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Beethoven - Berg - Boulez

Florent Boffard

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Piano Sonata No. 23, Op. 57  
1.1
I. Allegro assai
Ludwig van Beethoven; Florent Boffard
10:20
1.2
II. Andante con moto
Ludwig van Beethoven; Florent Boffard
6:21
1.3
III. Allegro ma non troppo
Ludwig van Beethoven; Florent Boffard
8:13
1.4
Piano Sonata, Op. 1
Alban Berg; Florent Boffard
10:48
Piano Sonata No. 3, Formant 3, Constellation-Miroir  
1.5
Mélange Blocs - Points 3 - Blocs II - Points 2 - Blocs I - Points 1
Pierre Boulez; Florent Boffard
13:17
Piano Sonata No. 3, Formant 2, Trope  
1.6
Texte
Pierre Boulez; Florent Boffard
1:06
1.7
Parenthèse
Pierre Boulez; Florent Boffard
2:30
1.8
Glose
Pierre Boulez; Florent Boffard
1:29
1.9
Commentaire
Pierre Boulez; Florent Boffard
3:13
Piano Sonata No. 3, Formant 1, Antiphonie  
1.10
ANTIPHONIE I (VERSET I, REPONS I)
Pierre Boulez; Florent Boffard
1:36
1.11
TRAIT INITIAL/premier trait médian, incluant Sigle
Pierre Boulez; Florent Boffard
7:21
1.12
ANTIPHONIE II (REPONS II, VERSET II, REPONS III)
Pierre Boulez; Florent Boffard
0:54
Digital Booklet
Total Playing Time    67:08
In the context of the first recording of Pierre Boulez's Antiphonie, Florent Boffard has assembled three composers' varying approaches to the emblematic musical form of the 'sonata'. A robust structure in Beethoven, it becomes an open, multiple form in its confrontation with Boulezian modernity. The juxtaposition of these three universes emphasises the timeless power of the musical utterance when genius imposes its style.
96 kHz / 24-bit PCM – Mirare Studio Masters

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