Love You Madly: Live at Bubba’s
Monty Alexander, Paul Berner, Duffy Jackson, Robert Thomas Jr.
Available in 352.8 kHz / 24-bit, 192 kHz / 24-bit, 96 kHz / 24-bit AIFF, FLAC and 11.2896 MHz, 5.6448 MHz, 2.8224 MHz DSD high resolution audio formats
1.1
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Arthur's Theme
Monty Alexander; Paul Berner; Duffy Jackson; Robert Thomas Jr. |
7:43 | ||
1.2
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Love you Madly
Monty Alexander; Paul Berner; Duffy Jackson; Robert Thomas Jr. |
8:06 | ||
1.3
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Samba de Orfeu
Monty Alexander; Paul Berner; Duffy Jackson; Robert Thomas Jr. |
6:18 | ||
1.4
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Sweet Lady
Monty Alexander; Paul Berner; Duffy Jackson; Robert Thomas Jr. |
5:47 | ||
1.5
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Eleuthra
Monty Alexander; Paul Berner; Duffy Jackson; Robert Thomas Jr. |
9:25 | ||
1.6
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Reggae Later
Monty Alexander; Paul Berner; Duffy Jackson; Robert Thomas Jr. |
7:43 | ||
1.7
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Blues for Edith
Monty Alexander; Paul Berner; Duffy Jackson; Robert Thomas Jr. |
6:38 | ||
1.8
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Fungii Mama
Monty Alexander; Paul Berner; Duffy Jackson; Robert Thomas Jr. |
10:30 | ||
1.9
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Consider
Monty Alexander; Paul Berner; Duffy Jackson; Robert Thomas Jr. |
6:00 | ||
1.10
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Montevideo
Monty Alexander; Paul Berner; Duffy Jackson; Robert Thomas Jr. |
6:57 | ||
1.11
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Body and Soul
Monty Alexander; Paul Berner; Duffy Jackson; Robert Thomas Jr. |
7:18 | ||
1.12
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Swampfire
Monty Alexander; Paul Berner; Duffy Jackson; Robert Thomas Jr. |
3:54 | ||
1.13
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Skj
Monty Alexander; Paul Berner; Duffy Jackson; Robert Thomas Jr. |
5:28 | ||
Digital Booklet
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Total Playing Time 1:31:47
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Drawn from Alexander’s personal collection, the vigorous, imaginative performances on Love You Madly were recorded at the titular Fort Lauderdale, FL, nightclub on Aug. 6, 1982. The recording engineer was the late Mack Emerman, legendary founder of Miami’s Criteria Recording Studios, the state-of-the-art facility where the Bee Gees, Eric Clapton, the Allman Brothers Band, and Aretha Franklin, among many others, had cut some of their biggest pop hits.
The Kingston, Jamaica-born keyboardist had lived in Miami since his family moved there in 1961, and had known Emerman, a jazz buff who had played trumpet in his alma mater Duke University’s big band, for many years.
Alexander recalls in a new interview with Resonance co-president and “Jazz Detective” Zev Feldman, “Mack just had this idea, ‘Hey, can I come and record you? I’ll bring the truck.’ He already had a remote truck [unit]. So he brought the truck and he put the mic on the bass and the drums, and the whole thing, and, son of a gun, this tape, which he gave to me, was all a gift.”