℗ 2016 BIS Records
 

Kaikhosru Sorabji: 100 Transcendental Studies, Nos. 72-83

Fredrik Ullén

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100 Transcendental Studies  
1.1
No. 72. Canonica. Marcato
Kaikhosru Sorabji; Fredrik Ullén
2:11
1.2
No. 73. Quasi Preludio-corale. Sonorità piena, morbida e dolcissima
Kaikhosru Sorabji; Fredrik Ullén
17:57
1.3
No. 74. Ostinato. Secco
Kaikhosru Sorabji; Fredrik Ullén
4:22
1.4
No. 75. Passacaglia. Largo
Kaikhosru Sorabji; Fredrik Ullén
28:50
1.5
No. 76. Imitations. Presto assai
Kaikhosru Sorabji; Fredrik Ullén
1:10
1.6
No. 77. Mouvement semblable et perpétuel. Scorrevole
Kaikhosru Sorabji; Fredrik Ullén
1:34
1.7
No. 78. (untitled). Leggiero e veloce
Kaikhosru Sorabji; Fredrik Ullén
1:44
1.8
No. 79. The inlaid line. Legatissimo il tema melodico
Kaikhosru Sorabji; Fredrik Ullén
2:08
1.9
No. 80. La linea melodica. Mormorando sordamente
Kaikhosru Sorabji; Fredrik Ullén
5:46
1.10
No. 81. The Suspensions. Lento quasi adagio e gravemente solenne
Kaikhosru Sorabji; Fredrik Ullén
5:35
1.11
No. 82. (untitled). Sordamente e oscuramente minaccioso
Kaikhosru Sorabji; Fredrik Ullén
2:28
1.12
No. 83. Arpeggiated fourths
Kaikhosru Sorabji; Fredrik Ullén
4:12
Digital Booklet
Total Playing Time    77:57
A true pioneer of this repertoire, Swedish pianist Fredrik Ullén continues his highly praised survey of Kaikhosru Sorabji's Transcendental Studies with this fifth installment in the series, featuring 12 of the 100 studies. Especially intriguing is No. 75 Passacaglia, one of the longest of these works at almost 29 minutes. Despite the fact that Sorabji wrote the Transcendental Studies in the early 1940s, most of the individual pieces were not performed for more than 50 years after their composition.
96 kHz / 24-bit PCM – BIS Studio Masters

Original format: 24-bit / 96 kHz Recording: July 2014 (Nos 72–74) and March/April 2015 (Nos 75–83) at the Aula Medica (Karolinska Institutet), Stockholm, Sweden Grand piano: Steinway D Producer and sound engineer: Thore Brinkmann (Take5 Music Production) Piano technician: Mario Holmström Equipment: BIS’s recording teams use microphones from Neumann and Schoeps, audio electronics from RME, Lake People and DirectOut, MADI optical cabling technology, monitoring equipment from B&W, STAX and Sennheiser, and Sequoia and Pyramix digital audio workstations. Editing: Thore Brinkmann Executive producer: Robert Suff Cover texts: © Fredrik Ullén 2015 and © Kenneth Derus 2009 Translations: Horst A. Scholz (German); Arlette Lemieux-Chené (French) Front cover image: © Juan Hitters Back cover photo: © Sara Appelgren Typesetting, layout: Andrew Barnett (Compact Design)

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