℗ 2020 Naxos
| Released | November 27, 2020 |
| Duration | 1h 12m 48s |
| Record Label | Naxos |
| Catalogue No. | 8.574177 |
| Genre | Classical (Modern Era) |
Humperdinck: Stage Works
Malmö Opera Orchestra, Dario Salvi, Harrie Van Der Plas, Unknown Artist, Andrea Chudak, Ruxandra van der Plas-Voda, Malmö Opera Chorus, Robert Bennesh
Available in 96 kHz / 24-bit AIFF, FLAC high resolution audio formats
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Die Heirat wider Willen
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1.1
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Act II Prelude
Engelbert Humperdinck; Malmö Opera Orchestra; Dario Salvi |
5:29 | |||
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Der Kaufmann von Venedig
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1.2
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I. Barcarole
Engelbert Humperdinck; Harrie Van Der Plas |
0:44 | |||
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1.3
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II. Porzia
Engelbert Humperdinck; Harrie Van Der Plas; Dario Salvi |
0:45 | |||
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1.4
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III. Act II Sarabande
Engelbert Humperdinck; Malmö Opera Orchestra; Dario Salvi |
1:37 | |||
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1.5
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IV. Drei Trompetenstöße
Engelbert Humperdinck; Malmö Opera Orchestra; Dario Salvi |
0:48 | |||
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1.6
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V. Der Maskenzug
Engelbert Humperdinck; Malmö Opera Orchestra; Dario Salvi |
3:47 | |||
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1.7
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VI. Das Kästchenlied
Engelbert Humperdinck; Andrea Chudak; Ruxandra van der Plas-Voda; Malmö Opera Chorus; Malmö Opera Orchestra; Dario Salvi |
2:12 | |||
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1.8
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VII. In solcher Nacht "Liebesszene"
Engelbert Humperdinck; Malmö Opera Orchestra; Dario Salvi |
10:26 | |||
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Das Wunder Suite (After Humperdinck)
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1.9
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I. Vorspiel
Adolf Lotter; Robert Bennesh; Malmö Opera Orchestra; Dario Salvi |
3:28 | |||
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1.10
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II. Prozession und Kindertanz
Adolf Lotter; Malmö Opera Orchestra; Dario Salvi |
4:13 | |||
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1.11
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III. Bankett-Szene und Der Tanz der Nonne
Adolf Lotter; Malmö Opera Orchestra; Dario Salvi |
2:31 | |||
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1.12
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IV. Marsch der Armee und Todesmotiv
Adolf Lotter; Malmö Opera Orchestra; Dario Salvi |
4:43 | |||
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1.13
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V. Die Weihnachtszene und Finale Akt I
Adolf Lotter; Malmö Opera Orchestra; Dario Salvi |
6:15 | |||
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Die Wallfahrt nach Kevlaar (1878 Original Version)
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1.14
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I. Am Fenster stand die Mutter
Engelbert Humperdinck; Andrea Chudak; Harrie Van Der Plas; Malmö Opera Chorus; Malmö Opera Orchestra; Dario Salvi |
3:30 | |||
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1.15
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II. Die Mutter Gottes zu Kevlaar
Engelbert Humperdinck; Andrea Chudak; Harrie Van Der Plas; Malmö Opera Chorus; Malmö Opera Orchestra; Dario Salvi |
7:12 | |||
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1.16
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III. Der kranke Sohn und die Mutter
Engelbert Humperdinck; Andrea Chudak; Malmö Opera Chorus; Malmö Opera Orchestra; Dario Salvi |
4:33 | |||
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Lysistrata
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1.17
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I. Festzug
Engelbert Humperdinck; Malmö Opera Orchestra; Dario Salvi |
3:40 | |||
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1.18
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II. Schlussgesang aus Lysistrata
Engelbert Humperdinck; Malmö Opera Chorus; Malmö Opera Orchestra; Dario Salvi |
1:53 | |||
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1.19
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III. Schlusstanz
Engelbert Humperdinck; Malmö Opera Orchestra; Dario Salvi |
5:02 | |||
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Digital Booklet
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Engelbert Humperdinck won a worldwide reputation through his application of Wagnerian techniques to folk music in Hänsel und Gretel. But he wrote far more widely for the stage than is acknowledged, and this selection focuses on long overlooked works that reveal Humperdinck’s flair for romance, comedy and innovation. These include music for one of the first full-colour silent films, the spectacular Das Wunder (1912); the passionate, ethereal small cantata Die Wallfahrt nach Kevlaar; the rich antique flavour of Lysistrata; as well as his dance-saturated and serenely beautiful incidental music for Der Kaufmann von Venedig.
Dario Salvi is a Scottish-Italian conductor, musicologist and researcher who specializes in the restoration and performance of rare works. His passion is the rediscovery and performance of long-forgotten masterpieces by the likes of Suppé, Meyerbeer, Rumshinsky, Genée, Auber, and many others. He is collaborating with Naxos on recording a series on Romantic ballets, including works by Minkus, Pugni, Adam and others, and a series on Auber’s overtures and orchestral music. Two other important projects include recording the last three missing operas by Johann Strauss II and three never before recorded operatic works by Giacomo Meyerbeer.
96 kHz / 24-bit PCM – Naxos Studio Masters
| Track title | Peak (dB FS) | RMS (dB FS) | LUFS (integrated) | DR | |
Album average Range of values | -4.22 -13.07 to -0.35 | -25.91 -33.61 to -21.80 | -22.43 -30.30 to -17.40 | 13 10 to 15 | |
| 1 | Act II Prelude | -0.35 | -21.80 | -17.4 | 12 |
| 2 | I. Barcarole | -10.46 | -28.90 | -24.4 | 11 |
| 3 | II. Porzia | -13.07 | -33.61 | -30.3 | 13 |
| 4 | III. Act II Sarabande | -8.49 | -28.35 | -25.8 | 12 |
| 5 | IV. Drei Trompetenstöße | -2.94 | -22.49 | -18.9 | 11 |
| 6 | V. Der Maskenzug | -5.55 | -25.33 | -21.9 | 12 |
| 7 | VI. Das Kästchenlied | -2.67 | -26.33 | -22.7 | 13 |
| 8 | VII. In solcher Nacht "Liebesszene" | -6.90 | -28.26 | -25.2 | 13 |
| 9 | I. Vorspiel | -11.64 | -32.06 | -29.8 | 10 |
| 10 | II. Prozession und Kindertanz | -3.03 | -23.75 | -20.5 | 12 |
| 11 | III. Bankett-Szene und Der Tanz der Nonne | -2.62 | -24.15 | -20.4 | 12 |
| 12 | IV. Marsch der Armee und Todesmotiv | -1.93 | -27.62 | -24.8 | 14 |
| 13 | V. Die Weihnachtszene und Finale Akt I | -1.80 | -24.08 | -20.6 | 14 |
| 14 | I. Am Fenster stand die Mutter | -0.38 | -23.54 | -19.9 | 15 |
| 15 | II. Die Mutter Gottes zu Kevlaar | -1.11 | -24.01 | -20.4 | 15 |
| 16 | III. Der kranke Sohn und die Mutter | -0.38 | -23.20 | -19.6 | 14 |
| 17 | I. Festzug | -4.44 | -27.43 | -23.7 | 12 |
| 18 | II. Schlussgesang aus Lysistrata | -0.37 | -22.18 | -18.2 | 13 |
| 19 | III. Schlusstanz | -2.08 | -25.15 | -21.6 | 14 |