Major | -3.50 | -26.93 | -23.6 | 14 |
| 7 | No. 6 in A Major, Attente (Completed by L. Howard) | -4.15 | -28.74 | -24.9 | 13 |
| 8 | No. 7 in E Major, Alternative | -15.90 | -35.67 | -32.0 | 11 |
| 9 | No. 8 in D-Flat Major, M.K. (Completed by L. Howard) | -3.89 | -27.72 | -23.9 | 14 |
| 10 | Harmonies poétiques et religieuses I, S. 154 | -1.68 | -26.57 | -20.9 | 15 |
| 11 | No. 2, St. François de Paule, marchant sur les flots (1863 Simplified Version) | -0.51 | -21.32 | -17.7 | 13 |
| 12 | Marche de Prozinsky, S. 701v | -4.55 | -26.62 | -22.0 | 12 |
| 13 | Klavierstück No. 2 in D-Flat Major, S. 189b | -10.60 | -30.49 | -26.6 | 11 |
| 14 | 166b "Portugal" | -9.66 | -28.38 | -25.2 | 12 |
| 15 | 166c | -10.51 | -28.39 | -25.3 | 11 |
| 16 | 166d "Lyon Prélude" | -1.32 | -23.69 | -17.7 | 11 |
| 17 | 166e "Prélude omnitonique" | -4.26 | -24.60 | -18.6 | 12 |
| 18 | 166f "Braunschweig Prélude" | -3.70 | -24.91 | -19.3 | 12 |
| 19 | 166g "Serenade" | -19.13 | -37.98 | -33.3 | 9 |
| 20 | 166h "Andante religioso" | -4.89 | -29.27 | -25.3 | 14 |