℗ 2020 Naxos
| Released | December 4, 2020 |
| Duration | 1h 18m 21s |
| Record Label | Naxos |
| Catalogue No. | 8.574163 |
| Genre | Classical (Sacred) |
M. Haydn: Sacred Works
Jenni Harper, St. Albans Cathedral Girls Choir, Marko Sever, Lawes Baroque Players, Tom Winpenny, Emily Owen, Helen Charlston
Available in 96 kHz / 24-bit AIFF, FLAC high resolution audio formats
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Missa Sancti Nicolai Tolentini, MH 109
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1.1
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I. Kyrie eleison
Michael Haydn; Jenni Harper; St. Albans Cathedral Girls Choir; Marko Sever; Lawes Baroque Players; Tom Winpenny |
3:31 | |||
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1.2
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II. Gloria in excelsis Deo
Michael Haydn; Jenni Harper; Emily Owen; St. Albans Cathedral Girls Choir; Marko Sever; Lawes Baroque Players; Tom Winpenny |
3:16 | |||
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1.3
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III. Qui tollis
Michael Haydn; Jenni Harper; Emily Owen; St. Albans Cathedral Girls Choir; Marko Sever; Lawes Baroque Players; Tom Winpenny |
2:27 | |||
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1.4
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IV. Quoniam
Michael Haydn; Jenni Harper; Emily Owen; Marko Sever; Lawes Baroque Players; Tom Winpenny |
2:37 | |||
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1.5
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V. Cum Sancto Spiritu
Michael Haydn; St. Albans Cathedral Girls Choir; Marko Sever; Lawes Baroque Players; Tom Winpenny |
2:15 | |||
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1.6
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VI. Credo in unum Deum
Michael Haydn; Jenni Harper; Emily Owen; St. Albans Cathedral Girls Choir; Marko Sever; Lawes Baroque Players; Tom Winpenny |
2:22 | |||
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1.7
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VII. Et incarnatus est
Michael Haydn; Jenni Harper; Emily Owen; Marko Sever; Lawes Baroque Players; Tom Winpenny |
2:51 | |||
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1.8
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VIII. Et resurrexit
Michael Haydn; Jenni Harper; Emily Owen; St. Albans Cathedral Girls Choir; Marko Sever; Lawes Baroque Players; Tom Winpenny |
4:49 | |||
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1.9
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IX. Sanctus
Michael Haydn; St. Albans Cathedral Girls Choir; Marko Sever; Lawes Baroque Players; Tom Winpenny |
1:55 | |||
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1.10
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X. Benedictus
Michael Haydn; Emily Owen; St. Albans Cathedral Girls Choir; Marko Sever; Lawes Baroque Players; Tom Winpenny |
3:57 | |||
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1.11
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XI. Agnus Dei
Michael Haydn; Jenni Harper; Emily Owen; Marko Sever; Lawes Baroque Players; Tom Winpenny |
3:20 | |||
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1.12
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XII. Dona nobis pacem
Michael Haydn; Jenni Harper; Emily Owen; St. Albans Cathedral Girls Choir; Marko Sever; Lawes Baroque Players; Tom Winpenny |
3:12 | |||
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Vesperae Pro Festo Sancti Innocentium (Compiled by N. Lang)
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1.13
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Deus in adjutorium meum, MH 454
Michael Haydn; St. Albans Cathedral Girls Choir; Marko Sever; Tom Winpenny |
1:02 | |||
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1.14
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Dixit Dominus, MH 294
Michael Haydn; Jenni Harper; Emily Owen; Helen Charlston; St. Albans Cathedral Girls Choir; Marko Sever; Lawes Baroque Players; Tom Winpenny |
5:17 | |||
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1.15
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Confitebor tibi, MH 304
Michael Haydn; Jenni Harper; Emily Owen; Helen Charlston; St. Albans Cathedral Girls Choir; Marko Sever; Lawes Baroque Players; Tom Winpenny |
4:52 | |||
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1.16
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Beatus vir, MH 304
Michael Haydn; Jenni Harper; Emily Owen; Helen Charlston; St. Albans Cathedral Girls Choir; Marko Sever; Lawes Baroque Players; Tom Winpenny |
4:06 | |||
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1.17
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De profundis clamavi, MH 304
Michael Haydn; Jenni Harper; Emily Owen; Helen Charlston; St. Albans Cathedral Girls Choir; Marko Sever; Lawes Baroque Players; Tom Winpenny |
6:21 | |||
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1.18
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Memento Domine David, MH 200
Michael Haydn; St. Albans Cathedral Girls Choir; Marko Sever; Lawes Baroque Players; Tom Winpenny |
5:58 | |||
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1.19
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Salvete flores martyrum, MH 307
Michael Haydn; St. Albans Cathedral Girls Choir; Marko Sever; Tom Winpenny |
2:31 | |||
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1.20
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Magnificat, MH 294
Michael Haydn; Jenni Harper; Emily Owen; Helen Charlston; St. Albans Cathedral Girls Choir; Marko Sever; Lawes Baroque Players; Tom Winpenny |
5:46 | |||
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1.21
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Anima Nostra, MH 452
Michael Haydn; Jenni Harper; Emily Owen; Helen Charlston; St. Albans Cathedral Girls Choir; Marko Sever; Lawes Baroque Players; Tom Winpenny |
5:56 | |||
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Digital Booklet
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Michael Haydn’s colorful and inventive music is uplifting and expressive in equal measure, but his music has been eclipsed by that of his elder brother Joseph, and by Mozart. Sacred music is central to Michael Haydn’s oeuvre and was considered by some contemporary critics as superior to Joseph’s. Encompassing a broad range of textures and styles, parts of the Missa Sancti Nicolai Tolentini demonstrate Haydn’s music at its most exhilarating and energetic, and his supreme gift for empfindsames (‘sensitive’) lyrical writing is also to be heard in the Vespers.
96 kHz / 24-bit PCM – Naxos Studio Masters
| Track title | Peak (dB FS) | RMS (dB FS) | LUFS (integrated) | DR | |
Album average Range of values | -3.43 -10.39 to -0.10 | -24.23 -28.33 to -19.98 | -20.96 -25.70 to -16.10 | 12 10 to 14 | |
| 1 | I. Kyrie eleison | -1.10 | -22.50 | -19.3 | 13 |
| 2 | II. Gloria in excelsis Deo | -0.98 | -23.54 | -20.5 | 13 |
| 3 | III. Qui tollis | -4.88 | -26.24 | -23.2 | 11 |
| 4 | IV. Quoniam | -8.04 | -26.56 | -23.9 | 12 |
| 5 | V. Cum Sancto Spiritu | -0.31 | -19.98 | -16.1 | 12 |
| 6 | VI. Credo in unum Deum | -0.12 | -22.51 | -19.2 | 14 |
| 7 | VII. Et incarnatus est | -10.39 | -28.33 | -25.7 | 11 |
| 8 | VIII. Et resurrexit | -0.10 | -21.18 | -17.8 | 13 |
| 9 | IX. Sanctus | -3.18 | -23.86 | -20.8 | 13 |
| 10 | X. Benedictus | -6.45 | -27.25 | -24.3 | 12 |
| 11 | XI. Agnus Dei | -5.29 | -25.02 | -22.2 | 10 |
| 12 | XII. Dona nobis pacem | -1.18 | -22.74 | -18.9 | 14 |
| 13 | Deus in adjutorium meum, MH 454 | -1.54 | -20.62 | -16.6 | 10 |
| 14 | Dixit Dominus, MH 294 | -0.53 | -24.04 | -20.8 | 13 |
| 15 | Confitebor tibi, MH 304 | -3.95 | -24.96 | -21.7 | 13 |
| 16 | Beatus vir, MH 304 | -2.40 | -23.73 | -20.3 | 13 |
| 17 | De profundis clamavi, MH 304 | -4.16 | -25.86 | -22.4 | 14 |
| 18 | Memento Domine David, MH 200 | -8.52 | -27.38 | -24.7 | 12 |
| 19 | Salvete flores martyrum, MH 307 | -2.26 | -22.93 | -19.2 | 12 |
| 20 | Magnificat, MH 294 | -2.55 | -24.48 | -20.9 | 13 |
| 21 | Anima Nostra, MH 452 | -4.15 | -25.23 | -21.6 | 13 |