Verklärte Nacht
Stuart Skelton, The BBC Symphony Orchestra, Edward Gardner, Christine Rice
Available in 96 kHz / 24-bit AIFF, FLAC high resolution audio formats
Aus Eiserner Zeit
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1.1
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No. 5, Fieber (Version for Voice & Orchestra)
Franz Lehár; Stuart Skelton; The BBC Symphony Orchestra; Edward Gardner |
12:36 | |||
1.2
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Verklärte Nacht, Op. 9
Oskar Fried; Christine Rice; Stuart Skelton; The BBC Symphony Orchestra; Edward Gardner |
8:31 | |||
Verklärte Nacht, Op. 4 (Version for String Orchestra)
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1.3
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Grave - Poco più mosso
Arnold Schoenberg; The BBC Symphony Orchestra; Edward Gardner |
2:43 | |||
1.4
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Moderato - Calando
Arnold Schoenberg; The BBC Symphony Orchestra; Edward Gardner |
1:01 | |||
1.5
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A tempo - Poco più mosso
Arnold Schoenberg; The BBC Symphony Orchestra; Edward Gardner |
5:01 | |||
1.6
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Poco allegro - Pesante - Grave
Arnold Schoenberg; The BBC Symphony Orchestra; Edward Gardner |
4:06 | |||
1.7
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Pesante - Grave
Arnold Schoenberg; The BBC Symphony Orchestra; Edward Gardner |
1:56 | |||
1.8
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Adagio - Meno mosso - Più mosso moderato
Arnold Schoenberg; The BBC Symphony Orchestra; Edward Gardner |
6:03 | |||
1.9
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Poco adagio - Calando
Arnold Schoenberg; The BBC Symphony Orchestra; Edward Gardner |
3:37 | |||
1.10
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Adagio molto tranquillo - Largo - Calando
Arnold Schoenberg; The BBC Symphony Orchestra; Edward Gardner |
4:23 | |||
Abschiedslieder, Op. 14 (Version for Voice & Orchestra)
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1.11
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No. 1, Sterbelied
Erich Wolfgang Korngold; Stuart Skelton; The BBC Symphony Orchestra; Edward Gardner |
3:37 | |||
1.12
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No. 2, Dies eine kann mein Sehnen nimmer fassen
Erich Wolfgang Korngold; Stuart Skelton; The BBC Symphony Orchestra; Edward Gardner |
2:17 | |||
1.13
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No. 3, Mond, so gehst du wieder auf
Erich Wolfgang Korngold; Stuart Skelton; The BBC Symphony Orchestra; Edward Gardner |
4:07 | |||
1.14
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No. 4, Gefaßter Abschied
Erich Wolfgang Korngold; Stuart Skelton; The BBC Symphony Orchestra; Edward Gardner |
3:32 | |||
Digital Booklet
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Total Playing Time 63:30
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Hot on the heels of their acclaimed recording of Britten’s Peter Grimes, Stuart Skelton and Edward Gardner join forces with Christine Rice and the BBC Symphony Orchestra for this fascinating programme of early twentieth-century works. Schoenberg’s "Verklärte Nacht" needs no introduction, but far rarer is Oscar Fried’s contemporaneous setting of the same poem.
Composed in 1901 for soloists and orchestra, Fried’s version is a true setting of (as opposed to Schoenberg’s reflection on) the text by Richard Dehmel. Lehár wrote Fieber in 1915 as the closing part of his song cycle Aus eiserner Zeit – he then made the orchestral setting a year later. Korngold’s Lieder des Abschieds (Songs of Farewell) date from the early 1920s, whilst he was still in Vienna, and shortly after he had completed the opera Die tote Stadt. Setting poetry by Christina Rossetti, Edith Ronsperger, and Ernst Lothar, the cycle is a poignant reflection on the Great War.
Composed in 1901 for soloists and orchestra, Fried’s version is a true setting of (as opposed to Schoenberg’s reflection on) the text by Richard Dehmel. Lehár wrote Fieber in 1915 as the closing part of his song cycle Aus eiserner Zeit – he then made the orchestral setting a year later. Korngold’s Lieder des Abschieds (Songs of Farewell) date from the early 1920s, whilst he was still in Vienna, and shortly after he had completed the opera Die tote Stadt. Setting poetry by Christina Rossetti, Edith Ronsperger, and Ernst Lothar, the cycle is a poignant reflection on the Great War.
96 kHz / 24-bit PCM – Chandos Studio Masters