℗ 2016 Concord Music Group, Inc.
 

Interplay For 2 Trumpets And 2 Tenors

Idrees Sulieman, Webster Young, John Coltrane, Bobby Jaspar, Mal Waldron, Kenny Burrell, Paul Chambers, Art Taylor

Available in 192 kHz / 24-bit, 96 kHz / 24-bit AIFF, FLAC high resolution audio formats

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1
Interplay
Idrees Sulieman; Webster Young; John Coltrane; Bobby Jaspar; Mal Waldron; Kenny Burrell; Paul Chambers; Art Taylor
9:41
2
Anatomy
Idrees Sulieman; Webster Young; John Coltrane; Bobby Jaspar; Mal Waldron; Kenny Burrell; Paul Chambers; Art Taylor
11:55
3
Light Blue
Idrees Sulieman; Webster Young; John Coltrane; Bobby Jaspar; Mal Waldron; Kenny Burrell; Paul Chambers; Art Taylor
7:53
4
Soul Eyes
Idrees Sulieman; Webster Young; John Coltrane; Bobby Jaspar; Mal Waldron; Kenny Burrell; Paul Chambers; Art Taylor
17:33
5
C.T.A.
Idrees Sulieman; Webster Young; John Coltrane; Kenny Burrell; Paul Chambers; Art Taylor
4:42
Digital Booklet
Total Playing Time    51:44
"... chronicles the first great segment of (Coltrane's) career ... his playing is superlative throughout ... Coltrane's companions are fine players, but the crystalline brilliance and sharpness of Coltrane's tone and his relentless flow of melodic ideas make it hard to believe that he's playing the same instrument they're playing ... a tremendous introduction not only to Coltrane, but to jazz of the 50s and, in terms of influence, far beyond."
- All About Jazz

Recorded and released in 1957 by an all-star "house band" at Prestige Records, this album features rising star John Coltrane, Mal Waldron, Kenny Burrell, Paul Chambers and Art Taylor. The titular trumpets are played by Idrees Sulieman and Webster Young, while the other tenor sax player beside Coltrane is Bobby Jaspar. Pianist Waldron wrote the four tracks contained on the original release, notably his most famous tune Soul Eyes; this edition also includes the bonus song C.T.A. by Jimmy Heath.
192 kHz / 24-bit, 96 kHz / 24-bit PCM – Prestige Studio Masters

This album is a high-resolution digital transfer of material originating from an analogue recording. It may be limited in bandwidth and dynamic range by the technology available at the time of its original creation, and is offered as a documentation of a historical release.

Recording by Rudy Van Gelder
Supervision by Bob Weinstock
Notes by Ira Gitler

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