℗ 2020 Naxos
| Released | December 4, 2020 |
| Duration | 1h 04m 38s |
| Record Label | Naxos |
| Catalogue No. | 8.573994 |
| Genre | Classical (Orchestral) |
Ross Harris: Symphony No. 6 "Last Letter" & Face (Live)
Fiona Campbell, Auckland Philharmonia Orchestra, Giordano Bellincampi, Voices New Zealand Chamber Choir, Antony Hermus, Allison Bell, Henry Choo, Joel Amosa
Available in 96 kHz / 24-bit AIFF, FLAC high resolution audio formats
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Symphony No. 6 "Last Letter"
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1.1
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No. 1, Last Letter Home
Ross Harris; Fiona Campbell; Auckland Philharmonia Orchestra; Giordano Bellincampi |
5:52 | |||
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1.2
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Interlude I
Ross Harris; Auckland Philharmonia Orchestra; Giordano Bellincampi |
4:35 | |||
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1.3
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No. 2, Mother I Asked You
Ross Harris; Fiona Campbell; Auckland Philharmonia Orchestra; Giordano Bellincampi |
2:32 | |||
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1.4
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Interlude II
Ross Harris; Fiona Campbell; Auckland Philharmonia Orchestra; Giordano Bellincampi |
3:36 | |||
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1.5
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No. 3, This Word I Carry with You
Ross Harris; Fiona Campbell; Auckland Philharmonia Orchestra; Giordano Bellincampi |
5:04 | |||
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1.6
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Interlude III
Ross Harris; Auckland Philharmonia Orchestra; Giordano Bellincampi |
2:16 | |||
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1.7
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No. 4, Listen as I Tell You
Ross Harris; Fiona Campbell; Auckland Philharmonia Orchestra; Giordano Bellincampi |
3:32 | |||
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Face
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1.8
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No. 1, Blessed Be the Features I (Live)
Ross Harris; Voices New Zealand Chamber Choir; Auckland Philharmonia Orchestra; Antony Hermus |
3:30 | |||
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1.9
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No. 2, It Is the Same Line of Trees (Live)
Ross Harris; Voices New Zealand Chamber Choir; Auckland Philharmonia Orchestra; Antony Hermus |
3:24 | |||
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1.10
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No. 3a, The Words One Hears in Silence - No. 3b, And How Do I Look My Best? (Live)
Ross Harris; Allison Bell; Henry Choo; Auckland Philharmonia Orchestra; Antony Hermus |
4:38 | |||
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1.11
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No. 4, Blessed Be the Features II (Live)
Ross Harris; Voices New Zealand Chamber Choir; Auckland Philharmonia Orchestra; Antony Hermus |
2:10 | |||
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1.12
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No. 5, They'll Want to Talk About Home (Live)
Ross Harris; Joel Amosa; Voices New Zealand Chamber Choir; Auckland Philharmonia Orchestra; Antony Hermus |
1:34 | |||
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1.13
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No. 6, The Jawline (Live)
Ross Harris; Voices New Zealand Chamber Choir; Auckland Philharmonia Orchestra; Antony Hermus |
3:13 | |||
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1.14
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No. 7, How Do I Look My Best? (Live)
Ross Harris; Henry Choo; Auckland Philharmonia Orchestra; Antony Hermus |
2:22 | |||
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1.15
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No. 8, It's the Constant Thing (Live)
Ross Harris; Henry Choo; Voices New Zealand Chamber Choir; Auckland Philharmonia Orchestra; Antony Hermus |
3:41 | |||
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1.16
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No. 9, Blessed Be the Features III (Live)
Ross Harris; Voices New Zealand Chamber Choir; Auckland Philharmonia Orchestra; Antony Hermus |
1:30 | |||
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1.17
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No. 10, I Remember Your Hands (Live)
Ross Harris; Allison Bell; Auckland Philharmonia Orchestra; Antony Hermus |
4:44 | |||
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1.18
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No. 11, This Morning Is All That Matters (Live)
Ross Harris; Henry Choo; Auckland Philharmonia Orchestra; Antony Hermus |
2:26 | |||
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1.19
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No. 12, That Last Enchanting Summer (Live)
Ross Harris; Allison Bell; Henry Choo; Joel Amosa; Voices New Zealand Chamber Choir; Auckland Philharmonia Orchestra; Antony Hermus |
3:59 | |||
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Digital Booklet
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In Symphony No. 6 ‘Last Letter’, Ross Harris explores settings of four poems by Vincent O’Sullivan, interlinking them with three musical interludes. The darkness of the subject matter draws from the composer music of powerful and at times despairing intensity. Face was written as the First World War centenary approached its conclusion and confronts the trauma of facial injuries suffered by soldiers in the conflict. Choruses and solos are punctuated by orchestral commentary, the music freely mixing tonal and atonal elements to heighten the expressive gravity of the personal tragedies depicted.
96 kHz / 24-bit PCM – Naxos Studio Masters
| Track title | Peak (dB FS) | RMS (dB FS) | LUFS (integrated) | DR | |
Album average Range of values | -6.52 -15.97 to -0.51 | -29.87 -34.17 to -23.76 | -25.44 -30.70 to -18.00 | 13 11 to 20 | |
| 1 | No. 1, Last Letter Home | -10.60 | -32.32 | -28.6 | 12 |
| 2 | Interlude I | -1.76 | -32.19 | -29.4 | 20 |
| 3 | No. 2, Mother I Asked You | -9.26 | -30.42 | -26.7 | 12 |
| 4 | Interlude II | -4.09 | -33.93 | -29.2 | 12 |
| 5 | No. 3, This Word I Carry with You | -10.15 | -31.95 | -28.3 | 12 |
| 6 | Interlude III | -0.55 | -24.53 | -20.1 | 13 |
| 7 | No. 4, Listen as I Tell You | -10.98 | -33.76 | -29.5 | 12 |
| 8 | No. 1, Blessed Be the Features I (Live) | -1.71 | -26.00 | -18.2 | 14 |
| 9 | No. 2, It Is the Same Line of Trees (Live) | -8.01 | -30.23 | -26.5 | 14 |
| 10 | No. 3a, The Words One Hears in Silence - No. 3b, And How Do I Look My Best? (Live) | -9.37 | -31.89 | -27.8 | 14 |
| 11 | No. 4, Blessed Be the Features II (Live) | -2.63 | -25.26 | -18.5 | 12 |
| 12 | No. 5, They'll Want to Talk About Home (Live) | -3.33 | -26.85 | -22.2 | 12 |
| 13 | No. 6, The Jawline (Live) | -0.51 | -23.76 | -18.0 | 14 |
| 14 | No. 7, How Do I Look My Best? (Live) | -9.07 | -32.08 | -27.9 | 14 |
| 15 | No. 8, It's the Constant Thing (Live) | -2.01 | -23.93 | -19.3 | 13 |
| 16 | No. 9, Blessed Be the Features III (Live) | -15.97 | -33.27 | -30.7 | 11 |
| 17 | No. 10, I Remember Your Hands (Live) | -5.26 | -28.10 | -23.7 | 14 |
| 18 | No. 11, This Morning Is All That Matters (Live) | -7.49 | -32.92 | -28.2 | 15 |
| 19 | No. 12, That Last Enchanting Summer (Live) | -11.16 | -34.17 | -30.5 | 14 |