℗ 2020 Naxos
Released | December 4, 2020 |
Duration | 51m 01s |
Record Label | Naxos |
Catalogue No. | 8.574145 |
Genre | Classical (Piano) |
Schubert: Piano Works
Daniel Lebhardt
Available in 96 kHz / 24-bit AIFF, FLAC high resolution audio formats
8 Ländler in B-Flat Major, D. 378
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1.1
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No. 1, —
Franz Schubert; Daniel Lebhardt |
0:34 | |||
1.2
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No. 2, —
Franz Schubert; Daniel Lebhardt |
0:30 | |||
1.3
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No. 3, —
Franz Schubert; Daniel Lebhardt |
0:31 | |||
1.4
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No. 4, —
Franz Schubert; Daniel Lebhardt |
0:30 | |||
1.5
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No. 5, —
Franz Schubert; Daniel Lebhardt |
0:29 | |||
1.6
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No. 6, —
Franz Schubert; Daniel Lebhardt |
0:31 | |||
1.7
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No. 7, —
Franz Schubert; Daniel Lebhardt |
0:31 | |||
1.8
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No. 8, —
Franz Schubert; Daniel Lebhardt |
0:35 | |||
6 Ecossaises in A-Flat Major, D. 697 (Excerpts)
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1.9
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No. 1, —
Franz Schubert; Daniel Lebhardt |
0:21 | |||
1.10
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No. 2, —
Franz Schubert; Daniel Lebhardt |
0:20 | |||
1.11
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No. 3, —
Franz Schubert; Daniel Lebhardt |
0:19 | |||
1.12
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No. 4, —
Franz Schubert; Daniel Lebhardt |
0:22 | |||
1.13
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No. 5, —
Franz Schubert; Daniel Lebhardt |
0:23 | |||
30 Minuets with Trios, D. 41 (Excerpts)
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1.14
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No. 1, —
Franz Schubert; Daniel Lebhardt |
2:22 | |||
1.15
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No. 2, —
Franz Schubert; Daniel Lebhardt |
2:12 | |||
1.16
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No. 3, —
Franz Schubert; Daniel Lebhardt |
2:04 | |||
1.17
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No. 4, —
Franz Schubert; Daniel Lebhardt |
2:29 | |||
1.18
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No. 5, —
Franz Schubert; Daniel Lebhardt |
2:04 | |||
1.19
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No. 6, —
Franz Schubert; Daniel Lebhardt |
2:09 | |||
1.20
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No. 7, —
Franz Schubert; Daniel Lebhardt |
2:40 | |||
1.21
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No. 8, —
Franz Schubert; Daniel Lebhardt |
2:05 | |||
1.22
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No. 11, —
Franz Schubert; Daniel Lebhardt |
2:32 | |||
1.23
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No. 12, —
Franz Schubert; Daniel Lebhardt |
2:37 | |||
1.24
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No. 13, —
Franz Schubert; Daniel Lebhardt |
2:21 | |||
1.25
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No. 14, —
Franz Schubert; Daniel Lebhardt |
2:15 | |||
1.26
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No. 15, —
Franz Schubert; Daniel Lebhardt |
2:04 | |||
1.27
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No. 16, —
Franz Schubert; Daniel Lebhardt |
1:58 | |||
1.28
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No. 17, —
Franz Schubert; Daniel Lebhardt |
2:07 | |||
1.29
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No. 18, —
Franz Schubert; Daniel Lebhardt |
2:04 | |||
1.30
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No. 20, —
Franz Schubert; Daniel Lebhardt |
2:04 | |||
1.31
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No. 21, —
Franz Schubert; Daniel Lebhardt |
2:02 | |||
1.32
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No. 22, —
Franz Schubert; Daniel Lebhardt |
2:05 | |||
1.33
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No. 23, —
Franz Schubert; Daniel Lebhardt |
1:59 | |||
16 German Dances & 2 Ecossaises, Op. 33, D. 783 (Excerpts)
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1.34
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Dance No. 1, —
Franz Schubert; Daniel Lebhardt |
0:24 | |||
1.35
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Ecossaise No. 2, —
Franz Schubert; Daniel Lebhardt |
0:28 | |||
Digital Booklet
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Dances were an important element in Schubert’s compositions. He favored the Ländler, triple time country dances – perfect material for Viennese middle-class tastes –and the Écossaise, supposedly Scottish, cast in duple time and performed with women and men facing each other. The 30 Minuets with Trios, of which ten are lost, sport especially captivating and varied Trios, while the two Écossaises from the German Dances, D.783 are vivacious examples of Schubert’s genial mastery of the genre.
96 kHz / 24-bit PCM – Naxos Studio Masters
Track title | Peak (dB FS) | RMS (dB FS) | LUFS (integrated) | DR | |
Album average Range of values | -4.24 -11.19 to -1.41 | -24.74 -31.52 to -19.80 | -21.29 -28.70 to -16.80 | 13 9 to 15 | |
1 | No. 1, — | -9.77 | -27.46 | -24.0 | 10 |
2 | No. 2, — | -10.04 | -27.23 | -23.9 | 11 |
3 | No. 3, — | -10.05 | -26.40 | -23.5 | 11 |
4 | No. 4, — | -5.22 | -24.32 | -20.9 | 11 |
5 | No. 5, — | -9.12 | -26.86 | -23.8 | 9 |
6 | No. 6, — | -5.72 | -24.68 | -21.8 | 14 |
7 | No. 7, — | -3.96 | -23.90 | -21.0 | 13 |
8 | No. 8, — | -1.46 | -22.67 | -18.8 | 13 |
9 | No. 1, — | -1.51 | -21.23 | -17.6 | 12 |
10 | No. 2, — | -3.46 | -25.39 | -22.2 | 15 |
11 | No. 3, — | -5.53 | -23.09 | -19.4 | 12 |
12 | No. 4, — | -2.07 | -19.80 | -16.8 | 13 |
13 | No. 5, — | -2.63 | -24.88 | -20.6 | 10 |
14 | No. 1, — | -1.81 | -25.19 | -22.0 | 15 |
15 | No. 2, — | -2.22 | -23.46 | -19.4 | 13 |
16 | No. 3, — | -3.16 | -23.68 | -20.1 | 12 |
17 | No. 4, — | -2.25 | -23.27 | -19.8 | 13 |
18 | No. 5, — | -2.75 | -26.97 | -23.1 | 15 |
19 | No. 6, — | -1.41 | -22.48 | -18.8 | 13 |
20 | No. 7, — | -2.54 | -24.60 | -20.6 | 14 |
21 | No. 8, — | -2.79 | -25.13 | -21.2 | 14 |
22 | No. 11, — | -6.24 | -28.19 | -24.7 | 14 |
23 | No. 12, — | -1.71 | -24.56 | -20.8 | 14 |
24 | No. 13, — | -3.58 | -24.97 | -21.3 | 13 |
25 | No. 14, — | -3.22 | -24.44 | -20.6 | 13 |
26 | No. 15, — | -3.50 | -24.67 | -21.4 | 14 |
27 | No. 16, — | -2.29 | -22.90 | -19.8 | 14 |
28 | No. 17, — | -4.11 | -24.78 | -21.7 | 12 |
29 | No. 18, — | -3.36 | -25.52 | -22.0 | 13 |
30 | No. 20, — | -4.62 | -25.78 | -22.6 | 14 |
31 | No. 21, — | -11.19 | -31.52 | -28.7 | 13 |
32 | No. 22, — | -7.45 | -26.63 | -23.4 | 12 |
33 | No. 23, — | -2.37 | -24.66 | -20.9 | 14 |
34 | Dance No. 1, — | -3.18 | -22.03 | -19.0 | 12 |
35 | Ecossaise No. 2, — | -2.29 | -22.41 | -18.8 | 13 |