℗ 2020 Naxos
Released | December 4, 2020 |
Duration | 1h 08m 30s |
Record Label | Naxos |
Catalogue No. | 8.574102 |
Genre | Classical (Orchestral) |
Mosolov: Symphony No. 5 & Harp Concerto
Moscow Symphony Orchestra, Arthur Arnold, Taylor Ann Fleshman
Available in 96 kHz / 24-bit AIFF, FLAC high resolution audio formats
Symphony No. 5
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1.1
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I. Largo
Alexander Mosolov; Moscow Symphony Orchestra; Arthur Arnold |
11:56 | |||
1.2
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II. Adagio
Alexander Mosolov; Moscow Symphony Orchestra; Arthur Arnold |
9:07 | |||
1.3
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III. Andante recitativo
Alexander Mosolov; Moscow Symphony Orchestra; Arthur Arnold |
10:18 | |||
Harp Concerto
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1.4
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I. Sostenuto
Alexander Mosolov; Taylor Ann Fleshman; Moscow Symphony Orchestra; Arthur Arnold |
16:02 | |||
1.5
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II. Nocturne
Alexander Mosolov; Taylor Ann Fleshman; Moscow Symphony Orchestra; Arthur Arnold |
10:32 | |||
1.6
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III. Gavotte
Alexander Mosolov; Taylor Ann Fleshman; Moscow Symphony Orchestra; Arthur Arnold |
3:32 | |||
1.7
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IV. Toccata
Alexander Mosolov; Taylor Ann Fleshman; Moscow Symphony Orchestra; Arthur Arnold |
7:03 | |||
Digital Booklet
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Alexander Mosolov was one of the foremost composers of the Russian avant-garde during the 1920s. His music was considered ‘a testament to the revolutionary spirit of his time’, but the legacy of his fame from that period now rests solely on The Iron Foundry. Soviet-era politics brought persecution and imprisonment, and these two recently rediscovered works were both composed after his ‘rehabilitation’. The Harp Concerto—a piece worthy of a place in the mainstream repertoire—is Mosolov’s ‘response’ to the concerto by his teacher Glière, and is heard here in its first complete performance. Coupled with the first recording of his final colourful Fifth Symphony, these are fascinating additions to the corpus of neglected Soviet-era works.
96 kHz / 24-bit PCM – Naxos Studio Masters
Track title | Peak (dB FS) | RMS (dB FS) | LUFS (integrated) | DR | |
Album average Range of values | -0.93 -3.50 to -0.45 | -22.06 -28.22 to -18.70 | -18.29 -25.00 to -14.60 | 13 10 to 15 | |
1 | I. Largo | -0.51 | -18.70 | -14.6 | 10 |
2 | II. Adagio | -0.52 | -22.00 | -16.8 | 13 |
3 | III. Andante recitativo | -0.52 | -20.06 | -15.5 | 11 |
4 | I. Sostenuto | -0.52 | -21.43 | -18.3 | 13 |
5 | II. Nocturne | -0.47 | -21.72 | -18.0 | 13 |
6 | III. Gavotte | -3.50 | -28.22 | -25.0 | 15 |
7 | IV. Toccata | -0.45 | -22.31 | -19.8 | 15 |