℗ ℗ 2020 A4A Records Inc.
 

Healing in Harmony: Remix Vol. 1

Afora

Available in MQA and 96 kHz / 24-bit AIFF, FLAC high resolution audio formats

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1.1
Soma (James Bunton Remix)
Afora
3:25
1.2
Nita Jipa Raha (Nino D. Celella Remix)
Afora
2:47
1.3
Sirudi Nyuma (LiiN Remix)
Afora
5:00
1.4
Kazi (Robbie Grunwald Remix)
Afora
4:07
1.5
Je dois rester forte (Dan Harden Remix)
Afora
4:19
1.6
Lanes of Bee Wax (Howard "Merlin" Wulkan Remix)
Afora
4:33
1.7
Peace Is Love (Stewart Turcan Remix)
Afora
2:43
1.8
Mon corps n’est pas une arme (Verny Scholtz Remix)
Afora
2:55
1.9
Mauwaji (Ronan Chris Murphy Remix)
Afora
4:00
1.10
Matokeo Ya Vita (Beijo International Remix)
Afora
4:24
1.11
Njo Tu Maisha (Kevin Doyle Remix)
Afora
1:52
1.12
Mwanga Mkononi (Nick Page Remix)
Afora
3:31
1.13
Il y a encore de l'espoir (Georges Mupemba Remix)
Afora
2:56
1.14
Nsiga Amavuta (Filho Da Terra Remix)
Afora
3:19
Total Playing Time    49:51
The new artist collective known as Afora releases its debut album Healing in Harmony: Remix Vol. 1. Mastered by Grammy winner Emily Lazar (The Lodge, NYC), the project brings together remixers from around the world, reimagining original songs by A4A’s roster of artists who have emerged from the Healing in Harmony program for trauma survivors.

Afora includes members of A4A’s community of mixing and mastering engineers who donate their time to A4A’s nonprofit partner Make Music Matter – an organization that helps survivors of sexual and political violence, refugees, and others living in extreme poverty and conflict to heal through its innovative Healing in Harmony music therapy model.

A4A Music co-founder producer David Bottrill (Smashing Pumpkins, Tool) describes the collaboration as the realization of years of developing the Healing in Harmony program and a celebration of the advocacy of the artists. He says, “Afora are helping to amplify the voices of our marginalized artists as they speak out for their rights in the face of adversity.”
96 kHz / 24-bit PCM – Make Music Matter Inc Studio Masters

Tracks 1-9, 11 – 44.1 kHz / 24-bit PCM, mastered in 96 kHz / 24-bit
Tracks 10, 12-14 – 48 kHz / 24-bit PCM, mastered in 96 kHz / 24-bit

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