℗ 2020 Parlophone Records Limited; A Warner Classics/Erato release,
| Released | December 4, 2020 |
| Duration | 1h 05m 33s |
| Record Label | Warner Classics |
| Genre | Classical |
Beethoven: Symphony No. 6, "Pastoral" & Piano Sonata No. 17, "Tempest"
Martha Argerich, Theodosia Ntokou
Available in MQA and 96 kHz / 24-bit AIFF, FLAC high resolution audio formats
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Symphony No. 6 in F Major, Op. 68, "Pastoral"
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1.1
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I. Erwachen heiterer Empfindungen bei der Ankunft auf dem Lande. Allegro ma non troppo
Ludwig van Beethoven; Selmar Bagge; Martha Argerich; Theodosia Ntokou |
11:23 | |||
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1.2
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II. Szene am Bach. Andante molto moto (Arr. Bagge for Piano 4-Hands)
Ludwig van Beethoven; Selmar Bagge; Martha Argerich; Theodosia Ntokou |
12:23 | |||
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1.3
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III. Lustiges Zusammensein der Landleute. Allegro
Ludwig van Beethoven; Selmar Bagge; Martha Argerich; Theodosia Ntokou |
5:03 | |||
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1.4
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IV. Gewitter. Sturm. Allegro
Ludwig van Beethoven; Selmar Bagge; Martha Argerich; Theodosia Ntokou |
3:48 | |||
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1.5
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V. Hirtengesang. Frohe und dankbare Gefühle nach dem Sturm. Allegretto
Ludwig van Beethoven; Selmar Bagge; Martha Argerich; Theodosia Ntokou |
8:57 | |||
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Piano Sonata No. 17 in D Minor, Op. 31 No. 2, "Tempest"
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1.6
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I. Largo - Allegro
Ludwig van Beethoven; Theodosia Ntokou |
8:58 | |||
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1.7
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II. Adagio
Ludwig van Beethoven; Theodosia Ntokou |
8:25 | |||
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1.8
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III. Allegretto
Ludwig van Beethoven; Theodosia Ntokou |
6:36 | |||
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Digital Booklet
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Argentine pianist Martha Argerich, widely considered to be one of the greatest pianists of all time, joins up with Greek pianist Theodosia Ntokou to perform transcriptions of Beethoven's Symphony No. 6, "Pastoral" & Piano Sonata No. 17, "Tempest".
The Pastoral Symphony is a symphony composed by Ludwig van Beethoven and completed in 1808. It is one of Beethoven's few works containing explicitly programmatic content. "The Tempest" was composed in 1801–02. The name comes from a reference to a personal conversation with Beethoven by his associate Anton Schindler in which Schindler reports that Beethoven suggested, in passing response to his question about interpreting it and Op. 57, the Appassionata sonata, that he should read Shakespeare's Tempest.
96 kHz / 24-bit PCM – Warner Classics Studio Masters
| Track title | Peak (dB FS) | RMS (dB FS) | LUFS (integrated) | DR | |
Album average Range of values | -1.05 -4.94 to -0.37 | -21.88 -29.07 to -18.25 | -18.45 -25.80 to -14.60 | 14 11 to 16 | |
| 1 | I. Erwachen heiterer Empfindungen bei der Ankunft auf dem Lande. Allegro ma non troppo | -0.37 | -19.29 | -16.0 | 12 |
| 2 | II. Szene am Bach. Andante molto moto (Arr. Bagge for Piano 4-Hands) | -1.27 | -23.79 | -20.7 | 15 |
| 3 | III. Lustiges Zusammensein der Landleute. Allegro | -0.37 | -18.79 | -15.6 | 12 |
| 4 | IV. Gewitter. Sturm. Allegro | -0.37 | -18.25 | -14.6 | 11 |
| 5 | V. Hirtengesang. Frohe und dankbare Gefühle nach dem Sturm. Allegretto | -0.37 | -21.09 | -17.5 | 13 |
| 6 | I. Largo - Allegro | -0.37 | -22.55 | -18.1 | 14 |
| 7 | II. Adagio | -4.94 | -29.07 | -25.8 | 16 |
| 8 | III. Allegretto | -0.37 | -22.19 | -19.3 | 15 |