℗ 2020 Mirare
| Released | January 8, 2021 |
| Duration | 1h 07m 08s |
| Record Label | Mirare |
| Catalogue No. | MIR510D |
| Genre | Classical (Contemporary) |
Beethoven - Berg - Boulez
Florent Boffard
Available in 96 kHz / 24-bit AIFF, FLAC high resolution audio formats
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Piano Sonata No. 23, Op. 57
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1.1
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I. Allegro assai
Ludwig van Beethoven; Florent Boffard |
10:20 | |||
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1.2
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II. Andante con moto
Ludwig van Beethoven; Florent Boffard |
6:21 | |||
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1.3
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III. Allegro ma non troppo
Ludwig van Beethoven; Florent Boffard |
8:13 | |||
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1.4
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Piano Sonata, Op. 1
Alban Berg; Florent Boffard |
10:48 | |||
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Piano Sonata No. 3, Formant 3, Constellation-Miroir
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1.5
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Mélange Blocs - Points 3 - Blocs II - Points 2 - Blocs I - Points 1
Pierre Boulez; Florent Boffard |
13:17 | |||
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Piano Sonata No. 3, Formant 2, Trope
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1.6
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Texte
Pierre Boulez; Florent Boffard |
1:06 | |||
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1.7
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Parenthèse
Pierre Boulez; Florent Boffard |
2:30 | |||
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1.8
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Glose
Pierre Boulez; Florent Boffard |
1:29 | |||
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1.9
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Commentaire
Pierre Boulez; Florent Boffard |
3:13 | |||
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Piano Sonata No. 3, Formant 1, Antiphonie
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1.10
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ANTIPHONIE I (VERSET I, REPONS I)
Pierre Boulez; Florent Boffard |
1:36 | |||
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1.11
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TRAIT INITIAL/premier trait médian, incluant Sigle
Pierre Boulez; Florent Boffard |
7:21 | |||
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1.12
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ANTIPHONIE II (REPONS II, VERSET II, REPONS III)
Pierre Boulez; Florent Boffard |
0:54 | |||
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Digital Booklet
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In the context of the first recording of Pierre Boulez's Antiphonie, Florent Boffard has assembled three composers' varying approaches to the emblematic musical form of the 'sonata'. A robust structure in Beethoven, it becomes an open, multiple form in its confrontation with Boulezian modernity. The juxtaposition of these three universes emphasises the timeless power of the musical utterance when genius imposes its style.
96 kHz / 24-bit PCM – Mirare Studio Masters
| Track title | Peak (dB FS) | RMS (dB FS) | LUFS (integrated) | DR | |
Album average Range of values | -1.68 -5.68 to -0.09 | -24.81 -27.61 to -20.59 | -20.53 -23.80 to -17.00 | 14 12 to 17 | |
| 1 | I. Allegro assai | -0.10 | -21.85 | -17.9 | 13 |
| 2 | II. Andante con moto | -1.27 | -26.44 | -23.4 | 14 |
| 3 | III. Allegro ma non troppo | -0.09 | -20.59 | -17.4 | 14 |
| 4 | Piano Sonata, Op. 1 | -0.22 | -21.19 | -17.0 | 12 |
| 5 | Mélange Blocs - Points 3 - Blocs II - Points 2 - Blocs I - Points 1 | -0.20 | -26.60 | -21.2 | 17 |
| 6 | Texte | -3.22 | -26.89 | -22.3 | 13 |
| 7 | Parenthèse | -1.91 | -25.85 | -20.5 | 14 |
| 8 | Glose | -0.48 | -24.24 | -20.3 | 15 |
| 9 | Commentaire | -2.73 | -25.07 | -20.2 | 14 |
| 10 | ANTIPHONIE I (VERSET I, REPONS I) | -2.62 | -26.11 | -21.5 | 13 |
| 11 | TRAIT INITIAL/premier trait médian, incluant Sigle | -1.63 | -27.61 | -23.8 | 17 |
| 12 | ANTIPHONIE II (REPONS II, VERSET II, REPONS III) | -5.68 | -25.31 | -20.9 | 12 |