℗ 2021 Paraty
Released | January 22, 2021 |
Duration | 58m 49s |
Record Label | Paraty |
Catalogue No. | PTY720195D |
Genre | Classical (Jazz) |
1.1
|
Prelude 999 (After Johann Sebastian Bach)
Lucie de Saint Vincent; Collectif Trytone |
7:19 | |||
1.2
|
Leite mich (After Johann Sebastian Bach)
Lucie de Saint Vincent; Collectif Trytone |
4:30 | |||
1.3
|
Qui tollis (After Johann Sebastian Bach)
Lucie de Saint Vincent; Collectif Trytone |
6:48 | |||
1.4
|
Whispers (After Johann Sebastian Bach)
Pascal Mabit; Collectif Trytone |
8:27 | |||
1.5
|
Passion (After Johann Sebastian Bach)
Lucie de Saint Vincent; Collectif Trytone |
6:00 | |||
1.6
|
Prelude solo (After Johann Sebastian Bach)
Lucie de Saint Vincent; Collectif Trytone |
4:46 | |||
1.7
|
Soulful rest (After Johann Sebastian Bach)
Lucie de Saint Vincent; Collectif Trytone |
9:39 | |||
1.8
|
Bliss (After Johann Sebastian Bach)
Lucie de Saint Vincent; Collectif Trytone |
7:29 | |||
1.9
|
Epilogue (After Johann Sebastian Bach)
Lucie de Saint Vincent; Collectif Trytone |
3:51 | |||
Digital Booklet
|
There is often a sharp line perceived between the practice of improvisation and the practice of Western Art Music. One is seen as spontaneous, risk-taking and live, and the other is seen as the art of perfection, of reproduction and interpretation. Collectif Trytone believe, like Nadia Boulanger, that no sharp distinction should be made. Even though the compositional fabric of Bach’s music is arguably the pinnacle of human creativity, why should it be viewed as untouchable, sacred, like a museum artefact? Even the early music revolution in the 1970s, with its emphasis on research, sources and performance on period instruments, promised no definitive answers about Bach’s sound world.
Collectif Trytone Founded in 2016 by pianist Lucie de Saint Vincent, the Collectif Trytone came together around the idea of a musical synthesis, seeking to open the borders between musics, musicians, and the public. The Collectif explores a universe of possibilities, aiming to break down both stylistic and musical barriers. Meeting at the intersection of Baroque, Classical music and jazz, mixing different kinds of improvisations, this unconventional quintet creates a symbiosis between these genres and practices, bringing the music of the past into a contemporary context. Back to Bach, the Collectif’s first album, draws on the music of J.S. Bach as a wellspring of inspiration.
44.1 kHz / 24-bit PCM – Paraty Studio Masters
Track title | Peak (dB FS) | RMS (dB FS) | LUFS (integrated) | DR | |
Album average Range of values | -0.51 -2.31 to -0.10 | -16.88 -21.89 to -14.50 | -13.93 -18.20 to -11.80 | 10 9 to 11 | |
1 | Prelude 999 (After Johann Sebastian Bach) | -0.21 | -15.31 | -12.7 | 9 |
2 | Leite mich (After Johann Sebastian Bach) | -0.10 | -16.95 | -14.1 | 11 |
3 | Qui tollis (After Johann Sebastian Bach) | -0.21 | -16.30 | -13.4 | 10 |
4 | Whispers (After Johann Sebastian Bach) | -0.10 | -18.57 | -15.3 | 11 |
5 | Passion (After Johann Sebastian Bach) | -0.22 | -15.45 | -12.7 | 10 |
6 | Prelude solo (After Johann Sebastian Bach) | -2.31 | -21.89 | -18.2 | 11 |
7 | Soulful rest (After Johann Sebastian Bach) | -0.10 | -14.50 | -11.8 | 9 |
8 | Bliss (After Johann Sebastian Bach) | -0.10 | -15.31 | -12.6 | 9 |
9 | Epilogue (After Johann Sebastian Bach) | -1.21 | -17.63 | -14.6 | 10 |