℗ 2020 Pinchgut Live
| Released | December 4, 2020 |
| Duration | 57m 57s |
| Record Label | Pinchgut Live |
| Catalogue No. | PG012 |
| Genre | Soundtrack |
A Delicate Fire (Soundtrack from the Film)
Matthew Greco, Karina Schmitz, Simon Martyn-Ellis, Hannah Lane, Anthea Cottee, Erin Helyard, Taryn Fiebig, Anna Dowsley, Keara Donohoe, David Greco, Andrew O'Connor, Chloe Lankshear, Nicholas Jones
Available in 48 kHz / 24-bit AIFF, FLAC audio formats
|
Arie, Op. 8
|
|||||
|
1.1
|
Sinfonia
Matthew Greco; Karina Schmitz; Simon Martyn-Ellis; Hannah Lane; Anthea Cottee; Erin Helyard |
2:22 | |||
|
1.2
|
Sonetto proemio dell'opera, Op. 1 No. 1
Taryn Fiebig; Anna Dowsley; Simon Martyn-Ellis; Hannah Lane; Anthea Cottee; Erin Helyard |
6:14 | |||
|
1.3
|
Silentio nocivo, Op. 1 No. 6
Taryn Fiebig; Keara Donohoe; David Greco; Andrew O'Connor; Simon Martyn-Ellis; Hannah Lane; Anthea Cottee; Erin Helyard |
4:51 | |||
|
1.4
|
Canto di bella bocca, Op. 1 No. 2
Taryn Fiebig; Anna Dowsley; Simon Martyn-Ellis; Hannah Lane; Anthea Cottee; Erin Helyard |
6:01 | |||
|
1.5
|
Ballo detto Eccardo, Op. 12 No. 19
Matthew Greco; Karina Schmitz; Simon Martyn-Ellis; Hannah Lane; Anthea Cottee; Erin Helyard |
2:27 | |||
|
1.6
|
L'affetto umano, Op. 1 No. 7
Chloe Lankshear; Keara Donohoe; Nicholas Jones; Andrew O'Connor; Simon Martyn-Ellis; Hannah Lane; Anthea Cottee; Erin Helyard |
4:04 | |||
|
1.7
|
Il contrasto de' cinque sensi, Op. 1 No. 14
Chloe Lankshear; Keara Donohoe; Nicholas Jones; David Greco; Simon Martyn-Ellis; Hannah Lane; Anthea Cottee; Erin Helyard |
2:47 | |||
|
1.8
|
Lagrime mie, lamento Op. 7 No. 4
Anna Dowsley; Simon Martyn-Ellis; Hannah Lane; Anthea Cottee; Erin Helyard |
7:37 | |||
|
1.9
|
Sonata sopra "Fuggi dolente core", Op. 22 No. 21
Matthew Greco; Karina Schmitz; Simon Martyn-Ellis; Hannah Lane; Anthea Cottee; Erin Helyard |
3:41 | |||
|
1.10
|
Priego ad Amore, Op. 1 No. 15
Taryn Fiebig; Keara Donohoe; Nicholas Jones; David Greco; Andrew O'Connor; Simon Martyn-Ellis; Hannah Lane; Anthea Cottee; Erin Helyard |
3:46 | |||
|
1.11
|
Vecchio amante che rende la piazza, Op. 1 No. 20
Keara Donohoe; Nicholas Jones; David Greco; Matthew Greco; Karina Schmitz; Simon Martyn-Ellis; Hannah Lane; Anthea Cottee; Erin Helyard |
6:12 | |||
|
1.12
|
Conclusione dell'opera, Op. 1 No. 25
Anna Dowsley; Nicholas Jones; Andrew O'Connor; Matthew Greco; Karina Schmitz; Simon Martyn-Ellis; Hannah Lane; Anthea Cottee; Erin Helyard |
3:37 | |||
|
1.13
|
Godere in gioventù, Op. 1 No. 12
Chloe Lankshear; Anna Dowsley; David Greco; Simon Martyn-Ellis; Erin Helyard |
4:18 | |||
48 kHz / 24-bit PCM – Pinchgut Live Studio Masters
Track 13 – 44.1 kHz / 24-bit PCM, mastered in 48 kHz / 24-bit
Track 13 – 44.1 kHz / 24-bit PCM, mastered in 48 kHz / 24-bit
| Track title | Peak (dB FS) | RMS (dB FS) | LUFS (integrated) | DR | |
Album average Range of values | -2.21 -5.16 to -1.00 | -20.66 -22.07 to -18.80 | -17.01 -18.70 to -15.10 | 12 10 to 13 | |
| 1 | Sinfonia | -5.16 | -21.46 | -18.7 | 10 |
| 2 | Sonetto proemio dell'opera, Op. 1 No. 1 | -2.46 | -21.43 | -17.6 | 12 |
| 3 | Silentio nocivo, Op. 1 No. 6 | -2.07 | -21.14 | -17.7 | 12 |
| 4 | Canto di bella bocca, Op. 1 No. 2 | -1.74 | -22.07 | -18.3 | 12 |
| 5 | Ballo detto Eccardo, Op. 12 No. 19 | -1.44 | -20.13 | -17.1 | 13 |
| 6 | L'affetto umano, Op. 1 No. 7 | -1.38 | -21.38 | -17.8 | 12 |
| 7 | Il contrasto de' cinque sensi, Op. 1 No. 14 | -2.09 | -20.53 | -16.4 | 11 |
| 8 | Lagrime mie, lamento Op. 7 No. 4 | -1.00 | -20.78 | -16.5 | 13 |
| 9 | Sonata sopra "Fuggi dolente core", Op. 22 No. 21 | -3.94 | -20.06 | -17.5 | 10 |
| 10 | Priego ad Amore, Op. 1 No. 15 | -2.61 | -19.62 | -16.1 | 11 |
| 11 | Vecchio amante che rende la piazza, Op. 1 No. 20 | -1.45 | -21.41 | -16.9 | 13 |
| 12 | Conclusione dell'opera, Op. 1 No. 25 | -1.47 | -18.80 | -15.1 | 12 |
| 13 | Godere in gioventù, Op. 1 No. 12 | -1.97 | -19.76 | -15.4 | 13 |