℗ 2016 Glossa
 

Gaetano Veneziano: Passio

Raffaele Pe, Luca Cervoni, Marco Bussi, Ghislieri Choir, Cappella Neapolitana, Antonio Florio

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Passione secondo Giovanni (arr. by A. Florio)  
1
Passio Domini nostri Jesu Christi (Evangelista)
Antonio Florio; Gaetano Veneziano; Raffaele Pe; Cappella Neapolitana; Antonio Florio
4:29
2
Iesus itaque sciens omnia (Evangelista, Christus, Chorus)
Antonio Florio; Gaetano Veneziano; Raffaele Pe; Luca Cervoni; Ghislieri Choir; Cappella Neapolitana; Antonio Florio
3:54
3
Mitte gladium tuum in vaginam (Christus, Evangelista, Ancilla, Simon Petrus)
Antonio Florio; Gaetano Veneziano; Raffaele Pe; Luca Cervoni; Renato Dolcini; Valentina Argentieri; Cappella Neapolitana; Antonio Florio
2:52
4
Stabant autem servi et ministri (Evangelista, Christus, Servus I)
Antonio Florio; Gaetano Veneziano; Raffaele Pe; Luca Cervoni; Renato Dolcini; Cappella Neapolitana; Antonio Florio
2:16
5
Si male locutus sum (Christus, Evangelista, Chorus, Simon Petrus, Servus II)
Antonio Florio; Gaetano Veneziano; Raffaele Pe; Luca Cervoni; Renato Dolcini; Valentina Argentieri; Ghislieri Choir; Cappella Neapolitana; Antonio Florio
4:08
6
Quam accusationem affertis (Pilatus, Evangelista, Chorus, Christus)
Antonio Florio; Gaetano Veneziano; Raffaele Pe; Luca Cervoni; Marco Bussi; Ghislieri Choir; Cappella Neapolitana; Antonio Florio
9:09
7
Et dabant ei alapas (Evangelista, Pilatus, Chorus)
Antonio Florio; Gaetano Veneziano; Raffaele Pe; Marco Bussi; Ghislieri Choir; Cappella Neapolitana; Antonio Florio
5:48
8
Non haberes potestatem (Christus, Evangelista, Chorus, Pilatus)
Antonio Florio; Gaetano Veneziano; Raffaele Pe; Luca Cervoni; Marco Bussi; Ghislieri Choir; Cappella Neapolitana; Antonio Florio
8:07
9
Scriptura impleretur, dicens (Evangelista, Christus)
Antonio Florio; Gaetano Veneziano; Raffaele Pe; Luca Cervoni; Cappella Neapolitana; Antonio Florio
15:14
Total Playing Time    55:57
Italian musicologist Antonio Florio discovered and prepared a performing edition of the 1685 St. John Passion setting by Neapolitan composer Gaetano Veneziano for this recording, featuring countertenor Raffaele Pe in the technically demanding role of the Evangelist. Until recently, Italian Passiontide settings from the Baroque era were thought to amount to just the one, by Alessandro Scarlatti. The score presented here by Veneziano, a contemporary of Scarlatti and a maestro in the royal chapel, was unearthed in archives in Naples and displays a surprising blending of modernity and an older style in its instrumental accompaniment. Moreover, it provides an extrovert and atmospheric response to the Gospel text for the roles of Christ (tenor Luca Cervoni) and Pilate (bass Marco Bussi) as well as for the interventions of the crowd (sung here by the Ghislieri Choir).
96 kHz / 24-bit PCM – Glossa Studio Masters

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