℗ ℗ 2016 2xHD
Some Other Time (The Lost Session from the Black Forest)
Bill Evans, Eddie Gomez, Jack Dejohnette
Available in 192 kHz / 24-bit, 96 kHz / 24-bit AIFF, FLAC and 11.2896 MHz, 5.6448 MHz, 2.8224 MHz DSD high resolution audio formats
1.1 |
You Go to My Head Bill Evans; Eddie Gomez; Jack DeJohnette |
4:58 | ||
1.2 |
Very Early Bill Evans; Eddie Gomez; Jack DeJohnette |
5:12 | ||
1.3 |
What Kind of Fool Am I? Bill Evans; Eddie Gomez; Jack DeJohnette |
5:21 | ||
1.4 |
I'll Remember April Bill Evans; Eddie Gomez; Jack DeJohnette |
4:08 | ||
1.5 |
My Funny Valentine Bill Evans; Eddie Gomez; Jack DeJohnette |
6:58 | ||
1.6 |
Baubles, Bangles and Beads Bill Evans; Eddie Gomez; Jack DeJohnette |
4:38 | ||
1.7 |
Turn Out the Stars Bill Evans; Eddie Gomez; Jack DeJohnette |
4:56 | ||
1.8 |
It Could Happen to You Bill Evans; Eddie Gomez; Jack DeJohnette |
3:58 | ||
1.9 |
In a Sentimental Mood Bill Evans; Eddie Gomez; Jack DeJohnette |
4:18 | ||
1.10 |
These Foolish Things Bill Evans; Eddie Gomez; Jack DeJohnette |
4:14 | ||
1.11 |
Some Other Time Bill Evans; Eddie Gomez; Jack DeJohnette |
5:28 | ||
2.1 |
You're Gonna Hear From Me Bill Evans; Eddie Gomez; Jack DeJohnette |
3:32 | ||
2.2 |
Walkin' Up Bill Evans; Eddie Gomez; Jack DeJohnette |
4:10 | ||
2.3 |
Baubles, Bangles and Beads Bill Evans; Eddie Gomez; Jack DeJohnette |
4:51 | ||
2.4 |
It's All Right With Me Bill Evans; Eddie Gomez; Jack DeJohnette |
3:45 | ||
2.5 |
What Kind of Fool Am I? Bill Evans; Eddie Gomez; Jack DeJohnette |
2:51 | ||
2.6 |
How About You? Bill Evans; Eddie Gomez; Jack DeJohnette |
3:59 | ||
2.7 |
On Green Dolphin Street Bill Evans; Eddie Gomez; Jack DeJohnette |
4:33 | ||
2.8 |
Wonder Why Bill Evans; Eddie Gomez; Jack DeJohnette |
4:13 | ||
2.9 |
Lover Man (Oh, Where Can You Be?) Bill Evans; Eddie Gomez; Jack DeJohnette |
3:49 | ||
2.10 |
You're Gonna Hear From Me (Alternate Take) Bill Evans; Eddie Gomez; Jack DeJohnette |
3:24 | ||
Digital Booklet |
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Total Playing Time 1:33:16
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"The term 'lost session' has been overused, but it is certainly appropriate for the new release by iconic pianist Bill Evans ..."
- DownBeat
"Five Stars ... another brilliant achievement ... a terrific unreleased recording ... there is a bonafide excitement for a 48 year old Bill Evans recording finally getting released ... the acoustics are excellent ... you can hear the vibrant attention to detail on DeJohnette’s cymbals and Eddie Gomez’s full-bodied double bass. Evans’ Steinway is crystalline. When the chords swell, the tonal expansion is palpable. The quieter moments are delicate, with richness. The overall mix is excellent ... a valuable addition to any jazz collection!"
- Audiophile Audition
This double album includes 93 minutes of never before heard captivating studio recordings by pianist Bill Evans in solo, duo and trio settings and is only the second release (and the only studio album) to feature the short-lived Bill Evans Trio with drummer Jack DeJohnette and bassist Eddie Gomez. Recently unearthed, these tracks were taken from a session in June 1968, only five days after the trio's triumphant performance at the Montreux Jazz Festival. Recorded by Hans Georg Brunner-Schwer (HGBS) and Joachim-Ernst Brendt in Germany, these songs were originally intended for the legendary MPS label but for some reason were never released. It’s a remarkable document of an under-represented period in the career of one of the icons of jazz.
"There was big excitement about us going to the studio. This record represents a time and space where (Evans) was exploring new approaches to standard repertoire rhythmically and harmonically."
- Jack DeJohnette, drummer
- DownBeat
"Five Stars ... another brilliant achievement ... a terrific unreleased recording ... there is a bonafide excitement for a 48 year old Bill Evans recording finally getting released ... the acoustics are excellent ... you can hear the vibrant attention to detail on DeJohnette’s cymbals and Eddie Gomez’s full-bodied double bass. Evans’ Steinway is crystalline. When the chords swell, the tonal expansion is palpable. The quieter moments are delicate, with richness. The overall mix is excellent ... a valuable addition to any jazz collection!"
- Audiophile Audition
This double album includes 93 minutes of never before heard captivating studio recordings by pianist Bill Evans in solo, duo and trio settings and is only the second release (and the only studio album) to feature the short-lived Bill Evans Trio with drummer Jack DeJohnette and bassist Eddie Gomez. Recently unearthed, these tracks were taken from a session in June 1968, only five days after the trio's triumphant performance at the Montreux Jazz Festival. Recorded by Hans Georg Brunner-Schwer (HGBS) and Joachim-Ernst Brendt in Germany, these songs were originally intended for the legendary MPS label but for some reason were never released. It’s a remarkable document of an under-represented period in the career of one of the icons of jazz.
"There was big excitement about us going to the studio. This record represents a time and space where (Evans) was exploring new approaches to standard repertoire rhythmically and harmonically."
- Jack DeJohnette, drummer
192 kHz / 24-bit, 96 kHz / 24-bit PCM and 11.2896 MHz, 5.6448 MHz, 2.8224 MHz DSD – 2xHD Studio Masters
For the 2xHD transfer of this recording, the original 1/4”, NAB master tape was played on a Nagra-T modified with high-end tube playback electronics, wired with OCC silver cable from the playback head direct to a Telefunken EF806 tube. The Nagra T has one of the best transports ever made, having four direct drive motors, two pinch rollers and a tape tension head.
192 kHz/24-bit transfer was done using MSB Platinum Studio ADC plus.
DSD was done using Merging Horus/Hapi and dCS Vivaldi clock.
DSD2 was done using Ayre QA9pro .
2xHD Mastering by: René Laflamme
2xHD Executive Producer: André Perry
For the 2xHD transfer of this recording, the original 1/4”, NAB master tape was played on a Nagra-T modified with high-end tube playback electronics, wired with OCC silver cable from the playback head direct to a Telefunken EF806 tube. The Nagra T has one of the best transports ever made, having four direct drive motors, two pinch rollers and a tape tension head.
192 kHz/24-bit transfer was done using MSB Platinum Studio ADC plus.
DSD was done using Merging Horus/Hapi and dCS Vivaldi clock.
DSD2 was done using Ayre QA9pro .
2xHD Mastering by: René Laflamme
2xHD Executive Producer: André Perry