℗ 2020 Stradivarius
| Released | November 20, 2020 |
| Duration | 1h 19m 16s |
| Record Label | Stradivarius |
| Catalogue No. | STR37166 |
| Genre | Classical (Baroque Era) |
Uccellini & Rossi: Sonatas, Toccatas & Correntes
Maria Christina Cleary, Alberto Rasi, Arparla, Rogério Gonçalves, Davide Monti
Available in 96 kHz / 24-bit AIFF, FLAC high resolution audio formats
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1.1
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Toccata No. 14 in C Major (Arr. for Harp & Continuo)
Michelangelo Rossi; Maria Christina Cleary; Alberto Rasi |
1:40 | |||
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Sonate, correnti et arie, Op. 4 (Excerpts)
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1.2
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Sonata No. 1, La Vittoria trionfante
Marco Uccellini; Arparla; Alberto Rasi; Rogério Gonçalves; Davide Monti; Maria Christina Cleary |
6:47 | |||
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1.3
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Sonata No. 2, La Luciminia contenta
Marco Uccellini; Arparla; Davide Monti; Maria Christina Cleary |
3:23 | |||
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1.4
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Sonata No. 3, La ebrea marinata
Marco Uccellini; Arparla; Alberto Rasi; Davide Monti; Maria Christina Cleary |
6:35 | |||
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1.5
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Sonata No. 4, La hortensia virtuosa
Marco Uccellini; Arparla; Davide Monti; Maria Christina Cleary |
3:12 | |||
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1.6
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Toccata No. 6 (Arr. for Harp)
Michelangelo Rossi; Maria Christina Cleary |
4:43 | |||
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1.7
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Corrente No. 9 (Arr. for Harp)
Michelangelo Rossi; Maria Christina Cleary |
2:55 | |||
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1.8
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Sonata No. 5, La Laura rilucente
Marco Uccellini; Arparla; Alberto Rasi; Rogério Gonçalves; Davide Monti; Maria Christina Cleary |
5:23 | |||
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1.9
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Sonata No. 6, La mia signora
Marco Uccellini; Arparla; Davide Monti; Maria Christina Cleary |
3:28 | |||
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1.10
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Sonata No. 7, La Prosperina
Marco Uccellini; Arparla; Alberto Rasi; Rogério Gonçalves; Davide Monti; Maria Christina Cleary |
4:34 | |||
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1.11
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Toccata No. 7 (Arr. for Harp)
Michelangelo Rossi; Maria Christina Cleary |
5:06 | |||
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1.12
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Corrente No. 2 (Arr. for Harp)
Michelangelo Rossi; Maria Christina Cleary |
1:25 | |||
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1.13
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Sonata No. 8
Marco Uccellini; Arparla; Alberto Rasi; Davide Monti; Maria Christina Cleary |
4:06 | |||
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1.14
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Sonata No. 9
Marco Uccellini; Arparla; Alberto Rasi; Davide Monti; Maria Christina Cleary |
3:52 | |||
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1.15
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Sonata No. 10
Marco Uccellini; Arparla; Alberto Rasi; Davide Monti; Maria Christina Cleary |
3:25 | |||
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1.16
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Sonata No. 11
Marco Uccellini; Arparla; Rogério Gonçalves; Davide Monti; Maria Christina Cleary |
3:34 | |||
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1.17
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Toccata No. 9 (Arr. for Harp)
Michelangelo Rossi; Maria Christina Cleary |
4:48 | |||
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1.18
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Sonata No. 12
Marco Uccellini; Arparla; Alberto Rasi; Davide Monti; Maria Christina Cleary |
3:24 | |||
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1.19
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Sonata No. 13
Marco Uccellini; Arparla; Rogério Gonçalves; Davide Monti; Maria Christina Cleary |
2:40 | |||
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1.20
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Sonata No. 14
Marco Uccellini; Arparla; Alberto Rasi; Davide Monti; Maria Christina Cleary |
4:16 | |||
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Digital Booklet
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A release that opens the precious casket of the works of two Italian seventeenth-century composers and violinists. It is a journey into the enveloping Baroque musical production through the compositions of Marco Uccellini (c.1610-1680), a prominent figure in the development of the sonata and technique for violin, and Michelangelo Rossi (1601 / 2-1656), a multifaceted composer, violinist and also organist. Born from the in-depth research of Davide Monti and Maria Christina Cleary at the State Archives, at the Museum and at the Estense Library in Modena, where Marco Uccellini was Chapel Master, the album presents an artistic dialogue between the two authors in a path that intertwines the in-depth themes and the respective compositional solutions.
Protagonists of this very fine musical tale, careful to capture the spirit of the time in depth in a complex landscape of cultural stories, we find Davide Monti violin, Maria Christina Cleary double harp, Alberto Rasi viola da gamba and violone, Rogério Gonçalves dulciana. The release invites you to discover the suggestions that gather in these rediscovered pages of the Italian Baroque, letting yourself be carried away by a free imaginative and emotional listening.
96 kHz / 24-bit PCM – Stradivarius Studio Masters
Tracks 1-20 – 96 kHz / 16-bit PCM
Tracks 1-20 – 96 kHz / 16-bit PCM
| Track title | Peak (dB FS) | RMS (dB FS) | LUFS (integrated) | DR | |
Album average Range of values | -0.94 -3.37 to -0.30 | -18.15 -23.34 to -15.23 | -15.20 -20.50 to -12.30 | 11 9 to 12 | |
| 1 | Toccata No. 14 in C Major (Arr. for Harp & Continuo) | -1.84 | -20.51 | -17.8 | 11 |
| 2 | Sonata No. 1, La Vittoria trionfante | -0.31 | -17.62 | -14.7 | 11 |
| 3 | Sonata No. 2, La Luciminia contenta | -0.31 | -17.89 | -14.6 | 11 |
| 4 | Sonata No. 3, La ebrea marinata | -0.30 | -15.23 | -12.3 | 9 |
| 5 | Sonata No. 4, La hortensia virtuosa | -0.72 | -17.62 | -14.4 | 11 |
| 6 | Toccata No. 6 (Arr. for Harp) | -1.52 | -21.78 | -18.9 | 12 |
| 7 | Corrente No. 9 (Arr. for Harp) | -2.56 | -21.75 | -19.2 | 12 |
| 8 | Sonata No. 5, La Laura rilucente | -0.30 | -16.25 | -13.2 | 11 |
| 9 | Sonata No. 6, La mia signora | -0.31 | -17.03 | -14.1 | 11 |
| 10 | Sonata No. 7, La Prosperina | -0.31 | -16.79 | -13.6 | 11 |
| 11 | Toccata No. 7 (Arr. for Harp) | -1.21 | -20.89 | -18.2 | 12 |
| 12 | Corrente No. 2 (Arr. for Harp) | -3.37 | -23.34 | -20.5 | 12 |
| 13 | Sonata No. 8 | -0.30 | -16.72 | -13.8 | 11 |
| 14 | Sonata No. 9 | -0.32 | -17.63 | -14.4 | 11 |
| 15 | Sonata No. 10 | -1.05 | -17.07 | -14.1 | 11 |
| 16 | Sonata No. 11 | -0.73 | -16.89 | -13.9 | 10 |
| 17 | Toccata No. 9 (Arr. for Harp) | -2.49 | -19.52 | -16.8 | 11 |
| 18 | Sonata No. 12 | -0.31 | -16.26 | -13.2 | 11 |
| 19 | Sonata No. 13 | -0.31 | -16.44 | -13.5 | 11 |
| 20 | Sonata No. 14 | -0.31 | -15.69 | -12.8 | 10 |